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    <title>Vernacular Architecture Forum VAN Summer 2020</title>
    <link>https://vafweb.org/</link>
    <description>Vernacular Architecture Forum blog posts</description>
    <dc:creator>Vernacular Architecture Forum</dc:creator>
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    <language>en</language>
    <pubDate>Wed, 08 Apr 2026 14:24:01 GMT</pubDate>
    <lastBuildDate>Wed, 08 Apr 2026 14:24:01 GMT</lastBuildDate>
    <item>
      <pubDate>Sun, 25 Oct 2020 15:06:40 GMT</pubDate>
      <title>VAF Received Mellon Grant for Field School</title>
      <description>&lt;p&gt;VAF is thrilled to announce the launch of a new field school program dedicated to documenting threatened African American cultural landscapes. In partnership with the University of Virginia, VAF has received support from The Andrew W. Mellon Foundation to document and interpret African American buildings and landscapes, training a new generation of students in conducting the fieldwork necessary for documenting suppressed architectural histories, while involving the relevant communities in the process.&lt;/p&gt;

&lt;p&gt;The Mellon grant will fund three different field schools launched in three consecutive summers; the schools will differ in location and type of architectural content, but all will contribute to the goal of examining architectural relevance to social history.&amp;nbsp; Louis Nelson, the PI for the grant, and Claire Dempsey, president of VAF, will head an advisory committee currently composed of Niya Bates, Jim Buckley, Kim Hoagland, and Carl Lounsbury, and intended to be expanded.&amp;nbsp; The committee will review proposals from potential field-school leadership teams comprised of scholars familiar with a range of field documentation strategies, expertise in African American history and culture, and local community partnership.&lt;/p&gt;

&lt;p&gt;Drawing from VAF’s traditional strength in documentation and expanding to engage best practices of mutuality in community partnership, the students will learn traditional and new fieldwork strategies, from making measured drawings and taking photographs to using the latest digital-capture and visualization techniques. They also will learn ethical guidelines and community engagement methods for working with residents in collecting oral histories.&lt;/p&gt;

&lt;p&gt;The program assumes that each field school will run for two field seasons and have a third season to complete a research report and the public presentation/dissemination of the work. The committee will begin taking applications in the late summer of 2021 with the expected launch of the first program in the summer of 2022.&lt;/p&gt;

&lt;p&gt;“Standing at the heart of this proposal is the assumption that architectural historians have an important opportunity and responsibility to engage the contested histories of race in America,” Nelson argued in the application to Mellon. “This series of summer programs will provide an important catalyst for the fields of historic preservation, and for social justice scholars who endeavor to uncover suppressed and erased histories of marginalized people, as we train the next generation of scholars and practitioners in the fieldwork techniques that characterize Vernacular Architecture Forum’s close study of the built environment.”&lt;/p&gt;

&lt;p&gt;This winter, the VAF website will upload a page with more detailed information about this initiative, including how to develop a proposal to direct a field school.&lt;/p&gt;</description>
      <link>https://vafweb.org/VAN-Summer-2020/9323364</link>
      <guid>https://vafweb.org/VAN-Summer-2020/9323364</guid>
      <dc:creator>Christine R Henry</dc:creator>
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      <pubDate>Sun, 25 Oct 2020 15:00:00 GMT</pubDate>
      <title>VAF Conducts First Online Election</title>
      <description>&lt;p&gt;One of the important tasks that VAF accomplishes at its annual meeting is voting on board members.&amp;nbsp; This year the annual meeting, like our papers session, was held virtually.&amp;nbsp; Thanks to the tireless work of many, VAF also held our elections electronically, and below is the slate of new board members:&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Executive Committee&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;Second Vice President: Kim Hoagland, Michigan Technological University (2022)&lt;/p&gt;

&lt;p&gt;Secretary Secretary: Paula Mohr, Independent Historian &amp;nbsp;(2025)&lt;br&gt;&lt;/p&gt;

&lt;p&gt;President-elect: James Buckley, University of Oregon&lt;/p&gt;

&lt;p&gt;&lt;br&gt;&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;New board members to serve 2020-2023&lt;/strong&gt;&lt;br&gt;&lt;/p&gt;

&lt;p&gt;Vyta Baselice, Graduate Student, George Washington University&lt;/p&gt;

&lt;p&gt;P.J. Carlino, The New School/Parsons&lt;/p&gt;

&lt;p&gt;Daniel De Sousa, Heritage Documentation Programs, National Park Service&lt;/p&gt;

&lt;p&gt;Philip Herrington, James Madison University&lt;/p&gt;

&lt;p&gt;Heather Barrett, Maryland Historical Trust has also been elected to fulfill the remainder of Jobie Hill's vacated spot on the board through 2021&lt;/p&gt;

&lt;p&gt;Congratulations to the new board!&lt;/p&gt;</description>
      <link>https://vafweb.org/VAN-Summer-2020/9323313</link>
      <guid>https://vafweb.org/VAN-Summer-2020/9323313</guid>
      <dc:creator>Christine R Henry</dc:creator>
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      <pubDate>Sun, 25 Oct 2020 14:55:00 GMT</pubDate>
      <title>Call for Papers and Posters VAF 2021 Annual Conference, due November 10</title>
      <description>&lt;p&gt;&lt;font style="font-size: 16px;"&gt;The &lt;a href="http://www.vafweb.org/" target="_blank"&gt;Vernacular Architecture Forum&lt;/a&gt; invites paper and poster proposals for its 42nd Annual Conference, Vernacular Landscapes of San Antonio and Central Texas, May 19 to May 22, 2021 in San Antonio, Texas. The paper and poster sessions will be on Saturday, May 22. Papers may address topics relating to vernacular and everyday buildings, sites, or cultural landscapes worldwide and how people use these sites. Submissions on all relevant topics are welcome. We encourage papers focusing on vernacular architecture and cultural landscapes of Texas, as well as issues of displacement, migration, acculturation of immigrants and natives, revival architecture, and peoples in slavery and freedom in borderlands.&amp;nbsp;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font color="#000000" style="font-family: Arial, Helvetica, sans-serif; font-size: 16px;"&gt;Students and young professionals may apply for the &lt;a href="https://www.vafweb.org/Simpson-presenters" style=""&gt;Pamela H. Simpson Presenter’s Fellowships&lt;/a&gt; offering support of up to $500 for presenting papers at VAF’s annual conference.&amp;nbsp;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font color="#000000" style="font-family: Arial, Helvetica, sans-serif; font-size: 16px;"&gt;CALL FOR PAPERS&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;Papers should be analytical rather than descriptive, and no more than twenty minutes in length. Proposals for complete sessions are welcome.&amp;nbsp; Proposals should clearly state the argument of the paper and explain the methodology and content in fewer than 400 words. Make sure to indicate if your proposal is being submitted as part of a complete session.&amp;nbsp; Please include the paper title, author’s name, email address, and a one-page c.v.&amp;nbsp; You may include up to two images with your submission. Note that presenters must deliver their papers in person and be VAF members at the time of the conference. Speakers are expected to attend the entire conference. Speakers must register by March 1, 2021, or their paper will be withdrawn. Please do not submit a proposal if you are not committed to attending the conference and delivering your paper on Saturday, May 22, 2021.&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;If your 2020 paper proposal for San Antonio was accepted and you did &lt;span&gt;not&lt;/span&gt; participate in the virtual event after the conference postponement, you must resubmit if you wish to give a paper in 2021.&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;&lt;strong&gt;THE DEADLINE FOR PAPER PROPOSALS IS NOVEMBER 10, 2020&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font style="font-size: 16px;"&gt;&lt;font color="#000000"&gt;The proposals and c.v. should be emailed as a PDF attachment to the&lt;/font&gt; &lt;a href="mailto:papers@vafweb.org" target="_blank" style=""&gt;&lt;font style="" color="#CC3300"&gt;papers committee&lt;/font&gt;&lt;/a&gt;&lt;font color="#000000"&gt;. All proposals received will be acknowledged. If you do not receive an acknowledgement of receipt of your paper within one week of its submission, please contact Papers Committee chair&lt;/font&gt; &lt;a href="mailto:sam9@psu.edu" target="_blank" style=""&gt;&lt;font style="" color="#CC3300"&gt;Sally McMurry&lt;/font&gt;&lt;/a&gt;&lt;font color="#000000"&gt;.&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;&lt;strong&gt;&amp;nbsp;&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;&lt;strong&gt;PAMELA H. SIMPSON PRESENTER’S FELLOWSHIPS&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font style="font-size: 16px;"&gt;&lt;font color="#000000"&gt;VAF’s Pamela H. Simpson Presenter’s Fellowships offer a limited amount of financial assistance to students and young professionals presenting papers at VAF’s annual conference. Awards are intended to offset travel and registration costs for students, and to attract developing scholars to the organization. Any person presenting a paper who is currently enrolled in a degree-granting program, or who received a degree in 2020 is eligible to apply. Awards cannot exceed $500. Previous awardees are ineligible, even if their status has changed. Recipients are expected to participate fully in the conference, including tours&amp;nbsp;&lt;/font&gt;and workshops.&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;To apply, submit with your proposal a one-page attachment with "Simpson Presenter’s Fellowship" at the top and the following information: 1) name, 2) institution or former institution, 3) degree program, 4) date of degree (received or anticipated), 5) mailing address, 6) permanent email address, 7) telephone number, and 8) paper title.&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;&lt;strong&gt;CALL FOR POSTERS&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;VAF 2021 San Antonio also will host the annual poster session to showcase recently completed research and works-in-progress. Students and emerging scholars are particularly encouraged to submit. The poster proposal may address any topic relating to vernacular and everyday buildings, sites, or cultural landscapes worldwide as described in the first paragraph of this document.&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font style="font-size: 16px;"&gt;&lt;font color="#000000"&gt;Proposals should include a title, proposal (no more than 200 words), and a one-page c.v. Accepted presenters will be expected to follow general guidelines regarding poster dimensions but must design, print, and present their posters at the conference.&amp;nbsp; If your 2020 poster proposal for San Antonio was accepted and you did&lt;/font&gt; &lt;span style="color: rgb(0, 0, 0);"&gt;not&lt;/span&gt; &lt;font color="#000000"&gt;participate in the virtual event after the conference postponement, you must resubmit if you wish to present a poster in 2021. If you have any questions about the posters session, please contact Posters Committee chair&lt;/font&gt; &lt;a href="mailto:jpgruen@wsu.edu" target="_blank" style=""&gt;&lt;font style="" color="#CC3300"&gt;Phil Gruen&lt;/font&gt;&lt;/a&gt;&lt;font color="#000000"&gt;.&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;&lt;strong&gt;THE DEADLINE FOR POSTER PROPOSALS IS NOVEMBER 10, 2020&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font style="font-size: 16px;"&gt;&lt;font color="#000000"&gt;The proposals and c.v. should be emailed as a PDF attachment to the&lt;/font&gt; &lt;a href="mailto:posters@vafweb.org" target="_blank" style=""&gt;&lt;font style="" color="#CC3300"&gt;posters committee&lt;/font&gt;&lt;/a&gt;&lt;font color="#000000"&gt;. All proposals received will be acknowledged. &amp;nbsp;If you do not receive an acknowledgement of receipt of your poster within one week of its submission, please contact Posters Committee chair&lt;/font&gt; &lt;a href="mailto:jpgruen@wsu.edu" target="_blank" style=""&gt;&lt;font style="" color="#CC3300"&gt;Phil Gruen.&lt;/font&gt;&lt;/a&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;&lt;strong style=""&gt;&lt;br&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;&lt;strong style=""&gt;COVID-19:&lt;/strong&gt; We recognize that COVID-19 makes all plans uncertain. We hope that the pandemic will have subsided by next May, but if it has not we will be in touch with presenters regarding alternate conference plans.&amp;nbsp;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font style="font-size: 16px;"&gt;&lt;strong style="color: rgb(0, 0, 0);"&gt;GENERAL INFORMATION:&lt;/strong&gt; &lt;font color="#000000"&gt;For general information about the San Antonio conference, please visit the&lt;/font&gt; &lt;a href="http://www.vernaculararchitectureforum.org/" target="_blank" style=""&gt;&lt;font style="" color="#CC3300"&gt;VAF website&lt;/font&gt;&lt;/a&gt; &lt;font color="#000000"&gt;or contact Michelle Weaver Jones,&lt;/font&gt; &lt;a href="mailto:conference@vafweb.org" target="_blank" style=""&gt;&lt;font style="" color="#CC3300"&gt;VAF Conference Planner&lt;/font&gt;&lt;/a&gt;&lt;font color="#000000"&gt;.&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;</description>
      <link>https://vafweb.org/VAN-Summer-2020/9228266</link>
      <guid>https://vafweb.org/VAN-Summer-2020/9228266</guid>
      <dc:creator>Christine R Henry</dc:creator>
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      <pubDate>Sun, 25 Oct 2020 14:50:00 GMT</pubDate>
      <title>Call for Nominations: Abbott Lowell Cummings Award due December 15</title>
      <description>&lt;p&gt;The &lt;a href="https://www.vafweb.org/Cummings-Award" target="_blank"&gt;Abbott Lowell Cummings Award&lt;/a&gt;, named after the founding president of the Vernacular Architecture Forum, is awarded annually to the book that has made the most significant contribution to the study of vernacular architecture and cultural landscapes. In judging the nominated works, the jurors look for a publication that:&lt;/p&gt;

