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    <title>Vernacular Architecture Forum VAN Spring 2020</title>
    <link>https://vafweb.wildapricot.org/</link>
    <description>Vernacular Architecture Forum blog posts</description>
    <dc:creator>Vernacular Architecture Forum</dc:creator>
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    <language>en</language>
    <pubDate>Tue, 07 Apr 2026 02:39:56 GMT</pubDate>
    <lastBuildDate>Tue, 07 Apr 2026 02:39:56 GMT</lastBuildDate>
    <item>
      <pubDate>Wed, 08 Apr 2020 17:01:00 GMT</pubDate>
      <title>Letter from the Editor</title>
      <description>&lt;p&gt;&lt;font style="font-size: 16px;"&gt;&lt;font color="#000000"&gt;Welcome to the&lt;/font&gt; &lt;a href="https://www.vafweb.org/VAN-Spring-2020" style=""&gt;&lt;font style="" color="#CC3300"&gt;Spring Issue of VAN&lt;/font&gt;&lt;/a&gt;&lt;font color="#000000"&gt;.&amp;nbsp; Feel free to use this link if you just want to scroll through all the stories directly on the website, or take a look below for highlights of the issue with links directly to each story.&amp;nbsp;&amp;nbsp;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font style="font-size: 16px;"&gt;&lt;font color="#000000"&gt;For the&lt;/font&gt; &lt;font color="#CC3300"&gt;&lt;a href="https://www.vafweb.org/VAN-Spring-2020/8887160" style=""&gt;&lt;font style=""&gt;most current news&lt;/font&gt;&lt;/a&gt;,&lt;/font&gt;&lt;/font&gt; &lt;font style="font-size: 16px;"&gt;&lt;font color="#000000"&gt;VAF President Claire Dempsey has provided an informative update on changes to the San Antonio conference and meeting for this year and plans for 2020 as well.&amp;nbsp; Speaking of the future, don’t miss the&lt;/font&gt; &lt;a href="https://www.vafweb.org/VAN-Spring-2020/8887164" style=""&gt;&lt;font color="#CC3300"&gt;&lt;font style=""&gt;update&lt;/font&gt;&lt;/font&gt;&lt;/a&gt; &lt;font color="#000000"&gt;from VAF Treasurer Claudia Brown.&amp;nbsp; If you are interested in getting more involved with VAF, please see the&lt;/font&gt; &lt;a href="https://www.vafweb.org/VAN-Spring-2020/8873030" style=""&gt;&lt;font color="#CC3300"&gt;&lt;font style=""&gt;call for a new co-editor&lt;/font&gt;&lt;/font&gt;&lt;/a&gt; &lt;font color="#000000"&gt;for Buildings &amp;amp; Landscapes along with profiles of the current editors,&lt;/font&gt; &lt;a href="https://www.vafweb.org/VAN-Spring-2020/8873021" style=""&gt;&lt;font style="" color="#CC3300"&gt;Lydia Mattice Brandt&lt;/font&gt;&lt;/a&gt; &lt;font color="#000000"&gt;and&lt;/font&gt; &lt;a href="https://www.vafweb.org/VAN-Spring-2020/8875548" style=""&gt;&lt;font style="" color="#CC3300"&gt;Carl Lounsbury&lt;/font&gt;&lt;/a&gt;&lt;font color="#000000"&gt;.&amp;nbsp; Don’t forget to check out the member news section, calls for papers, and updates on the&lt;/font&gt; &lt;font color="#CC3300"&gt;&lt;a href="https://www.vafweb.org/VAN-Spring-2020/8880283" style=""&gt;&lt;font style=""&gt;New England Chapter meeting&lt;/font&gt;&lt;/a&gt;&lt;font&gt;.&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font style="font-size: 16px;"&gt;&lt;font color="#000000"&gt;In publications news, the&lt;/font&gt; &lt;a href="https://www.vafweb.org/VAN-Spring-2020/8880280" style=""&gt;&lt;font style="" color="#CC3300"&gt;Spring Bibliography&lt;/font&gt;&lt;/a&gt; &lt;font color="#000000"&gt;is packed as usual with useful resources that contribute to vernacular studies and keep your eyes on your inbox for a special post-virtual conference issue of the newsletter in mid-May that will highlight our award winners and provide a ballot for voting in the annual meeting.&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font style="font-size: 16px;" color="#000000"&gt;Christine Henry, Newsletter Editor&lt;/font&gt;&lt;/p&gt;</description>
      <link>https://vafweb.wildapricot.org/VAN-Spring-2020/8889544</link>
      <guid>https://vafweb.wildapricot.org/VAN-Spring-2020/8889544</guid>
      <dc:creator>Christine R Henry</dc:creator>
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      <pubDate>Wed, 08 Apr 2020 17:00:00 GMT</pubDate>
      <title>Updates from VAF President, Claire Dempsey</title>
      <description>&lt;p&gt;&lt;font face="Calibri, sans-serif" style="font-size: 16px;" color="#000000"&gt;As you can all imagine, VAF’s Board of Directors and committee members have been busy rethinking our familiar activities as we all adjust to the COVID-19 pandemic.&amp;nbsp; You should have received emails that marked our progress with some difficult decisions. &amp;nbsp;Work continues and not all our plans are quite settled, but we will use this issue of VAN to bring you up to date where we can.&amp;nbsp; VAN editor Christine Henry is planning a supplementary issue for mid-May, when we will announce our award and prize winners, present an annual report and electronic ballot, and share any additional news we have.&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font style="font-size: 16px;" face="Times New Roman, serif"&gt;&lt;font face="Calibri, sans-serif" style="color: rgb(0, 0, 0);"&gt;We plan to go forward with one component of our usual meeting, the &lt;strong&gt;paper and poster sessions scheduled for Saturday, 9 May&lt;/strong&gt;, as a virtual conference.&amp;nbsp;&lt;/font&gt; &lt;font face="Calibri, sans-serif" style="color: rgb(0, 0, 0);"&gt;Brent Fortenberry and his colleagues at Texas A &amp;amp; M University (TAMU) volunteered to host and to provide technical assistance.&amp;nbsp;&lt;/font&gt; &lt;font face="Calibri, sans-serif" style="color: rgb(0, 0, 0);"&gt;Most of our presenters and session chairs have agreed to participate in our experiment, and we have adjusted the sessions accordingly. Like so many others who are shifting to remote work and learning, we will use Zoom, which you will need to download in advance and perhaps practice a little too.&amp;nbsp; We have adapted the planned schedule of papers to generally accommodate continental US time zones; &lt;strong&gt;all listed times are Central Daylight Time&lt;/strong&gt;. We are planning three blocks of papers, with sessions beginning at 10 am, 1 pm, and 3 pm.&amp;nbsp; The poster session, where presenters will be available to answer questions, will take place between 12 noon and 1pm. More information is posted on our &lt;a href="http://www.vafweb.org/2020-Virtual-Conference" target="_blank"&gt;website&lt;/a&gt;, including a link for registration.&lt;/font&gt; &lt;a href="http://www.vafweb.org/2020-Virtual-Conference" style=""&gt;&lt;font face="Calibri, sans-serif" style="" color="#CC3300"&gt;http://www.vafweb.org/2020-Virtual-Conference&lt;/font&gt;&lt;/a&gt;&lt;font face="Calibri, sans-serif" style="color: rgb(0, 0, 0);"&gt;.&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font style="font-size: 16px;" color="#000000" face="Times New Roman, serif"&gt;&lt;font face="Calibri, sans-serif"&gt;We are planning to reschedule the &lt;strong&gt;San Antonio conference for May 19&lt;sup&gt;th&lt;/sup&gt; to 21&lt;sup&gt;st&lt;/sup&gt; in 2021&lt;/strong&gt;.&lt;/font&gt; &lt;font face="Calibri, sans-serif"&gt;Michelle Jones, our conference coordinator, has had a very different set of tasks to wrangle, but our transitions to the new schedule have been moving smoothly.&lt;/font&gt; &lt;font face="Calibri, sans-serif"&gt;&amp;nbsp;So far, we have been able to rearrange this with few costs to us, and we are enormously appreciative of the generosity shown us by these local businesses.&amp;nbsp; We are thrilled that we will all be able to see this region next year and to learn from the hard work undertaken there in field work and research for our tours.&amp;nbsp; The plenary planned for this year, “&lt;/font&gt;&lt;font face="Calibri, sans-serif"&gt;Migration History and the Contemporary Political Landscape”&lt;/font&gt; &lt;font face="Calibri, sans-serif"&gt;will go forward next year, and there will be a new call for papers and posters.&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Calibri, sans-serif" style="font-size: 16px;" color="#000000"&gt;The &lt;strong&gt;Plymouth conference&lt;/strong&gt;, originally planned for May of 2021, will be postponed to &lt;strong&gt;May 18 to 21, 2022&lt;/strong&gt;.&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Calibri, sans-serif" style="font-size: 16px;" color="#000000"&gt;Our treasurer Claudia Brown has been refunding conference registration fees, which most of you should have received already, and juggling an array of other registration issues. We hope you have all remembered to cancel your hotel reservation and are doing what you can to negotiate with your airline.