&lt;ul&gt;
  &lt;li&gt;is based on primary research;&lt;/li&gt;

  &lt;li&gt;emphasizes fieldwork that takes seriously the materiality of architecture and landscapes, and draws on particular elements of environments as evidence;&lt;/li&gt;

  &lt;li&gt;breaks new ground in interpretation or methodology; and&lt;/li&gt;

  &lt;li&gt;contributes generally to the intellectual vitality of vernacular studies in North America.&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;Entries may come from any discipline concerned with vernacular architecture studies. Books published&amp;nbsp;from January 2019 through December 2020&amp;nbsp;are eligible for consideration.&amp;nbsp;Edited collections of previously published materials are not eligible.&lt;/p&gt;

&lt;p&gt;In the past five years, the following books have received the Cummings Award:&lt;/p&gt;

&lt;ul&gt;
  &lt;li&gt;&lt;em&gt;Border Land, Border Water: A History of Construction on the U.S.-Mexico Divide,&lt;/em&gt; by C.J. Alvarez (University of Texas Press)&lt;/li&gt;

  &lt;li&gt;&lt;em&gt;Spaces in Translation: Japanese Gardens in the West&lt;/em&gt;, by Christian Tagsold (Penn Press)&lt;/li&gt;

  &lt;li&gt;&lt;em&gt;California Mission Landscapes: Race, Memory, and the Politics of Heritage&lt;/em&gt;, by Elizabeth Kryder-Reid (University of Minnesota Press)&lt;/li&gt;

  &lt;li&gt;&lt;em&gt;Architecture and Empire in Jamaica&lt;/em&gt;, by Louis Nelson (Yale University Press)&lt;/li&gt;

  &lt;li&gt;&lt;em&gt;Building Zion: The Material World of the Mormon Settlement&lt;/em&gt;, by Thomas Carter (University of Minnesota Press)&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;&lt;br&gt;&lt;/p&gt;

&lt;p&gt;Please send your nominations to&amp;nbsp;&lt;a href="mailto:cummingsaward@vafweb.org" target="_blank"&gt;cummingsaward@vafweb.org&lt;/a&gt;&amp;nbsp;by December 15, 2020.&amp;nbsp;&lt;/p&gt;

&lt;p&gt;&amp;nbsp;&lt;/p&gt;

&lt;p&gt;More information is available at:&amp;nbsp;&lt;a href="http://www.vafweb.org/Cummings-Award" data-saferedirecturl="https://www.google.com/url?q=http://www.vafweb.org/Cummings-Award&amp;amp;source=gmail&amp;amp;ust=1603634975161000&amp;amp;usg=AFQjCNH2LoZNesVZ_VUW8dcvtx8B51uvrg" target="_blank"&gt;http://www.vafweb.org/Cummings-Award&lt;/a&gt;&lt;/p&gt;</description>
      <link>https://vafweb.org/VAN-Summer-2020/9323402</link>
      <guid>https://vafweb.org/VAN-Summer-2020/9323402</guid>
      <dc:creator>Christine R Henry</dc:creator>
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      <pubDate>Sun, 25 Oct 2020 14:40:00 GMT</pubDate>
      <title>Available Funds!  VAF's Orlando Ridout V Fieldwork Fellowship</title>
      <description>&lt;p&gt;&lt;img src="https://www.vafweb.org/resources/Pictures/VAN/20-4/Ken%20Short%20Fieldwork.JPG" alt="VAF member Ken Short at Doughoregan Manor in Howard County, MD." title="VAF member Ken Short at Doughoregan Manor in Howard County, MD." border="0" width="500" height="335" align="left" style="margin: 10px;"&gt;Funds for field schools, fieldwork related to scholarly research, and field-based continuing education are still available in 2020 through the Orlando Ridout V Fieldwork Fellowship. Although the Ridout Fellowship is well utilized by field school directors and students attending various programs, there are several other funding opportunities with this award. Because so many field schools had to cancel sessions this year due to the COVID pandemic, we wanted to highlight the other categories in which this fellowship can be immensely helpful to both students and professionals. Students may also apply to assist with research and fieldwork for the preparation of a thesis or dissertation, and practicing professionals and scholars may apply for continuing education as related to fieldwork or for actual fieldwork that compliments archival research.&lt;/p&gt;

&lt;p&gt;Funding categories include:&amp;nbsp;&lt;/p&gt;

&lt;p&gt;1)&amp;nbsp;&amp;nbsp;&amp;nbsp; Field school directors (VAF members) may apply for grants of up to $1,000 to support their programs and/or provide financial aid to participants;&lt;/p&gt;

&lt;p&gt;2)&amp;nbsp;&amp;nbsp;&amp;nbsp; Students participating in field schools or other training opportunities may apply for stipends of up to $500 to attend such programs (prior VAF membership not required);&lt;/p&gt;

&lt;p&gt;3)&amp;nbsp;&amp;nbsp;&amp;nbsp; VAF members may apply for grants up to $500 to support continuing education and professional training activities;&lt;/p&gt;

&lt;p&gt;4)&amp;nbsp;&amp;nbsp;&amp;nbsp; VAF members may apply for grants of up to $1,000 for support of fieldwork activities related to the pursuit of academic degrees;&lt;/p&gt;

&lt;p&gt;5)&amp;nbsp;&amp;nbsp;&amp;nbsp; VAF members may apply for grants of up to $1,000 to support fieldwork activities not related to fulfillment of academic degree requirements.&lt;/p&gt;

&lt;p&gt;Please take advantage of this opportunity! For more information, see: &lt;a href="https://www.vernaculararchitectureforum.org/Ridout-Fellowship" target="_blank"&gt;https://www.vernaculararchitectureforum.org/Ridout-Fellowship&lt;/a&gt;&lt;/p&gt;</description>
      <link>https://vafweb.org/VAN-Summer-2020/9323430</link>
      <guid>https://vafweb.org/VAN-Summer-2020/9323430</guid>
      <dc:creator>Christine R Henry</dc:creator>
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      <pubDate>Sun, 25 Oct 2020 14:30:00 GMT</pubDate>
      <title>Call for Nominations: VAF Advocacy Award 2021 due January 4, 2021</title>
      <description>&lt;p&gt;The Vernacular Architecture Forum seeks nominations for the 2021 &lt;a href="https://www.vafweb.org/Advocacy" target="_blank"&gt;VAF Advocacy Award&lt;/a&gt;. The application deadline is &lt;strong&gt;January 4, 2021&lt;/strong&gt;.&lt;/p&gt;

&lt;p&gt;The VAF Advocacy Award recognizes exemplary efforts and achievements on behalf of the vernacular built heritage. The award honors individuals and groups for exceptional&amp;nbsp;contributions toward the interpretation, appreciation, and protection of vernacular buildings and cultural landscapes and recognizes outstanding initiative, commitment, and action to promote and protect vernacular resources. The award may be made in recognition of a specific effort or a long-term record. Awardee will be given two full registrations to the VAF conference and a certificate of excellence.&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Eligibility&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;Any public or private entity or individual in North America may be nominated.&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Nominations&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;Nominations should include the following:&lt;/p&gt;

&lt;p&gt;1. A summary paragraph of the nominee’s advocacy effort or highlights of the nominee’s long-term advocacy work.&lt;/p&gt;

&lt;p&gt;2. A 1000-word narrative that explains how the nominee’s work has contributed to the appreciation and protection of vernacular buildings and/or cultural landscapes. This narrative should include information about the vernacular resources and their history that were the object of the nominee’s advocacy efforts, emphasizing the public outreach—such as curricula, print media, websites, social media, and public speaking—that is the basis for the nomination.&lt;/p&gt;

&lt;p&gt;3. A description of people and organization partners that contributed to the advocacy effort.&lt;/p&gt;

&lt;p&gt;4. For advocacy over a career, a timeline or chronology noting the highlights of the nominee’s advocacy.&lt;/p&gt;

&lt;p&gt;5. Images of the vernacular resources that were the focus of the advocacy effort and&lt;/p&gt;

&lt;p&gt;events that contributed to the effort and links to websites or other relevant digital outreach developed for the nominated project.&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Submissions&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;Please submit nomination materials electronically in a single zip file OR as a link to a single downloadable file on a cloud drive to &lt;a href="mailto:advocacy@vafweb.org" target="_blank"&gt;advocacy@vafweb.org&lt;/a&gt;. Should the file size exceed 50MB, please communicate with us at the same address.&amp;nbsp; If you must send a paper or hard copy of your nomination and its supporting documentation, please email us so that we may make alternate arrangements.&lt;/p&gt;

&lt;p&gt;Hard copies should be sent to:&lt;/p&gt;

&lt;p&gt;Carter L. Hudgins&lt;/p&gt;

&lt;p&gt;70 Bull Street&lt;/p&gt;

&lt;p&gt;Charleston, SC 29401&lt;/p&gt;

&lt;p&gt;The application deadline for 2021 VAF Advocacy Award is &lt;strong&gt;January 4, 2021&lt;/strong&gt;.&lt;/p&gt;</description>
      <link>https://vafweb.org/VAN-Summer-2020/9323449</link>
      <guid>https://vafweb.org/VAN-Summer-2020/9323449</guid>
      <dc:creator>Christine R Henry</dc:creator>
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      <pubDate>Sun, 25 Oct 2020 14:30:00 GMT</pubDate>
      <title>B&amp;L Announces New Editors</title>
      <description>&lt;p&gt;After a fruitful search,&amp;nbsp;&lt;a href="https://www.vafweb.org/buildingsandlandscapes" target="_blank"&gt;&lt;em&gt;Buildings &amp;amp; Landscapes: The Journal of the Vernacular Architecture Forum&lt;/em&gt;&amp;nbsp;&lt;/a&gt;is pleased to announce two new members of its editorial team: Rachel Leibowitz and Michael J. Chiarappa. Michael will replace Carl Lounsbury beginning next spring as the journal's co-editor, to serve with Lydia Mattice Brandt. Rachel will step in for our current book review editors, Andrew Johnston and Jessica Ellen Sewell, next spring. Thank you to Lydia Mattice Brandt, Claire Dempsey, Cynthia Falk, and Brian Goldstein for serving on the editorial search committee.&lt;/p&gt;&lt;strong&gt;Michael J. Chiarappa&lt;/strong&gt;&amp;nbsp;received his Ph.D. from the University of Pennsylvania and is Professor of History at Quinnipiac University. He is co-author of&amp;nbsp;&lt;em&gt;Fish for All: An Oral History of Multiple Claims and Divided Sentiment on Lake Michigan&lt;/em&gt;&amp;nbsp;(2003), co-editor of&amp;nbsp;&lt;em&gt;Nature’s Entrepot: Philadelphia’s Urban Sphere and its Environmental Thresholds&lt;/em&gt;&amp;nbsp;(2012) and the author of articles focusing on vernacular architecture and landscapes, and marine environmental history. A graduate of the Munson Institute of American Maritime Studies, he has worked with museums and government agencies on maritime-related programming, including the Bayshore Center at Bivalve, the New Bedford Fishing Heritage Center, the Smithsonian Institution, and the National Park Service. A former board member of the Vernacular Architecture Forum, he serves on the editorial board of&amp;nbsp;Buildings &amp;amp; Landscapes.