&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Calibri, sans-serif" style="font-size: 16px;" color="#000000"&gt;We have been in touch with the Access Award and Simpson Award recipients and the student Ambassadors from the University of Wisconsin, Milwaukee, and the University of Virginia and hope to see many of them next year. &amp;nbsp;We will announce the winners of the Advocacy, Bishir, Buchanan, and Cummings awards in the VAN May supplement and post that information on the VAF website after our &lt;a href="http://www.vafweb.org/2020-Virtual-Conference" target="_blank"&gt;virtual conference&lt;/a&gt; May 9. The winners have been invited to join us in San Antonio in 2021 for a super-sized award ceremony.&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Calibri, sans-serif" style="font-size: 16px;" color="#000000"&gt;Our Bylaws, as amended in 2015, contemplated the need for electronic decision-making (section VII G), so both our Board Meeting and our Annual Meeting will take place electronically.&amp;nbsp; The Board Meeting that was scheduled for Wednesday, 6 May will go forward on that date, again using Zoom. We will conduct such business as we can and will likely plan a second meeting in the months ahead to handle tasks that might require a postponement. We will need to postpone and re-format our Annual Meeting scheduled for Saturday evening, 9 May, while we focus on these other activities.&amp;nbsp; Instead of a traditional annual meeting, we will keep the membership informed with an annual report summarizing Board activities in the supplementary issue of VAN in mid-May. That issue will also include a ballot for the election of officers and directors for the Board so the members can vote electronically&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font style="font-size: 16px;" color="#000000" face="Times New Roman, serif"&gt;&lt;font face="Calibri, sans-serif"&gt;I want to thank some of the folks who have been working especially hard as we moved through our decision making:&amp;nbsp; First to Brent Fortenberry and his San Antonio conference colleagues Ken Hafertepe, Clifton Ellis, and Evan Thompson for being so patient and generous about rethinking their conference.&amp;nbsp; We all look forward to seeing it next year. Brent and TAMU deserve additional thanks for arranging our Virtual Conference as well,&lt;/font&gt; &lt;font face="Calibri, sans-serif"&gt;an extraordinary gift in these times&lt;/font&gt;&lt;font face="Calibri, sans-serif"&gt;. To Ritchie Garrison and the Plymouth team we owe similar gratitude. The Executive Committee, Christine O’Malley, Kim Hoagland, Bill Littman, and Claudia Brown, have all been thoughtful and good humored, as their duties became more challenging in a rapidly changing situation. &amp;nbsp;Andrew Dolkart, Phil Gruen, Sally McMurry, and Zachary Violette have all taken on an array of new tasks and we are appreciative of their willingness to jump in. I have been moved by everyone’s help and for the good thoughts we have received from members and friends.&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Calibri, sans-serif" style="font-size: 16px;" color="#000000"&gt;We hope you will join us for the &lt;a href="http://www.vafweb.org/2020-Virtual-Conference" target="_blank"&gt;Virtual Conference&lt;/a&gt; on May 9 and look forward to carrying on the business portions of our meeting in new and experimental ways.&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Calibri, sans-serif" style="font-size: 16px;" color="#000000"&gt;Claire W Dempsey&lt;/font&gt;&lt;/p&gt;</description>
      <link>https://vafweb.wildapricot.org/VAN-Spring-2020/8887160</link>
      <guid>https://vafweb.wildapricot.org/VAN-Spring-2020/8887160</guid>
      <dc:creator>Christine R Henry</dc:creator>
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      <pubDate>Wed, 08 Apr 2020 15:00:00 GMT</pubDate>
      <title>Unexpected Good News!</title>
      <description>&lt;p style="background-color: transparent; line-height: 22px;"&gt;&lt;font style="font-size: 16px;" color="#000000" face="Calibri, sans-serif"&gt;by Claudia R. Brown, VAF Treasurer&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 22px;"&gt;&lt;font style="font-size: 16px;" color="#000000" face="Calibri, sans-serif"&gt;In these uncertain times, the Vernacular Architecture Forum is fortunate to have the continued support of a remarkably generous donor. Since 2011, this benefactor, who wishes to remain anonymous, has bestowed $100,000 annually to the VAF. In the midst of postponing our 2020 conference last month, a check in the amount of $100,000 arrived in my mailbox, bringing our anonymous benefactor’s support of the VAF to $1 million. The timing of this gift could not have been better as we did not know then if we were going to lose tens of thousands of dollars in deposits for buses, venues, and vendors reserved for the 2020 conference or if the deposits could be held for the postponement of the San Antonio conference to 2021. (As of this writing, almost all of these businesses have agreed to accommodate us and we expect a positive response from the others.)&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 22px;"&gt;&lt;font style="font-size: 16px;" color="#000000" face="Calibri, sans-serif"&gt;Our anonymous benefactor’s generosity enabled the VAF to establish an endowment that has remained healthy over many years. Even today, as the stock market has plummeted, our endowment has held up very well due to wise investments and today is down only about 8% form its peak in February, performing very favorably in light of the declines of the Dow and S&amp;amp;P 500. The latest gift will support the creation of an emergency fund as a bulwark against future crises and the balance appropriately and conservatively invested.&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 22px;"&gt;&lt;font style="font-size: 16px;" face="Calibri, sans-serif"&gt;&lt;span style="background-color: transparent;"&gt;&lt;font color="#000000" style=""&gt;We owe a huge debt of gratitude to our anonymous donor, whoever he or she may be for helping VAF continue our work today and plan for a bright future.&amp;nbsp;&lt;/font&gt;&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;</description>
      <link>https://vafweb.wildapricot.org/VAN-Spring-2020/8887164</link>
      <guid>https://vafweb.wildapricot.org/VAN-Spring-2020/8887164</guid>
      <dc:creator>Christine R Henry</dc:creator>
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      <pubDate>Wed, 08 Apr 2020 15:00:00 GMT</pubDate>
      <title>Call for Editors of Buildings &amp; Landscapes Journal</title>
      <description>&lt;p style="line-height: 22px;"&gt;&lt;font style="font-size: 16px;"&gt;&lt;font color="#000000" face="Arial"&gt;&lt;img src="https://www.vafweb.org/resources/Pictures/VAN/20-2/2019F_cover.jpg" alt="" title="" border="0" width="133.5" height="176" align="right" style="margin: 8px;"&gt;The Vernacular Architecture Forum (VAF) solicits letters of interest from scholars seeking to serve its peer-reviewed journal&lt;/font&gt; &lt;em&gt;&lt;font color="#000000" face="Arial"&gt;Buildings &amp;amp; Landscapes&lt;/font&gt;&lt;/em&gt;&lt;font color="#000000" face="Arial"&gt;. The journal currently has openings for 1) an editor and 2) a book review editor (or editors). Both are unpaid positions.&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 22px;"&gt;&lt;font style="font-size: 16px;"&gt;&lt;font color="#000000" face="Arial"&gt;Published twice a year by University of Minnesota Press,&lt;/font&gt; &lt;em&gt;&lt;font color="#000000" face="Arial"&gt;Buildings &amp;amp; Landscapes&lt;/font&gt;&lt;/em&gt; &lt;font color="#000000" face="Arial"&gt;is the leading source for scholarly work on the vernacular architecture of North America or areas that broaden the context of North American architecture and cultural landscapes. The journal’s contributors include historians and architectural historians, preservationists and architects, geographers, anthropologists and folklorists, and others. All share an interest in documenting, analyzing, and interpreting vernacular forms and approach the built environment as windows into human life and culture, basing their scholarship on both fieldwork and archival research.&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;ol&gt;
  &lt;li&gt;
    &lt;p style="line-height: 19px;"&gt;&lt;font color="#000000" face="Arial"&gt;&lt;font color="#000000" face="Arial" style="font-size: 16px;"&gt;Call for an editor&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;
  &lt;/li&gt;
&lt;/ol&gt;