&lt;p&gt;&lt;strong&gt;Rachel Leibowitz&lt;/strong&gt;&amp;nbsp;is an assistant professor in the Department of Landscape Architecture at the State University of New York College of Environmental Science and Forestry and a co-director of its Center for Cultural Landscape Preservation. Her current research projects examine the popularity of “the Japanese style” in midcentury residential design, the development of Chicago’s water filtration plants, and “the Lincoln elm” planted at the Lincoln Home National Historic Site in Springfield, Illinois. Before relocating to Syracuse in 2018, Rachel served for five years as the Division Head of the Illinois State Historic Preservation Office and Deputy State Historic Preservation Officer. She has taught courses in the history of architecture and landscape architecture at the University of Texas at Austin and the University of Illinois at Urbana-Champaign. She currently serves on the board of the Preservation Association of Central New York and is a past board member of both the Alliance for Historic Landscape Preservation and the Vernacular Architecture Forum.&lt;/p&gt;</description>
      <link>https://vafweb.org/VAN-Summer-2020/9323293</link>
      <guid>https://vafweb.org/VAN-Summer-2020/9323293</guid>
      <dc:creator>Christine R Henry</dc:creator>
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      <pubDate>Sun, 25 Oct 2020 14:05:00 GMT</pubDate>
      <title>VAF-NE Annual Meeting November 7, registration open</title>
      <description>&lt;p&gt;The VAF-NE Chapter Annual Meeting, scheduled for&amp;nbsp;&lt;strong&gt;Saturday, 7 November 2020&lt;/strong&gt;&amp;nbsp;will be held virtually as a Zoom meeting.&amp;nbsp; The Annual Meeting Conference will run from 9:20 am to about 1:50 pm Eastern Standard Time.&lt;/p&gt;

&lt;p&gt;The program of presentations, as originally planned for April 2020, remains the same, but the length of the day is shorter as there will be no extended lunch break but rather just one short break mid-day.&amp;nbsp; This will allow for a shorter day while maintaining the same content.&amp;nbsp; The papers will be pre-recorded, but each speaker will be introduced live before each presentation.&amp;nbsp; A live question-and-answer session will follow each presentation.&amp;nbsp;&lt;/p&gt;

&lt;p&gt;You can find the list of presentations at &lt;a href="http://www.vafweb.org/VAF-NE_2020ConferenceSchedule." target="_blank"&gt;VAF-NE Conference Schedule&lt;/a&gt;.&lt;/p&gt;

&lt;p&gt;To sign up for the program, please go to the &lt;a href="http://www.vafweb.org/event-3999320" target="_blank"&gt;VAF website&lt;/a&gt;&amp;nbsp;events page.&lt;/p&gt;

&lt;p&gt;The registration fee is $10.00.&amp;nbsp; Registration is open to all, but non-members will need to make a free account &lt;a href="http://vafweb.org/2020guest" target="_blank"&gt;here&lt;/a&gt; first.&amp;nbsp;&amp;nbsp;&lt;strong&gt;For those who registered for the conference last spring we will contact you separately.&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;REGISTRATION CLOSES &lt;strong&gt;NOVEMBER 6&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;We look forward to an exciting day and hope that you can join us.&lt;/p&gt;</description>
      <link>https://vafweb.org/VAN-Summer-2020/9228294</link>
      <guid>https://vafweb.org/VAN-Summer-2020/9228294</guid>
      <dc:creator>Christine R Henry</dc:creator>
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      <pubDate>Sun, 25 Oct 2020 14:00:00 GMT</pubDate>
      <title>Field Notes: Challenges in Utah</title>
      <description>&lt;p align="left"&gt;&lt;font style="font-size: 16px;"&gt;&lt;font color="#000000"&gt;by Alison Stone,&amp;nbsp;&lt;/font&gt;&lt;span style=""&gt;&lt;font color="#000000"&gt;Utah-VAF Legacy Project Coordinator&lt;/font&gt;&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;&lt;img src="https://www.vafweb.org/resources/Pictures/VAN/20-4/Goshen%20Team.png" alt="Goshen House Drawing Team" title="Goshen House Drawing Team" border="0" style="margin: 10px;" width="300" height="200" align="left"&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;&lt;br&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;Wednesday, July 8, members of the Utah-VAF Legacy Project met to document a building on a ranch in Goshen, Utah.&amp;nbsp; We came with masks, gloves, gel and wipes in homage to the new normal of measured drawing during a pandemic.&amp;nbsp; The building was already known to some members of the group because it is a wonderful example of a Utah pioneer adobe home and unique in its Italianate style. &amp;nbsp;The impetus for us assembling at the property was the owner of the ranch, Anna-Marie, who is very attached to the building and has dreams of stabilizing or even restoring it.&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;When we arrived at the ranch, we were disheartened to see the state of deterioration the building was in. Seeing the&lt;/font&gt; &lt;font color="#000000"&gt;&lt;font style="font-size: 16px;"&gt;hous&lt;/font&gt;e &lt;font style=""&gt;through our eyes,&lt;/font&gt;&lt;/font&gt;&lt;img src="https://www.vafweb.org/resources/Pictures/VAN/20-4/Front%20Facade%20with%20anti%20horse%20fencing.png" alt="Front Facade with Anti-Horse Fencing" title="Front Facade with Anti-Horse Fencing" border="0" width="300" height="200" style="margin: 10px;" align="left"&gt; &lt;font&gt;&lt;font style=""&gt;&lt;font color="#000000"&gt;Anna-Marie, spoke about how she regretted not starting the process earlier.&amp;nbsp; Her family has owned the ranch for 85 years and the building has always been there so she, like many owners in the same situation, didn’t feel the urgency&lt;/font&gt; &lt;font color="#000000"&gt;to get started on saving it. &lt;img src="https://www.vafweb.org/resources/Pictures/VAN/20-4/Picture1.png" alt="" title="" border="0" width="211" height="250" align="right" style="margin: 10px;"&gt;The house is surrounded by a horse corral and over the years the horses have licked the corner adobe bricks for the minerals in the clay.&amp;nbsp;More fences were built to keep them away which made access for our documentation purposes challenging. In recent years, the deterioration has progressed exponentially: an entire façade of the building has collapsed leaving a pile of adobe bricks, the interior staircase is now completely exposed and the landing from the top of the stairs is lying on the ground.&amp;nbsp;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;&lt;img src="https://www.vafweb.org/resources/Pictures/VAN/20-4/Far%20Right%20Corner%20Indented%20Where%20Horses%20Licked%20the%20Adobe%20Bricks.png" alt="Far Right Corner Indented Where Horses Licked the Adobe Bricks" title="Far Right Corner Indented Where Horses Licked the Adobe Bricks" border="0" width="300" height="200" align="left" style="margin: 10px;"&gt;According to Cory Jensen, Utah National Register Coordinator, there are no records of the history of this building. Everyone is depending on the owner to fill in its story.&amp;nbsp; Anna-Marie has started reaching out to local families she believes were connected with the ranch before her family.&amp;nbsp; She was kind enough to forward emails to me from the Trotter family.&amp;nbsp; Mr. Trotter wrote about a four room house built by his great grandfather, the Mormon Bishop of Goshen, William Price for his second wife, Mary Ann Gardner.&amp;nbsp; As a bride, Mary Ann didn’t like living in the same house with the first wife so the Bishop built her a house in 1881.&lt;a href="#_ftn1" name="_ftnref1"&gt;&lt;sup&gt;&lt;sup&gt;&lt;font&gt;[1]&lt;/font&gt;&lt;/sup&gt;&lt;/sup&gt;&lt;/a&gt; However, Mr. Trotter’s email is vague as to location and describes the house being on 5 acres or half a city block.&amp;nbsp; Anna-Marie’s house is outside the current town of Goshen.&lt;/font&gt;&lt;/p&gt;&lt;img src="https://www.vafweb.org/resources/Pictures/VAN/20-4/fallen%20exterior%20wall.png" alt="Fallen Exterior Wall" title="Fallen Exterior Wall" border="0" width="200" height="300" align="right" style="color: rgb(0, 0, 0); margin: 10px;"&gt;

&lt;p&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;An alternative story of the building comes from Anna-Marie’s family; that it was used as a stagecoach station for overnight guests. The current floor plan of the building would support this: first floor with a foyer and one large room and a back closet for storage, second floor with a hall and three small bedrooms.&amp;nbsp; There were two types of stations which served stagecoaches: swing and home.&amp;nbsp; The former was for quick stops to stretch your legs and the later served food and housed people overnight. My&amp;nbsp;&lt;/font&gt;&lt;font color="#000000"&gt;cursory search of stagecoach routes from Salt Lake City show them going directly to California in a westerly route and not towards Goshen (southwest).&amp;nbsp; However, the Mormon Trail to California was built in the 1840s to go from Salt Lake City to Los Angeles via Southern Utah and Las Vegas. My guess is that there could have been stagecoaches using this route in the later 1800s. Modern day I-15 closely follows the path of the old trail.&lt;/font&gt;&lt;/p&gt;&lt;img src="https://www.vafweb.org/resources/Pictures/VAN/20-4/Pile%20of%20Fallen%20Bricks%20and%20Upstairs%20Landing.png" alt="Pile of Fallen Bricks and Upstairs Landing" title="Pile of Fallen Bricks and Upstairs Landing" border="0" width="248" height="300" style="margin: 10px;" align="left"&gt;

&lt;p&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;Our day of measured drawing highlights some of the challenges facing historic preservation agencies and families who own historic sites. So many questions about places evade answers through lack of any obvious records or existing research and having the time to conduct that research.&amp;nbsp; Owners also face the issues of time and money; whether to do their own research and the reality of how waiting can increase the costs of restoration or even stabilization. In this case, Anna-Marie is determined to do both.&amp;nbsp; &lt;img src="https://www.vafweb.org/resources/Pictures/VAN/20-4/Tree%20Limbs%20Resting%20on%20the%20House.png" alt="Tree Limbs Resting on House" title="Tree Limbs Resting on House" border="0" width="220" height="250" style="margin: 10px;" align="right"&gt;Realizing she let time get away from her, she has marshaled her extensive family to clear away tree limbs from the house, remove the detritus and move all the fallen bricks into a shed.&amp;nbsp;She hopes to find grants to bring the building back to the way it was in the 1800s.&amp;nbsp; I sincerely hope she achieves her goal and the group who spent the day there are very happy to have a record of this unique and charming building.&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font style="font-size: 16px;"&gt;&lt;a href="#_ftnref1" name="_ftn1"&gt;&lt;sup&gt;&lt;sup&gt;&lt;font&gt;[1]&lt;/font&gt;&lt;/sup&gt;&lt;/sup&gt;&lt;/a&gt; Trotter, Louise Price, &lt;em&gt;History of Mary Ann Gardner Price, by her Daughter,&lt;/em&gt; p. 3.&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;br&gt;&lt;/p&gt;</description>
      <link>https://vafweb.org/VAN-Summer-2020/9228317</link>
      <guid>https://vafweb.org/VAN-Summer-2020/9228317</guid>
      <dc:creator>Christine R Henry</dc:creator>
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      <pubDate>Sun, 25 Oct 2020 10:30:00 GMT</pubDate>
      <title>Call for Abstracts: Landscapes of Slavery, Landscapes of Freedom due March 15, 2021</title>
      <description>&lt;p align="center"&gt;&lt;strong&gt;Landscapes of Slavery, Landscapes of Freedom:&lt;/strong&gt;&lt;/p&gt;

&lt;p align="center"&gt;&lt;strong&gt;The African diaspora and the American built environment&lt;/strong&gt;&lt;/p&gt;

&lt;p align="center"&gt;Harvard Graduate School of Design&lt;/p&gt;

&lt;p align="center"&gt;November 5-7, 2021&lt;/p&gt;

&lt;p&gt;Histories of the Atlantic world have focused both on the adaptation of ideas from the Old Continent to the new and on the material and cultural exchanges occurring throughout the centuries. To complement this scholarship, studies have been conducted on the slave trade between West Africa, mainland North America and the Caribbean, which formed the base of plantation economy and helped build the fortunes of many landowners in the colonial and antebellum period of the republic. Recent scholarship has acknowledged the violence of the archive of white records of slavery that have silenced the voices of the enslaved, and this work has sought to recover the experiences and vantage points of slavery’s victims.&lt;/p&gt;

&lt;p&gt;This forum will address a more specific set of questions that have to do not only with the unique contribution the forced labor of the African diaspora and Afro-descendants brought to the plantation economy, but also with the potential exchange of knowledge about gardening and cultivation practices across the Atlantic, both from West Africa and between the Caribbean and mainland North America. On occasion the cultivation of specific staple crops such as rice depended upon the expertise of the enslaved. More generally, many of those forced to labor on their masters’ plantations simultaneously worked on small plots of land within their quarters, enabling them to exercise limited agency with regard to the extent and type of crop cultivation for their own use and consumption. When slavery legally ended, the exploitation of black labor continued, although over time black land-ownership increased and perhaps involved different approaches to land use than was common among white small-holders. Reconstructing these histories and those of the environments Africans built and cultivated for others and for themselves is challenging, as there is only a limited archival record that contains few enslaved voices.&lt;/p&gt;

&lt;p&gt;This conference seeks to engage with the work of archaeologists, ethnobotanists, cultural geographers, anthropologists, and of experts in African American Studies and oral history in order to form a more complete picture of the African contribution to the shaping of the North American landscape.&lt;/p&gt;

&lt;p&gt;Proposals for unpublished papers are welcome from scholars in any field. Topics might include (but are not limited to) such subjects as:&lt;/p&gt;

&lt;p&gt;• the relationship between place-making and slave labor in North America and its cultural, social and economic underpinnings.&lt;/p&gt;

&lt;p&gt;• the adaptation of imported African horticultural and agricultural knowledge in the Caribbean and North America.&lt;/p&gt;

&lt;p&gt;• the exchange of knowledge related to agricultural and gardening practices between the Caribbean and the North American mainland.&lt;/p&gt;

&lt;p&gt;• Atlantic World foodways.&lt;/p&gt;

&lt;p&gt;• crop cultivation and food growing practices on plantation sites indebted to forced labor.&lt;/p&gt;

&lt;p&gt;• the ways in which slavery and forced labor made intensive cultivation and production possible.&lt;/p&gt;

&lt;p&gt;• the place-making of former slaves in both rural and urban environments.&lt;/p&gt;

&lt;p&gt;Abstracts of no more than 500 words are to be headed with the applicant’s name, title of the paper, professional affiliation, and contact information. A two-page CV should also be included in the submission. Please send proposals by &lt;strong&gt;March 15, 2021&lt;/strong&gt; to: Raffaella Fabiani Giannetto, Graduate School of Design, Harvard University. Email: &lt;a href="mailto:rfabiani@gsd.harvard.edu" target="_blank"&gt;rfabiani@gsd.harvard.edu&lt;/a&gt;&amp;nbsp;&lt;/p&gt;

&lt;p&gt;Authors of accepted proposals will be required to submit the complete text of their papers by June 15, and carry out potential revisions by August 30, 2021, after which the symposium chair will circulate them among the speakers. Publication of the essays presented at the conference is anticipated.&lt;/p&gt;</description>
      <link>https://vafweb.org/VAN-Summer-2020/9323427</link>
      <guid>https://vafweb.org/VAN-Summer-2020/9323427</guid>
      <dc:creator>Christine R Henry</dc:creator>
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      <pubDate>Sun, 25 Oct 2020 09:00:00 GMT</pubDate>
      <title>Attention Student Architectural Historians: Sally Kress Thompkins Fellowship application open now</title>
      <description>&lt;p&gt;&lt;font style="font-size: 16px;"&gt;&lt;font color="#141823" style="color: rgb(0, 0, 0);"&gt;&lt;br&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font style="font-size: 16px;"&gt;&lt;font color="#141823" style="color: rgb(0, 0, 0);"&gt;&lt;img src="https://www.vafweb.org/resources/Pictures/VAN/20-4/Montpelier%20001.JPG" alt="l to r: Mary Fesak, 2019 SKT Fellow, Maddie Webster, Historian Intern, Justin Scalera, Photography Intern to Montpelier Upper Race Barn" title="l to r: Mary Fesak, 2019 SKT Fellow, Maddie Webster, Historian Intern, Justin Scalera, Photography Intern to Montpelier Upper Race Barn" border="0" width="350" height="350" style="margin: 10px;" align="left"&gt;Spend your summer conducting research on a nationally significant U.S. building or site and preparing a history&amp;nbsp;to become part of the permanent HABS collection. The HABS/SAH &lt;strong style=""&gt;Sally&amp;nbsp;Kress&amp;nbsp;Tompkins Fellowship&lt;/strong&gt;, a joint program of the&amp;nbsp;Historic American Buildings Survey (HABS) and the&lt;/font&gt; &lt;a href="https://www.facebook.com/SAH1365/" style="" target="_blank"&gt;&lt;font style="" color="#CC3300"&gt;Society of Architectural Historians&lt;/font&gt;&lt;/a&gt;&lt;font color="#141823" style="color: rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/font&gt;&lt;font color="#141823" style="color: rgb(0, 0, 0);"&gt;(SAH), permits a graduate student in architectural history or a related field to work on a 12-week HABS history project during summer 2021. The Fellow’s research interests and goals will inform the building or site selected for documentation by HABS staff&lt;/font&gt;&lt;font style="color: rgb(0, 0, 0);"&gt;.&lt;/font&gt; &lt;font style="color: rgb(0, 0, 0);"&gt;HABS is a program of the National Park Service and the Fellow is usually stationed at our Washington, DC office.&lt;/font&gt;&lt;font color="#424242" style="color: rgb(0, 0, 0);"&gt;&amp;nbsp;&lt;/font&gt;&lt;font color="#141823" style="color: rgb(0, 0, 0);"&gt;The award consists of a $12,000 stipend, and SAH conference registration and travel expenses up to $1,000.&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font color="#141823" style="font-size: 16px;"&gt;Applications accepted Sept. 1 – Dec. 31, 2020&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font style="font-size: 16px;"&gt;&lt;font color="#141823" style="color: rgb(0, 0, 0);"&gt;For more information visit the NPS website for the &lt;a href="http://www.nps.gov/hdp/jobs/tompkins.htm" target="_blank"&gt;Tompkins Fellowship&lt;/a&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;</description>
      <link>https://vafweb.org/VAN-Summer-2020/9228590</link>
      <guid>https://vafweb.org/VAN-Summer-2020/9228590</guid>
      <dc:creator>Christine R Henry</dc:creator>
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      <pubDate>Sun, 25 Oct 2020 08:00:00 GMT</pubDate>
      <title>Meet Board Member Phil Gruen</title>
      <description>&lt;p&gt;&lt;img src="https://www.vafweb.org/resources/Pictures/VAN/20-4/VAN%20-%20Steam%20Plant,%20WSU%201.jpg" alt="Phil Gruen at WSU Steam Plant" title="Phil Gruen at WSU Steam Plant" border="0" width="267" height="204" align="left" style="margin: 10px;"&gt;I’ve been interested in the entirety of the built environment for as long as I can remember. But I didn’t know anything about the vernacular until (now outdated) textbooks and exam methods of my undergraduate years attempted to reinforce differences between “high” and “low.” This never made much sense to me, and hardly reflected a more equitable perspective about the world I had learned in my youth. Raised in the public school climate of Berkeley, California in the 1970s and 80s, I remember holding hands with fellow classmates and singing “We Shall Overcome” more than I recall singing the Star-Spangled Banner. But I sang that too: attending major league baseball games and finding myself as intrigued by stadium architecture as much as the games themselves.&amp;nbsp; Nobody told me that I wasn’t supposed to find entertainment- or theme-oriented buildings worthy of critical inquiry. For better or worse, I always thought buildings such as these told fascinating stories about culture, and I have directed much of my research towards them.&lt;/p&gt;

&lt;p&gt;Affiliation with VAF (I’ve been a board member since 2019 but a member for much longer than that), provides me—all of us—with the institutional gravitas necessary to ensure that my interest in otherwise unorthodox topics or perspectives will find a home. It also reminds me that pulling over to photograph a fast-food restaurant or my images of the view from my hotel window—no matter how mundane—not only will find a curious audience, but one that likely has more of such photos and is analyzing them in critical ways revealing important new insight into issues of race, class, gender, or justice. &amp;nbsp;&amp;nbsp;&lt;/p&gt;

&lt;p&gt;I consider myself highly fortunate to have had my passion for this sort of intellectual and physical exploration fostered, encouraged, and questioned by Peter Hales, Bob Bruegmann, and Mitchell Schwarzer during my M.A. program at the University of Illinois at Chicago, by Dell Upton and Paul Groth during my Ph.D. years at U.C. Berkeley, and by old (and new) VAF colleagues far and wide.&amp;nbsp; Lessons from them continue to resonate: maintaining rigor, but never losing the passion for fieldwork, no matter its form. This is especially the case because I’ve spent the last seventeen years teaching at Washington State University in Pullman, Washington: a tiny place nestled into the endless rolling hills of wheat and lentils in the remote, yet striking, setting of the Palouse in eastern Washington.&amp;nbsp; The layered complexity of the region is not immediately evident. But I am eternally grateful to VAF for helping me learn how to read a small rural community and its people—methods that have also helped my students recognize the richness of any place. So long as they are willing to explore.&lt;/p&gt;

&lt;p&gt;I’ll admit, though, that my appreciation and understanding of my local community is strengthened by learning about places elsewhere. I can’t wait to join up with you in San Antonio 2021, this time for real (fingers crossed): I know I’m not alone in highlighting the incredible VAF conferences, tours, and guidebooks, which themselves are worth the price of admission.&amp;nbsp; Until then, we’ll continue our efforts remotely. As the chair of VAF’s education committee, I’ll do my best to keep us traveling virtually by moving the guidebooks, along with course syllabi, into the digital sphere.&amp;nbsp; Please don’t hesitate to contact me at &lt;a href="mailto:jpgruen@wsu.edu"&gt;jpgruen@wsu.edu&lt;/a&gt; if you have a syllabus to share. It is imperative that we continue to raise awareness about what we do.&lt;/p&gt;</description>
      <link>https://vafweb.org/VAN-Summer-2020/9323286</link>
      <guid>https://vafweb.org/VAN-Summer-2020/9323286</guid>
      <dc:creator>Christine R Henry</dc:creator>
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      <pubDate>Sun, 25 Oct 2020 07:40:00 GMT</pubDate>
      <title>Obituary: Edward A Chappell 1948-2020</title>
      <description>&lt;p&gt;&lt;img src="https://www.vafweb.org/resources/Pictures/VAN/20-4/IMG_0217.jpg" alt="Ed and Susan working together at the Owens-Thomas House, Savannah" title="Ed and Susan working together at the Owens-Thomas House, Savannah" border="0" width="500" height="375" align="left" style="margin: 10px;"&gt;Edward A. Chappell died in hospital of a heart attack on Saturday, July 25, 2020. He was born in Farmville, Virginia, October 16, 1948, the only child of Edward Acree and Rosa May Chappell. His wife, Susan Buck, survives him. Ed had made Williamsburg his home since 1980 when he was hired to rebuild and direct the Architectural Research Department at Colonial Williamsburg. He retired in 2016, by then holder of an endowed chair, the Shirley and Richard Roberts Director of Architectural and Archaeological Research.&lt;/p&gt;

&lt;p&gt;His education and early work experience were preparation for this career appointment and for a wide variety of special projects in Virginia, Annapolis, Charleston, Jamaica, Bermuda, Antigua, and elsewhere. Taken together, they earned his reputation as a leading preservationist and historian of early Atlantic-world architecture. He attended Ferrum College and the College of William &amp;amp; Mary before taking a graduate degree from the School of Architecture at the University of Virginia. Ed was one of a small army of young men and women who found starter jobs with state historic preservation offices following passage of the National Historic Preservation Act of 1966. Working summers and eventually full-time, he crisscrossed the backroads of Kentucky and Virginia surveying and recording hundreds of historic structures and archaeological sites before he finally settled down in the job at Colonial Williamsburg.&lt;/p&gt;