&lt;p style="line-height: 22px;"&gt;&lt;font style="font-size: 16px;"&gt;&lt;font color="#000000" face="Arial"&gt;The two coeditors of&lt;/font&gt; &lt;em&gt;&lt;font color="#000000" face="Arial"&gt;Buildings &amp;amp; Landscapes&lt;/font&gt;&lt;/em&gt; &lt;font color="#000000" face="Arial"&gt;work together as equals to oversee all editorial matters regarding the journal: soliciting, selecting, vetting, and editing articles from authors; communicating with the University of Minnesota Press about the editing and production of the journal (2 issues per year); and working closely with the book review editor(s) and image editor. Editors have 4-year terms and one is replaced every 2 years so that no two editors change at once. The next co-editor will replace Carl Lounsbury (College of William and Mary) and join Lydia Mattice Brandt (University of South Carolina).&amp;nbsp;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;ol&gt;
  &lt;li&gt;
    &lt;p style="line-height: 19px;"&gt;&lt;font color="#000000" face="Arial"&gt;&lt;font color="#000000" face="Arial" style="font-size: 16px;"&gt;Call for a book review editor(s)&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;
  &lt;/li&gt;
&lt;/ol&gt;

&lt;p style="line-height: 22px;"&gt;&lt;font style="font-size: 16px;"&gt;&lt;font color="#000000" face="Arial"&gt;The book review editor(s) of&lt;/font&gt; &lt;em&gt;&lt;font color="#000000" face="Arial"&gt;Buildings &amp;amp; Landscapes&lt;/font&gt;&lt;/em&gt; &lt;font color="#000000" face="Arial"&gt;select books, exhibits, or sites to review that will be of broad interest to the journal’s audience and complement the content of the journal. They choose appropriate reviewers, provide them with books (in the case of book reviews), and communicate with them throughout revisions. They coordinate with the coeditors to ensure that all deadlines with the University of Minnesota Press are met. Editors have 2-year terms, with the option of renewing for an additional term.&amp;nbsp;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 22px;"&gt;&lt;font style="font-size: 16px;"&gt;&lt;font color="#000000" face="Arial"&gt;To be considered for a position by the selection committee, to suggest a colleague, or to ask questions, interested parties should send letters of interest and CVs to VAF President &lt;a href="mailto:dempseyc@bu.edu" target="_blank"&gt;Claire Dempsey&lt;/a&gt; to &amp;lt;dempseyc@bu.edu&lt;/font&gt;&lt;font color="#000000" face="Arial"&gt;&amp;gt;&lt;/font&gt; &lt;font color="#000000" face="Arial"&gt;by May 1st&lt;/font&gt;&lt;font color="#000000" face="Arial"&gt;. Applicants should be mid-career or senior scholars with proven publication records and excellent communication skills. Those with knowledge of the VAF or who have previously published in&lt;/font&gt; &lt;em&gt;&lt;font color="#000000" face="Arial"&gt;Buildings &amp;amp; Landscapes&lt;/font&gt;&lt;/em&gt; &lt;font color="#000000" face="Arial"&gt;or&lt;/font&gt; &lt;em&gt;&lt;font color="#000000" face="Arial"&gt;Perspectives in Vernacular Architecture&lt;/font&gt;&lt;/em&gt; &lt;font color="#000000" face="Arial"&gt;are especially encouraged to apply. All editors will begin their terms in summer 2020 by shadowing the current editors.&amp;nbsp;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 22px;"&gt;&lt;font color="#000000" face="Arial" style="font-size: 16px;"&gt;To learn more about the &lt;a href="https://www.vafweb.org/buildingsandlandscapes" target="_blank" style=""&gt;journal&lt;/a&gt;, see the &lt;a href="https://www.vafweb.org/publications" target="_blank" style=""&gt;publications tab&lt;/a&gt; on this website.&lt;/font&gt;&lt;/p&gt;</description>
      <link>https://vafweb.wildapricot.org/VAN-Spring-2020/8873030</link>
      <guid>https://vafweb.wildapricot.org/VAN-Spring-2020/8873030</guid>
      <dc:creator>Christine R Henry</dc:creator>
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      <pubDate>Wed, 08 Apr 2020 12:00:00 GMT</pubDate>
      <title>VAF-NE Annual Meeting Postponed</title>
      <description>&lt;p&gt;&lt;font style="font-size: 16px;" color="#000000" face="Arial, sans-serif"&gt;The Board of the New England Chapter of the Vernacular Architecture Forum has decided to&amp;nbsp;&lt;u&gt;reschedule the 4 April 2020&lt;/u&gt;&amp;nbsp;VAF-NE Chapter Annual Meeting that was to be held at Old Sturbridge Village. &amp;nbsp;We reached this decision owing to a concern for the safety and well-being of our members and attendees and the recommendation by health authorities to postpone events and gatherings to mitigate the spread of COVID-19.&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font style="font-size: 16px;" color="#000000" face="Arial, sans-serif"&gt;The&amp;nbsp;&lt;u&gt;new date&lt;/u&gt;&amp;nbsp;for the Annual Meeting will be&amp;nbsp;&lt;strong&gt;&lt;u&gt;7 November 2020&lt;/u&gt;&lt;/strong&gt;&amp;nbsp;at Old Sturbridge Village so mark your calendars!&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font style="font-size: 16px;" color="#000000" face="Arial, sans-serif"&gt;We will refund the registration fees and food order monies to anyone who would like them but of course are hoping you’ll just ask them to be held as registration for the newly scheduled meeting.&amp;nbsp;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font style="font-size: 16px;" face="Arial, sans-serif"&gt;&lt;font color="#000000"&gt;For further inquiries, please email&amp;nbsp;&lt;/font&gt;&lt;a href="mailto:vafnewengland@gmail.com" style=""&gt;&lt;font style="font-weight: normal;" color="#CC3300"&gt;vafnewengland@gmail.com&lt;/font&gt;&lt;/a&gt;&lt;font color="#000000"&gt;.&amp;nbsp;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;</description>
      <link>https://vafweb.wildapricot.org/VAN-Spring-2020/8880283</link>
      <guid>https://vafweb.wildapricot.org/VAN-Spring-2020/8880283</guid>
      <dc:creator>Christine R Henry</dc:creator>
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      <pubDate>Wed, 08 Apr 2020 10:30:00 GMT</pubDate>
      <title>Call for Papers: SESAH paper abstracts due May 1</title>
      <description>&lt;p&gt;&lt;font&gt;The &lt;a href="https://sesah.org/2020-annual-conference-in-natchez-ms/" target="_blank"&gt;Southeast Chapter of the Society of Architectural Historians&lt;/a&gt; is now accepting paper abstracts for the 2020 Annual Conference, to be held in N&lt;img src="https://www.vafweb.org/resources/Pictures/VAN/20-2/SESAH%202020.jpg" alt="" title="" border="0" align="left" width="267" height="408" style="margin: 8px;"&gt;atchez, Mississippi, September 30 to October 3, 2020, and co-hosted by Historic Natchez Foundation, Natchez National Historical Park, and the Mississippi Department of Archives and History. Please submit abstracts to&amp;nbsp;&lt;a href="mailto:papers@sesah.org" style=""&gt;&lt;font&gt;papers@sesah.org&lt;/font&gt;&lt;/a&gt;&amp;nbsp;by&amp;nbsp;&lt;font style=""&gt;May 1, 2020.&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;h4 style="line-height: 24px;"&gt;&lt;font style="font-size: 17px;" color="#333333" face="Arial, Helvetica, sans-serif"&gt;Conference Venue:&lt;/font&gt;&lt;/h4&gt;

&lt;p&gt;&lt;font&gt;The conference will be held at the Natchez Convention Center and the conference hotel will be the Natchez Grand Hotel. More details to follow regarding hotel registration.&lt;/font&gt;&lt;/p&gt;

&lt;h4 style="line-height: 24px;"&gt;&lt;font style="font-size: 17px;" color="#333333" face="Arial, Helvetica, sans-serif"&gt;Paper and Session Proposal Submissions:&lt;/font&gt;&lt;/h4&gt;

&lt;p&gt;&lt;font&gt;We encourage submissions from architectural, landscape, preservation, and urban historians; independent scholars; architects; architectural theorists; museum curators; and other scholars in related fields. Submissions from graduate students in these fields are also welcome.&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font&gt;Participants need not work in, reside in, or focus their research within the Southeast or the twelve-state SESAH region. However, all accepted presenters and session chairs must join SESAH and register for the conference by the early registration deadline. Accepted presenters must also submit the complete text of their papers to their session chair by September 1, 2020. SESAH reserves the right to drop presenters who do not fulfill submission requirements. Paper presentations are 20 minutes maximum (approximately 2,300 to 2,500 words).&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font&gt;Papers on any architectural history topic and session theme are welcome. In addition, we invite submissions addressing the following themes:&lt;/font&gt;&lt;/p&gt;