&lt;p&gt;He brought his field experience to the Foundation at just the right time. Historians there were busy rethinking its educational mission. Their goal was to retell an American history more broadly conceived. They sought to take into account everybody who’d had parts to play in a more complicated story. Restored Williamsburg needed places to tell those stories. During Ed’s long tenure, he and the able young architectural historians he hired into his department added numerous missing buildings to the restored townscape—two slave quarters, a market house, a retail store, a hospital asylum, a coffeehouse, a city-county courthouse, a Revolutionary War armory, and a tin shop. Before he retired, plans were in hand to rebuild a working playhouse. His vision took in the environs of the 18th-century capital as well. He argued successfully to enlarge the greenspace around the Historic Area and to create scenic easements along the wooded approaches to the town. He encouraged the president and the trustees to invite the celebrated British neo-classicist architect Quinlan Terry to design additions to Merchants Square.&lt;/p&gt;

&lt;p&gt;Ed and his colleagues generously shared Colonial Williamsburg’s largesse with many sister institutions. He and they lent their expertise to Monticello, Mount Vernon, Prestwould, Drayton Hall, Historic Charleston Foundation, Historic Annapolis, and to many private house owners as well. Ed always insisted that this side work was more than an even-steven trade: “When we see more, we learn more. We take away more than we give back.” Many of these outside projects found their way into publications, sometimes co-authored, sometimes Ed solo.&lt;/p&gt;

&lt;p&gt;His irresistible curiosity about folk buildings everywhere took him literally to the ends of the earth. For pleasure or professionally (it was hard to tell the difference) he sought out world architecture. He traveled far and wide to Russia, Ukraine, the Czech Republic, Bali, Nepal, Bhutan, and China, and that isn’t counting innumerable side trips to England and Europe. Everywhere he went he measured floorplans, profiled moldings, and sketched hardware. These drawings, among other personal papers, he has donated to the Virginia Historical Society.&lt;/p&gt;

&lt;p&gt;The breadth of Ed’s scholarship was a measure of his fascination with the makers of things and the things they made. He was an avid collector, a sorter and hoarder, and ultimately a generous donor: handwoven baskets, wood carvings, street paintings, exquisite Christmas tree ornaments, Chinese communist kitsch, and, most important of all, modern Pueblo pottery. For years he and Susan traveled to the Zuni reservation in New Mexico. There he interviewed potters who were trying to fit their fresh artistic visions to a venerable Zuni pot-making tradition. He concentrated on the work of a single modern master, Randy Nahohai, and ended up documenting and writing about a whole family of potters and the spiritual culture that underpins their work. Along the way Ed acquired a notable study collection of Pueblo pottery, soon to be shared with visitors to the Virginia Museum of Fine Arts, the Folk Art Museum at Colonial Williamsburg, and the Heard Museum in Phoenix.&lt;/p&gt;

&lt;p&gt;Back home in Williamsburg Ed was a persistent citizen advocate for good civic and collegiate design. He served on architectural review boards for both the City and the College. Gentle persuasion was his preferred gambit, but, if need be, he could lower his voice, stretch out his Farmville drawl, and stare down college presidents, city officials, and even his employers. For his trouble the College gave him its highest stewardship award. For his steadfastness his fellow citizens came to regard him as the town’s foremost champion of architectural and landscape design that could and should be as forward-looking today as it was 200 years ago.&lt;/p&gt;

&lt;p&gt;Ed Chappell was as many-sided as the miscellany of fans and friends who now mourn his sudden death. He leaves behind his two cousins Jeanne Edenzon and Kathy Powell, whom he regarded as sisters, and also their children who deeply loved and admired their “uncle”. When he married Susan, he joined a New England-bred family. They too embraced him and were entranced by his many travel adventure stories. He enlivened the lives of all who knew him.&lt;/p&gt;

&lt;p&gt;A memorial service will be scheduled when it is safe to gather and share stories of Ed’s expansive and generous life. Meanwhile and in lieu of flowers the family asks that donations be made payable to “Colonial Williamsburg for the Ed Chappell Architectural Research Fund" and sent to P.O. Box 1776, Williamsburg, VA 23187.&lt;/p&gt;</description>
      <link>https://vafweb.org/VAN-Summer-2020/9323584</link>
      <guid>https://vafweb.org/VAN-Summer-2020/9323584</guid>
      <dc:creator>Christine R Henry</dc:creator>
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      <pubDate>Sun, 25 Oct 2020 07:30:00 GMT</pubDate>
      <title>Obituary: Donald W. Meinig, 1924-2020</title>
      <description>&lt;p&gt;republished from the &lt;a href="https://jewishfederationcny.org/" target="_blank"&gt;Jewish Federation of Central New York&lt;/a&gt;:&lt;/p&gt;

&lt;p&gt;Donald William&amp;nbsp;Meinig, Ph.D., professor, author, husband, father and grandfather, passed away Saturday, June 13, in Syracuse. He was 95. He was preceded in death by his beloved wife of 64 years, Lee. Don was known as a gentleman scholar, dignified friend and community leader and supporter.&lt;/p&gt;

&lt;p&gt;Meinig&amp;nbsp;was Professor Emeritus, Geography and the Environment and Maxwell Research Professor of Geography at Syracuse University. His research included historical, regional and cultural geography as well as landscape interpretation. His most ambitious and well-known work is the four-volume series&amp;nbsp;The Shaping of America&amp;nbsp;(published 1986, 1993, 1998, and 2004). He also concentrated on literary spaces and geography, stating, "Literature is a valuable storehouse of vivid depictions of the landscapes and lives of modern-day society." Upon publication of volume four of&amp;nbsp;The Shaping of America,&amp;nbsp;Meinig&amp;nbsp;was presented with the Presidential Achievement Award by the Association of American Geographers, its highest award, as well as the J.B. Jackson Prize for the best book interpreting the geography of America.&amp;nbsp;&lt;/p&gt;

&lt;p&gt;Professor&amp;nbsp;Meinig&amp;nbsp;was a Fulbright Scholar, a Guggenheim Fellow, and a Fellow of the National Endowment for the Humanities. He was the first American geographer to be elected as a corresponding Fellow of the British Academy, in 1991. In 1965, the Association of American Geographers awarded him a citation "For Meritorious Contribution to the Field of Geography," and the American Geographical Society gave him their Charles P. Daly Medal in 1986.&amp;nbsp;Meinig&amp;nbsp;received an honorary doctorate (D.H.L.) from the Maxwell School at Syracuse University in 1994. The Geographical Review devoted a special issue to him in July 2009. In 2010, he was elected as a member of the American Academy of Arts and Sciences.&lt;/p&gt;

&lt;p&gt;Raised on a farm in Palouse, Washington,&amp;nbsp;Meinig&amp;nbsp;enlisted in the Army in 1943 and served stateside as a 2nd lieutenant in the Corps of Engineers until his honorable discharge in 1946. He received his bachelor's degree at Georgetown University and earned graduate degrees in geography from the University of Washington in 1950 and 1953. Starting in 1950,&amp;nbsp;Meinig&amp;nbsp;held a faculty position at the University of Utah. In 1958 he left Utah for a visiting position at the University of Adelaide in Australia under a Fulbright scholarship and in 1959 he joined the Syracuse faculty. He was chairman of the geography department at Syracuse from 1968 to 1973. Don lectured at universities around the world and he and Lee traveled widely, living briefly in Australia, Scotland and Israel.&amp;nbsp;&lt;/p&gt;

&lt;p&gt;In 1992,&amp;nbsp;Meinig&amp;nbsp;gave the Charles Homer Haskins Prize Lecture, titled "A Life in Learning," saying, "It has been such a richly satisfying thing that when I reflect upon my life. It seems as if from the moment I first looked out in wonder across the hills of Palouse I have lived happily ever after."&lt;/p&gt;

&lt;p&gt;He was loved and admired by many. Together he and Lee raised three daughters -Laurel&amp;nbsp;Meinig&amp;nbsp;Brewster, Kristin Cominsky and Lee&amp;nbsp;Meinig. Other family members include his sons-in-law, Bob Brewster, Sidney Cominsky and John Tate; grandchildren Anna Cominsky Gatesy and her husband Sean; Elise Cominsky, Noah Cominsky, Maria Tate, and Carmen Tate and great-grandchildren Jordan Gatesy, Cameron Gatesy, and Matthew Herrera.&lt;/p&gt;

&lt;p&gt;Due to Covid-19 restrictions, a funeral will be held in Syracuse at a date to be determined. Memorial contributions may be made to a local food bank.&lt;/p&gt;</description>
      <link>https://vafweb.org/VAN-Summer-2020/9323509</link>
      <guid>https://vafweb.org/VAN-Summer-2020/9323509</guid>
      <dc:creator>Christine R Henry</dc:creator>
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      <pubDate>Sun, 25 Oct 2020 07:00:00 GMT</pubDate>
      <title>Jeremy Ebersole joins Milwaukee Preservation Alliance as new Executive Director</title>
      <description>&lt;p&gt;&lt;span&gt;&lt;font color="#222222"&gt;&lt;img src="https://www.vafweb.org/resources/Pictures/VAN/20-4/JEneon.JPG" alt="" title="" border="0" width="250" height="167" style="margin: 10px;" align="left"&gt;In June 2020, Jeremy Ebersole received his MS in Historic Preservation from the University of Oregon in Portland where his terminal research entitled “&lt;a href="https://uoregon.academia.edu/JeremyEbersole" target="_blank"&gt;A Sight to Dwell Upon and Never Forget: Illuminating Strategies for Saving Portland’s Neon Signs&lt;/a&gt;” explored the history of neon signage with a focus on Portland, articulated the signs’ many benefits to cities, identified shortcomings in current preservation tools, and recommended action steps based on case studies of 20 innovative neon preservation initiatives around the country.&lt;/font&gt;&lt;/span&gt;&lt;span&gt;&lt;font color="#222222"&gt;&amp;nbsp;&amp;nbsp;&lt;/font&gt;&lt;/span&gt;&lt;span&gt;&lt;font color="#222222"&gt;The research has been presented on Instagram Live with Backroad Tripster, the &lt;a href="https://www.mondoneon.com/mondo-neon-podcast/portland-neon-sign-regulation-amp-cultural-heritage-amp-with-historic-preservationist-jeremy-ebersole" target="_blank"&gt;Mondo Neon podcast&lt;/a&gt;, the Pennsylvania Statewide Conference on Heritage, and the APT/National Trust Joint Conference and elements will soon be published in the&amp;nbsp;&lt;/font&gt;&lt;/span&gt;&lt;em&gt;&lt;font color="#222222"&gt;SCA Journal&lt;/font&gt;&lt;/em&gt;&lt;span&gt;&lt;font color="#222222"&gt;.&lt;/font&gt;&lt;/span&gt;&lt;span&gt;&lt;font color="#222222"&gt;&amp;nbsp;&amp;nbsp;&lt;/font&gt;&lt;/span&gt;&lt;span&gt;&lt;font color="#222222"&gt;Jeremy also recently joined the &lt;a href="https://www.milwaukeepreservationalliance.org/" target="_blank"&gt;Milwaukee Preservation Alliance&lt;/a&gt; in Wisconsin as Executive Director.&lt;/font&gt;&lt;/span&gt;&lt;br&gt;&lt;/p&gt;</description>
      <link>https://vafweb.org/VAN-Summer-2020/9234965</link>
      <guid>https://vafweb.org/VAN-Summer-2020/9234965</guid>
      <dc:creator>Christine R Henry</dc:creator>
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      <pubDate>Sun, 25 Oct 2020 06:59:00 GMT</pubDate>
      <title>Jose Vasquez awarded two prestigious grants</title>
      <description>&lt;p&gt;J&lt;font style="font-size: 16px;"&gt;ose Vasquez was awarded the&amp;nbsp;&lt;font face="Open Sans, sans-serif"&gt;&lt;a href="https://news.mdc.edu/press_release/mdcs-north-campus-architecture-professor-receives-prestigious-fulbright-garcia-robles-2020-award/" target="_blank"&gt;Fulbright Garcia Robles Grant&lt;/a&gt; for 2020&amp;nbsp;&lt;/font&gt;&lt;span style="background-color: rgb(255, 255, 255);"&gt;&lt;font face="Open Sans, sans-serif"&gt;by the US-Mexico Commission for Educational and Cultural Exchange (COMEXUS).&amp;nbsp; He will be teaching in the Spring 2021 at&amp;nbsp;&lt;span style="background-color: rgb(255, 255, 255);"&gt;&lt;font face="Open Sans, sans-serif"&gt;Mexico’s&amp;nbsp;&lt;/font&gt;&lt;/span&gt;&lt;font face="Open Sans, sans-serif" style=""&gt;Universidad de Guadalajara.&amp;nbsp; Jose also received the Miami Dade College's Presidents Innovation Fund for his work&amp;nbsp;&lt;font face="Open Sans, sans-serif" style=""&gt;on &lt;a href="https://www.miamivernacularproject.com/" target="_blank"&gt;Miami Vernacular&lt;/a&gt; which was in part funded with an Orlando Ridout V Field work grant in 2018 and featured in &lt;a href="https://www.vafweb.org/page-1821744/8085399" target="_blank"&gt;VAN Fall 2019&lt;/a&gt;.&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;</description>
      <link>https://vafweb.org/VAN-Summer-2020/9234994</link>
      <guid>https://vafweb.org/VAN-Summer-2020/9234994</guid>
      <dc:creator>Christine R Henry</dc:creator>
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      <pubDate>Sun, 25 Oct 2020 06:00:00 GMT</pubDate>
      <title>Robert Edwards publishes essay in New York Beacon</title>
      <description>&lt;p&gt;Member Robert Edwards published an essay on expanding architectural history titled &lt;a href="https://newyorkbeacon.com/the-new-narrative-will-black-history-finally-get-to-sit-in-the-front-of-the-bus/" target="_blank"&gt;"The New Narrative: Will black history finally get to sit in the front of the bus?"&lt;/a&gt; in the &lt;em&gt;New York Beacon newspaper&lt;/em&gt; in August.&amp;nbsp; Below is an excerpt:&lt;/p&gt;