&lt;ul&gt;
  &lt;li&gt;
    &lt;ul&gt;
      &lt;li&gt;&lt;font&gt;&lt;font&gt;Native American Landscapes of the South&lt;/font&gt;&lt;/font&gt;&lt;/li&gt;

      &lt;li&gt;&lt;font&gt;&lt;font&gt;African American Landscapes of the South&lt;/font&gt;&lt;/font&gt;&lt;/li&gt;

      &lt;li&gt;&lt;font&gt;&lt;font&gt;Women Designers of the South&lt;/font&gt;&lt;/font&gt;&lt;/li&gt;

      &lt;li&gt;&lt;font&gt;&lt;font&gt;Historic Preservation as Economic Development&lt;/font&gt;&lt;/font&gt;&lt;/li&gt;

      &lt;li&gt;&lt;font&gt;&lt;font&gt;Heritage Tourism and the Modern South&lt;/font&gt;&lt;/font&gt;&lt;/li&gt;

      &lt;li&gt;&lt;font&gt;&lt;font&gt;Rural Landscapes in the South&lt;/font&gt;&lt;/font&gt;&lt;/li&gt;
    &lt;/ul&gt;
  &lt;/li&gt;
&lt;/ul&gt;

&lt;h4 style="line-height: 24px;"&gt;&lt;font style="font-size: 17px;" color="#333333" face="Arial, Helvetica, sans-serif"&gt;Submission Guidelines:&lt;/font&gt;&lt;/h4&gt;

&lt;p&gt;&lt;font&gt;Abstracts (in MS Word format) of no more than 300 words must include the applicant’s name, professional affiliation, contact information, title of the proposed paper, and 5 keywords; a CV must be attached or included (in Word or PDF format). Proposals for sessions must include the title of the session; names, affiliations, contact information, and CVs for participants; and abstracts (as Word docs) of each paper. Please email documents to&amp;nbsp;&lt;a href="mailto:papers@sesah.org"&gt;&lt;font&gt;papers@sesah.org&lt;/font&gt;&lt;/a&gt;&amp;nbsp;by&amp;nbsp;&lt;font&gt;May 1, 2020&lt;/font&gt;.&lt;/font&gt;&lt;/p&gt;</description>
      <link>https://vafweb.wildapricot.org/VAN-Spring-2020/8875586</link>
      <guid>https://vafweb.wildapricot.org/VAN-Spring-2020/8875586</guid>
      <dc:creator>Christine R Henry</dc:creator>
    </item>
    <item>
      <pubDate>Wed, 08 Apr 2020 10:29:00 GMT</pubDate>
      <title>Call for Abstracts: Change Over Time journal, due June 5</title>
      <description>&lt;p&gt;&lt;font color="#000000"&gt;&lt;img src="https://www.vafweb.org/resources/Pictures/VAN/20-2/Change%20Over%20Time%20banner.jpg" alt="" title="" border="0"&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font color="#000000"&gt;The journal &lt;font&gt;&lt;em&gt;&lt;a href="http://cotjournal.com/" target="_blank"&gt;Change Over Time: An International Journal of Conservation and the Built Environment&lt;/a&gt;&lt;/em&gt;&lt;/font&gt;, published by the University of Pennsylvania Press, invites submissions for 10.2 Integrity&amp;nbsp;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font style="font-size: 14px;" color="#000000"&gt;&lt;strong&gt;10.2 Integrity |&lt;/strong&gt; Guest Editor: Jukka Jokilehto&amp;nbsp;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font color="#000000"&gt;The concept of “integrity” is central to the organizing principles and values of heritage conservation and is frequently evoked in international charters, conventions, and official recommendations. Generally speaking, integrity refers to the wholeness or intactness of a tangible object, place, or property and is a measure by which UNESCO determines the Outstanding Universal Value of a site.&lt;font style="font-size: 8px;"&gt;1&lt;/font&gt; As a guiding principle of conservation practice, the concept of integrity has evolved from 19th century ideas of the artist’s intent, which located integrity in a moment in time (Viollet le Duc), to 21st century framings of integrity as an emergent condition as proposed by the 2005 Faro Framework Convention which suggests that integrity is neither fixed nor static but is understood through a process of interpreting, respecting, and negotiating complex, and at times, contentious values.&amp;nbsp;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font color="#000000"&gt;The elaboration of integrity has developed in tandem with the expanding scope of heritage from individual monuments to more complex assemblages that defy singular synchronic definitions of form and significance. Heritage today includes urban, cultural, and vernacular landscapes that necessitate an understanding of the inextricable relationship between the built environment, cultural context, and intangible values and thus requires both a more nuanced and versatile assessment of integrity. While UNESCO and ICOMOS offer general guidance on assessing integrity, it is clear that integrity is a relational concept. As a result, despite its primacy of place within conservation discourse and practice, the precise definition of the term remains somewhat elusive.&amp;nbsp;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font color="#000000"&gt;This issue of &lt;em&gt;Change Over Time&lt;/em&gt; examines the core concept of “integrity” amidst evolving understandings of heritage and heritage conservation practice. It raises questions such as: How should integrity be assessed and interpreted for complex assemblages subject to multiple competing forces, as seen in cases of forced-migration, development, conflict, and climate change? What is an operating definition of integrity for archaeological sites whose conditions have dramatically changed due to damage incurred by the violent conflicts of terrorism or war, like the ancient city of Palmyra in Syria? How does integrity apply to cultural landscapes, such as coastal settlements, that are vulnerable to rising tides and extreme weather events, which not only threaten to alter the physical landscape, but may also disrupt traditional practices reliant upon delicate ecosystems? And how can the concept of integrity be understood and applied to historic&amp;nbsp;&lt;/font&gt;urban areas such as Cairo, Delhi, and Shanghai that are experiencing rapid growth and development and attendant demographic change?&amp;nbsp;&lt;/p&gt;

&lt;p&gt;&lt;font color="#000000"&gt;We welcome contributions from a range of contexts that both challenge operational concepts of integrity and demonstrate practical, actual, and inclusive approaches. Submissions may include, but are not limited to, case studies, theoretical explorations, and evaluations of current practices or policy programs.&amp;nbsp;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font color="#000000"&gt;&lt;strong&gt;Abstracts of 200-300 words are due 5 June 2020. Authors will be notified of provisional paper acceptance by early July 2017. Final manuscript submissions will be due 3 January 2021.&amp;nbsp;&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font color="#000000"&gt;&lt;strong&gt;Submission&amp;nbsp;&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font color="#000000"&gt;Articles are generally restricted to 7,500 or fewer words (the approximate equivalent to thirty pages of double-spaced, twelve-point type) and may include up to ten images. See Author Guidelines for full details at &lt;font color="#0433FF"&gt;cotjournal.com&lt;/font&gt;, or email Managing Editor, Kecia Fong at cot@design.upenn.edu for further information.&amp;nbsp;&lt;/font&gt;&lt;/p&gt;
&lt;hr&gt;