&lt;p&gt;By Robert Louis Brandon Edwards&amp;nbsp;&lt;/p&gt;

&lt;p&gt;Is it really a new narrative or are some folks just now realizing that a part of history has been excluded from lectures, textbooks, conversations at the dinner table, and at museums and historical sites all across America? I ask you— what do you about the history of slavery? What do you know about the history of segregation? Think about how and why you know what you know. I know it is incredibly annoying to some, to read an essay with questions but this is a time for reflection and to provoke thought— to maybe ruffle a few feathers even. So if you suffer from a bad case of fragility please turn the page, and the next, and maybe even the page after that because this may take a while.&lt;/p&gt;

&lt;p style="color: rgb(68, 68, 68); background-color: rgb(255, 255, 255);"&gt;As an architectural historian I am trained to see a structure and a space and think about when it was designed, its architectural features, who designed it, and for whom; as an architect, I am trained to imagine and reimagine structures and spaces and to develop innovative design concepts; but as a black man, I am trained to question if some of these structures, spaces, and even landscapes are designed for me and how. How does a black body experience the built environment or maneuver through different landscapes? There is a certain level of “spatial consciousness” that I encompass and for me, the relationship between race and space is not theoretical. It is ingrained in the history of this country and cannot be fully understood from an article, podcast, documentary, or historical plaque or marker. It cannot be fully understood from a series of webinars or from the news of yet another police shooting of an unarmed black person. This is something that can only be fully understood with years of exposure, something that is felt and seen on a regular basis. It is something that I experienced first hand growing up in New York City during the 1990s. Not only would I get stopped and frisked in certain neighborhoods by Giuliani’s police department, but I encountered the invisible lines of segregation, inequality, and racism that were strategically placed throughout the city. I lived in&amp;nbsp;Harlem, which at the time was a predominantly black community in Manhattan, but I attended schools in predominantly white communities, so I learned to maneuver through these different environments with a certain cultural dexterity.&lt;br&gt;&lt;/p&gt;

&lt;p&gt;Click here to read the &lt;a href="https://newyorkbeacon.com/the-new-narrative-will-black-history-finally-get-to-sit-in-the-front-of-the-bus/" target="_blank"&gt;entire story&lt;/a&gt;&lt;/p&gt;</description>
      <link>https://vafweb.org/VAN-Summer-2020/9323389</link>
      <guid>https://vafweb.org/VAN-Summer-2020/9323389</guid>
      <dc:creator>Christine R Henry</dc:creator>
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      <pubDate>Sun, 25 Oct 2020 05:55:00 GMT</pubDate>
      <title>Kenneth Hafertepe wins Ron Tyler Award for new book on Waco, TX</title>
      <description>&lt;p&gt;&lt;font color="#222222"&gt;&lt;img src="https://www.vafweb.org/resources/Pictures/VAN/20-4/HHWaco.jpg" alt="" title="" border="0" align="right" width="200" height="222" style="margin: 10px;"&gt;Longt&lt;/font&gt;ime member Ken Hafertepe’s latest book,&lt;em style="color: rgb(34, 34, 34);"&gt;&amp;nbsp;Historic&amp;nbsp;&lt;/em&gt;&lt;em style="color: rgb(34, 34, 34);"&gt;Homes of Waco, Texas&lt;/em&gt;&amp;nbsp;(2019) has won the &lt;a href="https://www.tshaonline.org/publications/historic-homes-of-waco-texas" target="_blank"&gt;Ron Tyler Award for Best Illustrated Book on Texas History and Culture from the Texas State Historical Association&lt;/a&gt;. His previous book,&amp;nbsp;&lt;em style="color: rgb(34, 34, 34);"&gt;The Material Culture of German Texans&lt;/em&gt;&amp;nbsp;(2016) also won the Tyler Award, as well as awards from the Victorian Society in America, the Southeast Society of Architectural Historians, and the San Antonio Conversation Society.&lt;/p&gt;

&lt;p&gt;Remember to mark your calendars for May 19-23, 2021 for VAF in San Antonio.&lt;/p&gt;</description>
      <link>https://vafweb.org/VAN-Summer-2020/9234913</link>
      <guid>https://vafweb.org/VAN-Summer-2020/9234913</guid>
      <dc:creator>Christine R Henry</dc:creator>
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      <pubDate>Sun, 25 Oct 2020 05:30:00 GMT</pubDate>
      <title>While Supplies Last: Free Book to VAF Members</title>
      <description>&lt;p&gt;&lt;span style="background-color: rgb(255, 255, 255);"&gt;&lt;font color="#222222"&gt;&lt;img src="https://www.vafweb.org/resources/Pictures/VAN/20-4/Keefe%20book%20cover.jpg" alt="" title="" border="0" align="right" width="133" height="166" style="margin: 10px;"&gt;While supplies last, William B. Rhoads will ship one free copy of his&amp;nbsp;&lt;/font&gt;&lt;/span&gt;&lt;span style="background-color: rgb(255, 255, 255);"&gt;&lt;font color="#222222"&gt;book, &lt;em&gt;Charles S. Keefe (1876-1946) Colonial Revival Architect in Kingston and New York&lt;/em&gt;&lt;/font&gt;&lt;/span&gt;&lt;span style="background-color: rgb(255, 255, 255);"&gt;&lt;font color="#222222"&gt;&lt;em&gt;&amp;nbsp;&lt;/em&gt;(Black Dome Press, 2018) to VAF members in the&amp;nbsp;&lt;/font&gt;&lt;/span&gt;&lt;span style="background-color: rgb(255, 255, 255);"&gt;&lt;font color="#222222"&gt;U.S. who send a request to:&amp;nbsp;&lt;/font&gt;&lt;/span&gt;&lt;a href="mailto:rhoadsw@hawkmail.newpaltz.edu"&gt;&lt;/a&gt;&lt;a href="mailto:rhoadsw@hawkmail.newpaltz.edu"&gt;rhoadsw@hawkmail.newpaltz.edu&lt;/a&gt;.&lt;/p&gt;