&lt;p&gt;&lt;font color="#000000" style="font-size: 11px;"&gt;&lt;font style="font-size: 6px;"&gt;1&lt;/font&gt;&amp;nbsp;UNESCO’s criteria for selection do not define integrity, though it is noted that “the protection, management, authenticity and integrity of properties are also important considerations.” UNESCO. “The Criteria for Selection,” accessed February 14, 2020, https://whc.unesco.org/en/criteria/&amp;nbsp;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font color="#000000" style="font-size: 11px;"&gt;ICOMOS defines integrity as a measure of the&amp;nbsp;&lt;strong&gt;overall coherence&lt;/strong&gt;&amp;nbsp;and the&amp;nbsp;&lt;strong&gt;wholeness and intactness&lt;/strong&gt;&amp;nbsp;of the property and its attributes. “Glossary,” International Council on Monuments and Sites, accessed January 22, 2020, https://www.icomos.org/en/2016-11-10-13-53-13/icomos-and-the-world-heritage-convention-4#integrity.&amp;nbsp;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font color="#000000" style="font-size: 11px;"&gt;While ICOMOS and UNESCO stress the wholeness of a property, the Advisory Council on Historic Preservation (ACHP) states that integrity is “the ability of the property to convey significance through physical features and context.”&amp;nbsp;&lt;/font&gt;&lt;/p&gt;</description>
      <link>https://vafweb.wildapricot.org/VAN-Spring-2020/8877579</link>
      <guid>https://vafweb.wildapricot.org/VAN-Spring-2020/8877579</guid>
      <dc:creator>Christine R Henry</dc:creator>
    </item>
    <item>
      <pubDate>Wed, 08 Apr 2020 08:01:00 GMT</pubDate>
      <title>Meet Building &amp; Landscapes Co-Editor Lydia Mattice Brandt</title>
      <description>&lt;p&gt;&lt;font style="font-size: 16px;" color="#000000" face="Calibri, sans-serif"&gt;&lt;img src="https://www.vafweb.org/resources/Pictures/VAN/20-2/Lydia%20Brandt.jpg" alt="Lydia enjoying documenting a building in Charlottesville, VA" title="Lydia enjoying documenting a building in Charlottesville, VA" border="0" width="212.5" height="384" align="right" style="margin: 8px;"&gt;Evangelists Louis Nelson and Dell Upton brought me into the VAF fold while I was a graduate student in architectural history at the University of Virginia in the mid-2000s. As an undergraduate art history major, I’d had trouble seeing past the famous monuments and stuffy questions of the canon. But VAF’s membership, publications, and conferences (my first was FresYES in 2008) helped me to realize that there really was a professional application for the nosy door-opening and almost-trespassing I’d been doing for most of my life.&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font style="font-size: 16px;" color="#000000" face="Calibri, sans-serif"&gt;Over the years, the VAF has become a central anchor for my professional and personal relationships. Since 2011, I have been the sole architectural historian at the University of South Carolina. The VAF (as well as the Southeast Chapter of the Society of Architectural Historians, for which I serve as vice president) has given me a space to create a “chosen” professional family, but also provided a reliable bank of outstanding scholarship, advice, and encouragement via its publications and annual meetings. This network has helped me to articulate and maximize how my various “lives” – as an academic, preservationist, and community history advocate – are intertwined.&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font style="font-size: 16px;" color="#000000" face="Calibri, sans-serif"&gt;I joined the VAF board in 2019 as a coeditor of &lt;em&gt;&lt;a href="https://www.vafweb.org/buildingsandlandscapes" target="_blank"&gt;Buildings &amp;amp; Landscapes&lt;/a&gt;&lt;/em&gt;. While I find discovering the errant typo immensely satisfying, it has more importantly deepened my relationship with the organization and the methodologies and ideas that connect its members. It also creates a privileged platform from which to see the field: I am inspired by the range of questions we ask, places we consider, and people we refuse to overlook. This has helped me to see my &lt;a href="http://lydiabrandt.com" target="_blank"&gt;own work&lt;/a&gt; – usually on intersections of memory and popular visual culture – differently and encouraged me to embrace cultural landscapes more holistically.&lt;/font&gt;&lt;/p&gt;</description>
      <link>https://vafweb.wildapricot.org/VAN-Spring-2020/8873021</link>
      <guid>https://vafweb.wildapricot.org/VAN-Spring-2020/8873021</guid>
      <dc:creator>Christine R Henry</dc:creator>
    </item>
    <item>
      <pubDate>Wed, 08 Apr 2020 08:00:00 GMT</pubDate>
      <title>Meet Buildings &amp; Landscapes Co-Editor Carl Lounsbury</title>
      <description>&lt;p&gt;&lt;font style="font-size: 16px;" color="#000000"&gt;&lt;img src="https://www.vafweb.org/resources/Pictures/VAN/20-2/CRL%20recording%20Ghequiere%20House,%20King%20Street,%20Alexandria,%20December%2016,%202016.jpeg" alt="Carl Lounsbury recording Ghequiere House, King Street, Alexandria December 16, 2016" title="Carl Lounsbury recording Ghequiere House, King Street, Alexandria December 16, 2016" border="0" width="267" height="200" align="right" style="margin: 8px;"&gt;I have been active in the VAF since its beginning in the late 1970s when I was still a graduate student. I have remained an active member because it has nourished my intellectual development by exposing me to some of the best scholars and research in the field and has made me less provincial-minded than I would have been otherwise. Early on, we sometimes saw ourselves as young iconoclasts who were eager to throw hand-made bricks through the glass walled boundaries of academic architectural history. Well maybe, but we certainly felt that we were uncovering a new world down every farm lane we traveled doing survey work for state historic preservation offices.&amp;nbsp; Even as the VAF was in its infancy, there was the FFFB—colloquially known as the Friends of Friendless Farm Buildings, an informal gathering of surveyors from Delaware, Maryland, Virginia, and North Carolina who met periodically in Richmond, Williamsburg, and Annapolis to find out what lay in someone’s patch of the woods on the other side of the river and keen to establish what kind of buildings, materials, structural joints, and molding profiles we had in common and develop a set of drafting conventions. I became swept up in this group of prospectors that included Cary Carson, Bernie Herman, Ed Chappell, Willie Graham, Dell Upton, Orlando Ridout, perhaps a stray archaeologist or two, and others who shared this passion for discovery. The VAF allowed us to find that there were other like-minded folk beyond the Chesapeake.