&lt;p&gt;&lt;br&gt;&lt;/p&gt;</description>
      <link>https://vafweb.org/VAN-Summer-2020/9323407</link>
      <guid>https://vafweb.org/VAN-Summer-2020/9323407</guid>
      <dc:creator>Christine R Henry</dc:creator>
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    <item>
      <pubDate>Sun, 25 Oct 2020 05:00:00 GMT</pubDate>
      <title>Summer/Fall Bibliography</title>
      <description>&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font color="#000000"&gt;&lt;span style="font-size: 15px;"&gt;compiled by Travis Olson&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Ainsworth, Kyle. “Field Hands, Cowboys, and Runaways: Enslaved People on Horseback in Texas’s Planter-Herder Economy, 1835–1865.” &lt;em&gt;Journal of Southern History&lt;/em&gt; 86, no. 3 (2020): 557–600. https://doi.org/10.1353/soh.2020.0168.&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Alcindor, Mónica, and Daniel Coq-Huelva. “Refurbishment, Vernacular Architecture and Invented Traditions: The Case of the Empordanet (Catalonia).” &lt;em&gt;International Journal of Heritage Studies&lt;/em&gt; 26, no. 7 (July 2, 2020): 684–99. https://doi.org/10.1080/13527258.2019.1678054.&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Allen, Michael R. “Architectural Humanities in the Time of Pandemic and Revolt.” &lt;em&gt;PLATFORM&lt;/em&gt; (blog), July 13, 2020. https://www.platformspace.net/home/architectural-humanities-in-the-time-of-pandemic-and-revolt.&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Bailey, Yelena. &lt;em&gt;How the Streets Were Made: Housing Segregation and Black Life in America&lt;/em&gt;. (Chapel Hill: University of North Carolina Press, 2020).&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Baker, Bruce E. “Fires on Shipboard: Sandbars, Salvage Fraud, and the Cotton Trade in New Orleans in the 1870s.” &lt;em&gt;Journal of Southern History&lt;/em&gt; 86, no. 3 (2020): 601–24. https://doi.org/10.1353/soh.2020.0169.&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Barnett, William C., Kathleen A. Brosnan, and Ann Durkin Keating, eds. &lt;em&gt;City of Lake and Prairie: Chicago’s Environmental History&lt;/em&gt;. History of the Urban Environment. (Pittsburgh, Pa: University of Pittsburgh Press, 2020).&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Barry, Fabio. &lt;em&gt;Painting in Stone: Architecture and the Poetics of Marble from Antiquity to the Age of Enlightenment&lt;/em&gt;. (New Haven, CT: Yale University Press, 2020).&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Baughn, Jennifer V. O., Michael W. Fazio, and Mary Warren Miller. &lt;em&gt;Buildings of Mississippi&lt;/em&gt;. (Charlottesville: University of Virginia Press, 2020).&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Beattie, James, ed. &lt;em&gt;Gardens at the Frontier: New Methodological Perspectives on Garden History and Designed Landscapes.&lt;/em&gt; (London: Routledge, 2018).&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Beck, Ann Flesor. &lt;em&gt;Sweet Greeks: First-Generation Immigrant Confectioners in the Heartland. Heartland Foodways.&lt;/em&gt; (Urbana: University of Illinois Press, 2020).&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Blevins, Brooks. &lt;em&gt;History of the Ozarks: The Old Ozarks.&lt;/em&gt; (Urbana: University of Illinois Press, 2020).&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Bonser, Sarah. &lt;em&gt;Virtual Vernacular.&lt;/em&gt; (Boca Raton, FL: CRC Press/Taylor &amp;amp; Francis Group, 2020).&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Bottazzi, Roberto. &lt;em&gt;Digital Architecture beyond Computers: Fragments of a Cultural History of Computational Design.&lt;/em&gt; (New York: Bloomsbury Visual Arts, 2018).&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 16px;"&gt;&lt;font style="font-size: 15px;"&gt;&lt;span style="background-color: transparent;"&gt;&lt;font color="#000000" style=""&gt;Brandi, Richard.&lt;/font&gt;&lt;/span&gt; &lt;span style="background-color: transparent;"&gt;&lt;em style="color: rgb(0, 0, 0);"&gt;Residence Parks Of San Francisco: A Historical and Architectural Study, 1905-192&lt;/em&gt;&lt;em style=""&gt;&lt;font color="#000000"&gt;4&lt;/font&gt;&lt;/em&gt;&lt;/span&gt;&lt;font color="#000000"&gt;&lt;span style="background-color: transparent;"&gt;&lt;font style=""&gt;.&lt;/font&gt;&lt;/span&gt; &lt;span style="background-color: rgb(255, 255, 255);"&gt;&lt;font style=""&gt;S.L.: MCFARLAND, 2020.&lt;/font&gt;&lt;/span&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Bremner, G.A., ed. &lt;em&gt;Architecture and Urbanism in the British Empire.&lt;/em&gt; (Oxford and New York: Oxford University Press, 2020).&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Brenneman, Robert E., and Brian J. Miller. &lt;em&gt;Building Faith: A Sociology of Religious Structures&lt;/em&gt;. (New York: Oxford University Press, 2020).&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Brooker, Colin. &lt;em&gt;The Shell Builders: Tabby Architecture of Beaufort, South Carolina, and the Sea Islands&lt;/em&gt;. (Columbia, South Carolina: University of South Carolina Press, 2020).&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Campagna, Barbara A. “Redefining Brutalism.” &lt;em&gt;APT Bulletin: The Journal of Preservation Technology&lt;/em&gt;, Special Issue: The Next Fifty Symposium (2020), 51, no. 1 (2020): 25–36.&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Campanella, Thomas. &lt;em&gt;Brooklyn The Once and Future City&lt;/em&gt;. (Princeton: Princeton University Press, 2020).&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Chappell, Marisa. “The Strange Career of Urban Homesteading: Low-Income Homeownership and the Transformation of American Housing Policy in the Late Twentieth Century.” &lt;em&gt;Journal of Urban History&lt;/em&gt; 46, no. 4 (July 2020): 747–74. https://doi.org/10.1177/0096144218825102.&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Christensen, Peter H., ed. &lt;em&gt;Buffalo at the Crossroads: The Past, Present, and Future of American Urbanism&lt;/em&gt;. (Ithaca: Cornell University Press, 2020).&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Cohen, Jean-Louis. &lt;em&gt;Building a New New World: Amerikanizm in Russian Architecture.&lt;/em&gt; (New Haven: Yale University Press, 2020).&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Coleman, Jon T. &lt;em&gt;Nature Shock: Getting Lost in America&lt;/em&gt;. (New Haven: Yale University Press, 2020).&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Collins, Julie. &lt;em&gt;The Architecture and Landscape of Health: A Historical Perspective on Therapeutic Places 1790-1940.&lt;/em&gt; Routledge Research in Architectural History. (New York: Routledge, 2020).&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Connolly, N. D. B. “The Southern Side of Chicago: Arnold R. Hirsch and the Renewal of Southern Urban History.” &lt;em&gt;Journal of Urban History&lt;/em&gt; 46, no. 3 (May 2020): 505–10. https://doi.org/10.1177/0096144219893680.&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Darlington, John. &lt;em&gt;Fake Heritage: From Artefact to Artifice, Why We Rebuild Monuments&lt;/em&gt;. (New Haven: Yale University Press, 2020).&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Davis, Will. “Loneliness, Disappearance and the Veneer of Protection.” &lt;em&gt;PLATFORM&lt;/em&gt; (blog), August 24, 2020. https://www.platformspace.net/home/loneliness-disappearance-and-the-veneer-of-protection.&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Dayle John, Kelsey. “Fences Tell a Story of Land Changes on the Navajo Nation.” &lt;em&gt;Edge Effects&lt;/em&gt; (blog), July 14, 2020. https://edgeeffects.net/fences-the-navajo-nation/.&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Demshuk, Andrew. &lt;em&gt;Bowling for Communism: Urban Ingenuity at the End of East Germany.&lt;/em&gt; (Ithaca: Cornell University Press, 2020).&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Donnelly, Colm, Eileen Murphy, Dave McKean, and Lynne McKerr. “Migration and Memorials: Irish Cultural Identity in Early Nineteenth-Century Lowell, Massachusetts.” &lt;em&gt;International Journal of Historical Archaeology&lt;/em&gt; 24, no. 2 (June 2020): 318–41. https://doi.org/10.1007/s10761-019-00521-y.&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Drueding, Meghan. “At a Lush Florida Site, an Artist’s Grand Vision Comes Together.” &lt;em&gt;Preservation Magazine&lt;/em&gt;, Summer 2020. https://savingplaces.org/stories/at-a-lush-florida-site-an-artists-grand-vision-comes-together#.X03sb8hKjIU.&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Ekman, Peter. “‘Radburn Rackets’: Robert D. Kohn and Marjorie Sewell Cautley’s Sketches Against the Speculative Suburb.” &lt;em&gt;PLATFORM&lt;/em&gt; (blog), July 6, 2020. https://www.platformspace.net/home/radburn-rackets-robert-d-kohn-and-marjorie-sewell-cautleys-sketches-against-the-speculative-suburb-ht5p8.&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Emery, Mary Lou. &lt;em&gt;Bungalow Modernity: A Study of Twentieth Century Fictions of Home&lt;/em&gt;. (Jefferson, North Carolina: McFarland &amp;amp; Company, Inc., Publishers, 2020).&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Erickson, Jennifer Lynn. &lt;em&gt;Race-Ing Fargo: Refugees, Citizenship, and the Transformation of Small Cities&lt;/em&gt;. (Ithaca: Cornell University Press, 2020).&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Fabiani Giannetto, Raffaella, ed. &lt;em&gt;The Culture of Cultivation: Recovering the Roots of Landscape Architecture.&lt;/em&gt; (Abingdon, Oxon and New York, NY: Routledge, 2020).&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Farhat, Georges, and Dumbarton Oaks, eds. &lt;em&gt;Landscapes of Preindustrial Urbanism.&lt;/em&gt; (Washington, D.C: Dumbarton Oaks Research Library and Collection, 2020).&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Fernandez, Lilia. “In the Shadow of the Second Ghetto.” &lt;em&gt;Journal of Urban History&lt;/em&gt; 46, no. 3 (May 2020): 500–504. https://doi.org/10.1177/0096144219891152.&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Fordham, Clifton, ed. &lt;em&gt;Constructing Building Enclosures: Architectural History, Technology and Poetics in the Postwar Era.&lt;/em&gt; (New York: Routledge, 2020).&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Gabrielian, Aroussiak, and Alison B. Hirsch. “Prosthetic Landscapes: Place and Placelessness in the Digitization of Memorials.” &lt;em&gt;Future Anterior&lt;/em&gt; 15, no. 2 (Winter 2018): 112–30.&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Golubev, Alexey. &lt;em&gt;The Things of Life: Materiality in Late Soviet Russia.&lt;/em&gt; (Ithaca: Cornell University Press, 2020).&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Graefenstein, Sulamith. “The Memory Imperative as a Narrative Template: Difficult Heritage at European and North American Human Rights Museums.” &lt;em&gt;International Journal of Heritage Studies&lt;/em&gt; 26, no. 8 (August 2, 2020): 768–89. https://doi.org/10.1080/13527258.2019.1693414.&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Graham, James. “‘Commercial Battles of Self-Support’: Concrete Construction and the Disabled World War I Veteran.” &lt;em&gt;Future Anterior&lt;/em&gt; 16, no. 1 (Summer 2019): 17–32.&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Granger, Willa. “Viewing, Watching, Observing: Aging and the Architecture of Intermediate Space.” &lt;em&gt;PLATFORM&lt;/em&gt; (blog), July 20, 2020. https://www.platformspace.net/home/viewing-watching-observing-aging-and-the-architecture-of-intermediate-space.&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Half, Daphna E. “Typology as Situatedness: The Architectural Dialectics of Modern Vernaculars in British Mandate Palestine.” &lt;em&gt;The Journal of Architecture&lt;/em&gt; 25, no. 3 (April 2, 2020): 230–51. https://doi.org/10.1080/13602365.2020.1758954.&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Harlan, Megan. &lt;em&gt;Mobile Home: A Memoir in Essays&lt;/em&gt;. Association of Writers &amp;amp; Writing Programs Award for Creative Nonfiction. (Athens: The University of Georgia Press, 2020).&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Headley, Gwyn, and Wim Meulenkamp. &lt;em&gt;The English Folly: The Edifice Complex&lt;/em&gt;. (Liverpool: Historic England in association with Liverpool University Press, 2020).&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Hoffman, Lisa M., and Mary L. Hanneman. &lt;em&gt;Becoming Nisei: Japanese American Urban Lives in Prewar Tacoma&lt;/em&gt;. (Seattle: University of Washington Press, 2021).&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Hovey, Bradshaw. “The Global Context of the Future of Preservation Technology.” &lt;em&gt;APT Bulletin: The Journal of Preservation Technology&lt;/em&gt;, Special Issue: The Next Fifty Symposium (2020), 51, no. 1 (2020): 5–8.&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Hunziker, Alyssa A. “Playing Indian, Playing Filipino: Native American and Filipino Interactions at the Carlisle Indian Industrial School.” &lt;em&gt;American Quarterly&lt;/em&gt; 72, no. 2 (2020): 423–48. https://doi.org/10.1353/aq.2020.0031.&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Jasper, Adam. &lt;em&gt;Architecture and Anthropology&lt;/em&gt;. (New York: Routledge, 2020).&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Jordan, Kate, and Ayla Lepine, eds. &lt;em&gt;Modern Architecture and Religious Communities, 1850-1970: Building the Kingdom&lt;/em&gt;. (New York: Taylor &amp;amp; Francis, 2020).&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Kalakoski, Iida, Satu Huuhka, and Olli-Paavo Koponen. “From Obscurity to Heritage: Canonisation of the Nordic Wooden Town.” &lt;em&gt;International Journal of Heritage Studies&lt;/em&gt; 26, no. 8 (August 2, 2020): 790–805. https://doi.org/10.1080/13527258.2019.1693417.&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Karaim, Reed. “A San Francisco Victorian House Provides a Portal to the Past.” &lt;em&gt;Preservation Magazine&lt;/em&gt;, Summer 2020. https://savingplaces.org/stories/haas-lilienthal-san-francisco-victorian#.X03sbchKjIU.&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Kelley, Stephen J., Donald Friedman, Kyle Normandin, and Pamela Jerome. “The Paradox and Dilemma of Reconstruction: A Report from the 2018 College of Fellows Roundtable.” &lt;em&gt;APT Bulletin: The Journal of Preservation Technology&lt;/em&gt;, Special Issue: The Next Fifty Symposium (2020), 51, no. 1 (2020): 49–55.