&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font style="font-size: 16px;" color="#000000"&gt;I’ve attended every annual VAF conference since the first proto-conference at George Washington University in 1979 and over the past forty years have seen hundreds if not thousands of buildings in places that provide a nice contrast with the those in the Chesapeake where I have spent my career with my colleagues at Colonial Williamsburg. The highlight of those early years for me was the special tour that Abbott Cummings arranged for a number of us after the 1981 conference in Sturbridge. He showed us a number of those early framed houses that he had written about in his book published two years earlier. His boundless enthusiasm in explaining the structural details of these timber-framed buildings sparkled and made it one of the most delightful days in the field for all of us.&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font style="font-size: 16px;" color="#000000"&gt;In the early years of the VAF, I was a member of the board when Abbott was the president and was involved in organizing the conference in Winston-Salem in 1982 and again for the Williamsburg in 2002 after a proposed site fell through at the last moment. I had the privilege to serve as the VAF president in the mid-1990s before there were cellphones, email, and a generous endowment to cover conference overruns and slip-ups. I’ve helped do the fieldwork for a number of others, including the Valley of Virginia in 1988, Charleston in 1994, Annapolis in 1998, Newport in 2001, Savannah in 2007, &lt;a href="https://www.vafweb.org/Durham-2016" target="_blank"&gt;Durham in 2016&lt;/a&gt;, and &lt;a href="https://www.vafweb.org/page-1821655" target="_blank"&gt;Alexandria in 2018&lt;/a&gt;.&amp;nbsp; At the heart of all the conferences have been the field tours, which over the years has allowed me to examine how and explore the reasons why regionalism (that all-embracing theme in American architecture) has manifest itself across the country. They have taken me to places that I would never have thought of going to such as St. Pierre and Miquelon, Butte, Fresno, Lawrence, Duluth, and points in between.&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font style="font-size: 16px;" color="#000000"&gt;My involvement in the VAF has been repaid many times over by the friendships that I have made over the past forty years. These turned a budding professional organization into something more personal. I now have colleagues whom I can call on for advice or a spare bedroom when traveling. I have also watched with pride as many of them have become leading experts in preservation technology, influential teachers, and museum directors who have rewritten the history of our field of study.&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font style="font-size: 16px;" color="#000000"&gt;I have taught seminar courses, surveys, and field schools at William and Mary for many years. During that time, I have enjoyed my interactions with students. If there is anything that we can pass on to those who follow is the fact that buildings tell many different kinds of stories about the past. I see that emerging out of the new scholarship presented each year in conference papers and the field guides. People are looking at buildings in ways that we didn’t even think of when I was starting out in the 1970s. That’s so rewarding—learning from my students and those younger scholars who have become VAF members over the past couple of decades. I think it was one of the reasons I accepted the job three years ago to become one of the co-editors of &lt;em&gt;&lt;a href="https://www.vafweb.org/buildingsandlandscapes" target="_blank"&gt;Buildings &amp;amp; Landscapes&lt;/a&gt;&lt;/em&gt;. I believed that I needed to be more fully engaged with this new scholarship. It has been rewarding and I catch glimpses of the same enthusiasm that motivated me in those early days to travel northward out of North Carolina to meet up with the FFFB, another group of young researchers eager to share their discoveries.&lt;/font&gt;&lt;/p&gt;</description>
      <link>https://vafweb.wildapricot.org/VAN-Spring-2020/8875548</link>
      <guid>https://vafweb.wildapricot.org/VAN-Spring-2020/8875548</guid>
      <dc:creator>Christine R Henry</dc:creator>
    </item>
    <item>
      <pubDate>Wed, 08 Apr 2020 06:00:00 GMT</pubDate>
      <title>Michael Allen publishes chapter in edited collection</title>
      <description>&lt;p&gt;&lt;span style="background-color: rgb(255, 255, 255);"&gt;&lt;font color="#000000" face="Calibri, Arial, Helvetica, sans-serif"&gt;&lt;img src="https://www.vafweb.org/resources/Pictures/VAN/20-2/midwest%20arch%20journeys%20cover.jpg" alt="" title="" border="0" width="250" height="200" align="right" style="margin: 8px;"&gt;Member Michael Allen recently published "'The Projects': Lost Public Housing Towers of the Midwest," a chapter in the collection, &lt;em&gt;Midwest Architecture Journeys&lt;/em&gt; (edited by Zach Mortice; Belt Publishing, 2019).&lt;/font&gt;&lt;/span&gt;&lt;br&gt;&lt;/p&gt;</description>
      <link>https://vafweb.wildapricot.org/VAN-Spring-2020/8880333</link>
      <guid>https://vafweb.wildapricot.org/VAN-Spring-2020/8880333</guid>
      <dc:creator>Christine R Henry</dc:creator>
    </item>
    <item>
      <pubDate>Wed, 08 Apr 2020 05:00:00 GMT</pubDate>
      <title>Spring Bibliography</title>
      <description>&lt;p&gt;&lt;font style="font-size: 16px;"&gt;compiled by Travis Olson&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 16px;"&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;Amhoff, Tilo. “The Agency of the Paper Plan: The Building Plans of Late Nineteenth-Century and Early Twentieth-Century Berlin.” &lt;em&gt;Journal of Urban History 46&lt;/em&gt;(2) March 1, 2020: 270–88. https://doi.org/10.1177/0096144219876605.&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 16px;"&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;Ansfield, Bench. “The Broken Windows of the Bronx: Putting the Theory in Its Place.” &lt;em&gt;American Quarterly&lt;/em&gt; 72(1) March 28, 2020: 103–27. https://doi.org/10.1353/aq.2020.0005.&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 16px;"&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;Arcini, Caroline, Carina Bramstång Plura, and Petra Nordin. “A Garrison Cemetery.” &lt;em&gt;International Journal of Historical Archaeology&lt;/em&gt; 24(1) March 1, 2020: 203–17. https://doi.org/10.1007/s10761-019-00513-y.&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 16px;"&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;Berger, Stefan, Bella Dicks, and Marion Fontaine. “‘Community’: A Useful Concept in Heritage Studies?” &lt;em&gt;International Journal of Heritage Studies&lt;/em&gt; 26(4) April 2, 2020: 325–51. https://doi.org/10.1080/13527258.2019.1630662.&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 16px;"&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;Bold, John, Peter Larkham, and Robert Pickard, eds. &lt;em&gt;Authentic Reconstruction: Authenticity, Architecture and the Built Heritage&lt;/em&gt;. (New York: Bloomsbury, 2020.)&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 16px;"&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;Chalifoux, Matthew S. “Conservation of Character-Defining Engineered Building Systems.” &lt;em&gt;APT Bulletin: The Journal of Preservation Technology&lt;/em&gt; 50(4) 2019: 33–41. https://doi.org/10.2307/26893536.