&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Klanten, Robert, and Andrea Servert Alonso-Misol. &lt;em&gt;Beyond the West. New Global Architecture&lt;/em&gt;. (Berlin: Die Gestalten Verlag, 2020).&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Kyung Lee, Min, and Andrea Borghini. “Dwelling in Times of Quarantine.” &lt;em&gt;PLATFORM&lt;/em&gt; (blog), April 6, 2020. https://www.platformspace.net/home/dwelling-in-times-of-quarantine.&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Landa, Pablo. “Building the City of God in Tijuana: How Migrant Shelters Are Transforming Mexican Urban Landscapes.” &lt;em&gt;PLATFORM&lt;/em&gt; (blog), August 31, 2020. https://www.platformspace.net/home/building-the-city-of-god-in-tijuana-how-migrant-shelters-are-transforming-mexican-urban-landscapes.&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Larson, Jessica, and Aubrey Knox. “A Building Worth Remembering.” &lt;em&gt;PLATFORM&lt;/em&gt; (blog), August 3, 2020. https://www.platformspace.net/home/pzs0nkzwnfpp1yibr6f5hqyxtravn8.&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Lawrence, Ranald. “Halls, Lobbies, and Porches: Transition Spaces in Victorian Architecture.” &lt;em&gt;The Journal of Architecture&lt;/em&gt; 25, no. 4 (May 18, 2020): 419–43. https://doi.org/10.1080/13602365.2020.1767176.&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Lawrence, Ranald. &lt;em&gt;The Victorian Art School&lt;/em&gt;. (Abingdon, Oxon and New York: Routledge, 2021).&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Le Devehat, Marie. “The Local Perception of the Memory of Communism in a Dictator’s Hometown; the Case of Gjirokastra.” &lt;em&gt;International Journal of Heritage Studies&lt;/em&gt; 26, no. 8 (August 2, 2020): 753–67. https://doi.org/10.1080/13527258.2019.1693413.&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Lewis, Robert D. &lt;em&gt;Chicago’s Industrial Decline: The Failure of Redevelopment, 1920-1975.&lt;/em&gt; (Ithaca: Cornell University Press, 2020).&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Liebermann, Wanda Katja. “Whose Heritage? Architectural Preservation and Disabled Access in Boston and San Francisco.” &lt;em&gt;Future Anterior&lt;/em&gt; 16, no. 1 (Summer 2019): 35–56.&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Linds, Justin Abraham. “Fermentation, Rot, and Power in the Early Modern Atlantic.” &lt;em&gt;Edge Effects&lt;/em&gt; (blog), August 11, 2020. https://edgeeffects.net/fermentation-rot-and-power/.&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Lock, Katy, and Hugh Ellis. &lt;em&gt;New Towns: The Rise, Fall and Rebirth&lt;/em&gt;. (London: RIBA Publishing, 2020)&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Loosen, Sebastiaan, Rajesh Heynickx, and Hilde Heynen, eds. &lt;em&gt;Figure of Knowledge: Conditioning Architectural Theory, 1960s - 1990s.&lt;/em&gt; (Leuven, Belgium: Leuven University Press, 2020).&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Lozanovska, Mirjana. &lt;em&gt;Migrant Housing: Architecture, Dwelling, Migration&lt;/em&gt;. (New York: Routledge, 2020).&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Lutz, Raechel. “Petroleum’s Park: How Oil Shaped the Palisades Interstate Park, 1900–1960.” &lt;em&gt;Technology and Culture&lt;/em&gt; 61, no. 3 (July 2020): 713–38.&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Maher, Ashley, ed. &lt;em&gt;Reconstructing Modernism: British Literature, Modern Architecture, and the State&lt;/em&gt;. (New York: Oxford University Press, 2020).&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Martínez, Ana. &lt;em&gt;Performance in the Zócalo: Constructing History, Race, and Identity in Mexico’s Central Square from the Colonial Era to the Present.&lt;/em&gt; (Ann Arbor: University of Michigan Press, 2020).&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Meints, Graydon M. &lt;em&gt;The Fishing Line: A History of the Grand Rapids &amp;amp; Indiana Railroad&lt;/em&gt;. (East Lansing, Michigan: Michigan State University Press, 2018).&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Merlino, Kathryn Rogers. &lt;em&gt;Building Reuse: Sustainability, Preservation, and the Value of Design.&lt;/em&gt; (Seattle: University of Washington Press, 2020).&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Mitchell, Koritha. &lt;em&gt;From Slave Cabins to the White House: Homemade Citizenship in African American Culture&lt;/em&gt;. The New Black Studies Series. (Urbana: University of Illinois Press, 2020).&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Mitchell, LaLuce. “The Next Fifty: Perspective from the Next Generation.” &lt;em&gt;APT Bulletin: The Journal of Preservation Technology&lt;/em&gt;, Special Issue: The Next Fifty Symposium (2020), 51, no. 1 (2020): 9–12.&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Navin, John J. &lt;em&gt;The Grim Years: Settling South Carolina, 1670-1720&lt;/em&gt;. (Columbia: University of South Carolina Press, 2020).&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Niles, Skye, and Shawhin Roudbari. “Design, Politics, and Infrastructures of Immobility.” &lt;em&gt;PLATFORM&lt;/em&gt; (blog), August 3, 2020. https://www.platformspace.net/home/design-politics-and-infrastructures-of-immobility.&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Beveridge, Charles E., Lauren Meier, and Irene Mills, eds. &lt;em&gt;Frederick Law Olmsted: Plans and Views of Communities and Private Estates&lt;/em&gt;. (Baltimore: Johns Hopkins University Press, 2020).&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Paine, Ashley. “Not Quite Wright: Re-Performing Frank Lloyd Wright’s Architecture Ex Situ.” &lt;em&gt;Future Anterior&lt;/em&gt; 15, no. 2 (Winter 2018): 62–79.&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Pearson, Christie. &lt;em&gt;The Architecture of Bathing: Body, Landscape, Art&lt;/em&gt;. (Cambridge, Massachusetts: The MIT Press, 2020).&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Perry, Beth, L. Ager, and R. Sitas. “Cultural Heritage Entanglements: Festivals as Integrative Sites for Sustainable Urban Development.” &lt;em&gt;International Journal of Heritage Studies&lt;/em&gt; 26, no. 6 (June 2, 2020): 603–18. https://doi.org/10.1080/13527258.2019.1578987.&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Perry, Laura, and Paige Glotzer. “Financing American Inequality: A Conversation with Paige Glotzer.” &lt;em&gt;Edge Effects&lt;/em&gt; (blog), May 19, 2020. https://edgeeffects.net/paige-glotzer/.&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Picon, Antoine, and Abigail Grater. &lt;em&gt;The Materiality of Architecture&lt;/em&gt;. (Minneapolis: University of Minnesota Press, 2020).&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Poling, Kristin. &lt;em&gt;Germany’s Urban Frontiers: Nature and History on the Edge of the Nineteenth-Century City.&lt;/em&gt; History of the Urban Environment. (Pittsburgh: University of Pittsburgh Press, 2020).&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Polley, Robert and Margaret Fletcher. &lt;em&gt;Handbook of Architectural Styles&lt;/em&gt;. (Princeton: Princeton University Press, 2020).&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Ptáčková, Jarmila. &lt;em&gt;Exile from the Grasslands: Tibetan Herders and Chinese Development Projects. Studies on Ethnic Groups in China&lt;/em&gt;. (Seattle: University of Washington Press, 2020).&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Rakow, Donald Andrew, Meghan Z. Gough, and Sharon A. Lee. &lt;em&gt;Public Gardens and Livable Cities: Partnerships Connecting People, Plants, and Place.&lt;/em&gt; (Ithaca: Cornell University Press, 2020).&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Rieh, Sun-Young. &lt;em&gt;Creating a Sense of Place in School Environments: How Young Children Construct Place Attachment.&lt;/em&gt; (New York: Routledge, 2020).&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Rosso, Michela, ed. &lt;em&gt;Laughing at Architecture: Architectural Histories of Humour, Satire and Wit&lt;/em&gt;. Place Of (New York: Bloomsbury Visual Arts, 2020).&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Rozas-Krause, Valentina. “Sinking Monuments: Notes on Our Current Statuophobia.” &lt;em&gt;PLATFORM&lt;/em&gt; (blog), July 20, 2020. https://www.platformspace.net/home/sinking-monuments-notes-on-our-current-statuophobia.&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Savage, Kirk. “No Time, No Place: The Existential Crisis of the Public Monument.” &lt;em&gt;Future Anterior&lt;/em&gt; 15, no. 2 (Winter 2018): 146–54.&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Schwake, Gabriel. “The Americanisation of Israeli Housing Practices.” &lt;em&gt;The Journal of Architecture&lt;/em&gt; 25, no. 3 (April 2, 2020): 295–316. https://doi.org/10.1080/13602365.2020.1758952.&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Sen, Arijit. “Walking the Field in Milwaukee.” &lt;em&gt;PLATFORM&lt;/em&gt; (blog), July 13, 2020. https://www.platformspace.net/home/walking-the-field-in-milwaukee.&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Serlin, David. “Banking on Postmodernism: Saving Stanley Tigerman’s Illinois Regional Library for the Blind and Physically Handicapped (1978).” &lt;em&gt;Future Anterior&lt;/em&gt; 16, no. 1 (Summer 2019): 87–108.&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Sinha, Amita. &lt;em&gt;Cultural Landscapes of India: Imagined, Enacted, and Reclaimed.&lt;/em&gt; (Pittsburgh, Pa: University of Pittsburgh Press, 2020).&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Snyder, Daniel E. &lt;em&gt;Tender Detail: Ornament and Sentimentality in the Architecture of Louis H. Sullivan and Frank Lloyd Wright&lt;/em&gt;. (New York: Bloomsbury, 2020).&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Som, Nicholas. “The Front Doors of James Madison’s Montpelier Show Their True Colors.” &lt;em&gt;Preservation Magazine&lt;/em&gt;, Summer 2020. https://savingplaces.org/stories/the-front-doors-of-james-madisons-montpelier-show-their-true-colors#.X03sYchKjIU.&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Sprague, Tyler S. &lt;em&gt;Sculpture on a Grand Scale: Jack Christiansen’s Thin Shell Modernism&lt;/em&gt;. (Seattle: University of Washington, 2019).&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Strang, Victoria, Tim Edensor, and Joanna Puckering, eds. &lt;em&gt;From the Lighthouse: Interdisciplinary Reflections on Light.&lt;/em&gt; (New York: Routledge, 2020).&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Taylor, Amy Murrell. &lt;em&gt;Embattled Freedom: Journeys Through the Civil Wars Slave Refugee Camps&lt;/em&gt;. (Chapel Hill: Univ Of North Carolina Press, 2020).&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Taylor, Keeanga-Yamahtta. “The Banality of Segregation: Why Hirsch Still Helps Us Understand Our Racial Geography.” &lt;em&gt;Journal of Urban History&lt;/em&gt; 46, no. 3 (May 2020): 490–93. https://doi.org/10.1177/0096144219896575.&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Taylor, Lisa. &lt;em&gt;Taste for Gardening: Classed and Gendered Practices&lt;/em&gt;. (New York: Routledge, 2020).&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Thompson Brandt, Mark, and Cory Rouillard. “Climate Chaos and Heritage-Conservation Values: The Urgency for Action.” &lt;em&gt;APT Bulletin: The Journal of Preservation Technology&lt;/em&gt;, Special Issue: The Next Fifty Symposium (2020), 51, no. 1 (2020): 37–48.&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Ventos, Maria Rubert de. “Breathing Room.” &lt;em&gt;PLATFORM&lt;/em&gt; (blog), May 18, 2020. https://www.platformspace.net/home/breathing-room-k3pdn.&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Wang, David. &lt;em&gt;Architecture and Sacrament: A Critical Theory&lt;/em&gt;. (New York: Routledge, 2020).&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Whyton, Tony. “Space Is the Place: European Jazz Festivals as Cultural Heritage Sites.” &lt;em&gt;International Journal of Heritage Studies&lt;/em&gt; 26, no. 6 (June 2, 2020): 547–57. https://doi.org/10.1080/13527258.2018.1517375.&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Widrich, Mechtild. “Moving Monuments in the Age of Social Media.” &lt;em&gt;Future Anterior&lt;/em&gt; 15, no. 2 (Winter 2018): 132–44.&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Wiggins, Danielle. “‘Order as Well as Decency’: The Development of Order Maintenance Policing in Black Atlanta.” &lt;em&gt;Journal of Urban History&lt;/em&gt; 46, no. 4 (July 2020): 711–27. https://doi.org/10.1177/0096144218822805.&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Williams, Rhonda Y. “Places Created and Peopled: ‘Black Women: Where They Be . . . Suffering?’” &lt;em&gt;Journal of Urban History&lt;/em&gt; 46, no. 3 (May 2020): 478–89. https://doi.org/10.1177/0096144219896574.&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Williams, Timothy J. “The Intellectual Roots of the Lost Cause: Camaraderie and Confederate Memory in Civil War Prisons.” &lt;em&gt;Journal of Southern History&lt;/em&gt; 86, no. 2 (2020): 253–82. https://doi.org/10.1353/soh.2020.0036.&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Woodcock, David G. “Preservation Philosophy and Approaches: The Next Fifty.” &lt;em&gt;APT Bulletin: The Journal of Preservation Technology&lt;/em&gt;, Special Issue: The Next Fifty Symposium (2020), 51, no. 1 (2020): 13–24.&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Yaneva, Albena. &lt;em&gt;Crafting History: Archiving and the Quest for Architectural Legacy. Expertise: Cultures and Technologies of Knowledge&lt;/em&gt;. (Ithaca: Cornell University Press, 2020).&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Zavoretti, Roberta. &lt;em&gt;Rural Origins, City Lives: Class And Place In Contemporary China&lt;/em&gt;. (Seattle: University of Washington Press, 2020).&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Zimring, Carl A., and Steven H. Corey, eds. Coastal Metropolis: &lt;em&gt;Environmental Histories of Modern New York City&lt;/em&gt;. (Pittsburgh: University of Pittsburgh Press, 2020).&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 16px;"&gt;&lt;font style="font-size: 15px;" color="#000000"&gt;Zubovich, Katherine. &lt;em&gt;Moscow Monumental: Soviet Skyscrapers and Urban Life in Stalin’s Capital&lt;/em&gt;. (Princeton, New Jersey: Princeton University Press, 2020).&lt;/font&gt;&lt;/p&gt;</description>
      <link>https://vafweb.org/VAN-Summer-2020/9214146</link>
      <guid>https://vafweb.org/VAN-Summer-2020/9214146</guid>
      <dc:creator>Christine R Henry</dc:creator>
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