&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 16px;"&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;Conrad, Sebastian. “Greek in Their Own Way: Writing India and Japan into the World History of Architecture at the Turn of the Twentieth Century.” &lt;em&gt;The American Historical Review&lt;/em&gt; 125(1) February 1, 2020: 19–53. https://doi.org/10.1093/ahr/rhz1224.&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 16px;"&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;Cupers, Kenny, and Prita Meier. “Infrastructure between Statehood and Selfhood: The Trans-African Highway.” &lt;em&gt;Journal of the Society of Architectural Historians&lt;/em&gt; 79(1) March 1, 2020: 61–81. https://doi.org/10.1525/jsah.2020.79.1.61.&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 16px;"&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;Drueding, Meghan. “Reviving a Rosenwald School in Mars Hill, North Carolina | National Trust for Historic Preservation.” https://savingplaces.org/stories/reviving-a-rosenwald-school-in-mars-hill-north-carolina.&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 16px;"&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;Dümpelmann, Sonja. “Trees, Wood, and Paper: Materialities of Urban Arboriculture in Modern Berlin.” &lt;em&gt;Journal of Urban History&lt;/em&gt; 46(2) March 1, 2020: 310–33. https://doi.org/10.1177/0096144219876610.&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 16px;"&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;Ferretto, Peter W., and Ling Cai. “Village Prototypes: A Survival Strategy for Chinese Minority Rural Villages.” &lt;em&gt;The Journal of Architecture&lt;/em&gt; 25(1) January 2, 2020: 1–23. https://doi.org/10.1080/13602365.2020.1730420.&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 16px;"&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;Franklin, Maria. “Enslaved Household Variability and Plantation Life and Labor in Colonial Virginia.” &lt;em&gt;International Journal of Historical Archaeology&lt;/em&gt; 24(1) March 1, 2020: 115–55. https://doi.org/10.1007/s10761-019-00506-x.&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 16px;"&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;Gillin, Edward, and H. Horatio Joyce, eds. &lt;em&gt;Experiencing Architecture in the Nineteenth Century: Buildings and Society in the Modern Age.&lt;/em&gt; (London : Bloomsbury, 2019.)&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 16px;"&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;Gosseye, Janina, and Tom Avermaete. &lt;em&gt;Shopping Towns Europe: Commercial Collectivity and the Architecture of the Shopping Centre, 1945-1975&lt;/em&gt;. (New York: Bloomsbury, 2020.)&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 16px;"&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;Hartoonian, Gevork. &lt;em&gt;Time, History and Architecture: Essays on Critical Historiography.&lt;/em&gt; (New York: Routledge, 2020.)&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 16px;"&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;Heathcott, Joseph. “A Street in Bratislava: Searching for a Post-Communist Urbanity.” PLATFORM (blog). https://www.platformspace.net/home/a-street-in-bratislava-searching-for-a-post-communist-urbanity-1.&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 16px;"&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;Heathcott, Joseph. “Syntopic Landscape: The Wholesale Supply Market at Oaxaca.” PLATFORM (blog). https://www.platformspace.net/home/syntopic-landscape-the-wholesale-supply-market-at-oaxaca.&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 16px;"&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;Hubregtse, Menno. &lt;em&gt;Wayfinding, Consumption, and Air Terminal Design&lt;/em&gt;. (New York: Routledge, 2020.)&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 16px;"&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;Johnson, D. Andrew, and Carolyn Arena. “Building Dutch Suriname in English Carolina: Aristocratic Networks, Native Enslavement, and Plantation Provisioning in the Seventeenth-Century Americas.” &lt;em&gt;Journal of Southern History&lt;/em&gt; 86(1) February 17, 2020: 37–74. https://doi.org/10.1353/soh.2020.0001.&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 16px;"&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;Johnston, George Barnett. &lt;em&gt;Assembling the Architect: The History and Theory of Professional Practice&lt;/em&gt;. (London: Bloomsbury, 2020.)&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 16px;"&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;Kitroeff, Alexander. &lt;em&gt;The Greek Orthodox Church in America: A Modern History&lt;/em&gt;. (Ithaca: Cornell University Press, 2020.)&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 16px;"&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;Klanten, Robert, and Andrea Servert Alonso-Misol. &lt;em&gt;Beyond the West: New Global Architecture&lt;/em&gt;. (Berlin: Gestalten, 2020.)&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 16px;"&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;Kopec, David Alan, and AnnaMarie Bliss, eds. &lt;em&gt;Place Meaning and Attachment: Authenticity, Heritage and Preservation&lt;/em&gt;. (New York: Routledge, 2020.)&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 16px;"&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;Lasansky, D. Medina. “Italian Thermal Baths.” PLATFORM (blog). https://www.platformspace.net/home/italian-thermal-baths-1.&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 16px;"&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;Lasner, Matthew Gordon. “Back to School: The Enduring Appeal of Dorm Life in the United States.” PLATFORM (blog). https://www.platformspace.net/home/back-to-school-the-enduring-appeal-of-dorm-life-in-the-united-states.&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 16px;"&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;Lee, Min Kyung. “The Bureaucracy of Plans: Urban Governance and Maps in Nineteenth-Century Paris.” &lt;em&gt;Journal of Urban History&lt;/em&gt; 46(2) March 1, 2020: 248–69. https://doi.org/10.1177/0096144219876604.&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 16px;"&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;Lee, Min Kyung, and Sean Weiss. “Introduction: Cities on Paper: On the Materiality of Paper in Urban Planning.” &lt;em&gt;Journal of Urban History&lt;/em&gt; 46(2) March 1, 2020: 239–47. https://doi.org/10.1177/0096144219876603.&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 16px;"&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;Levitt, Theresa. “When Lighthouses Became Public Goods: The Role of Technological Change.” &lt;em&gt;Technology and Culture&lt;/em&gt; 61(1) April 4, 2020: 144–72.&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 16px;"&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;Li, Mengbi. “The Evolution of the Zhaobi: Physical Stability and the Creation of Architectural Meaning.” &lt;em&gt;The Journal of Architecture&lt;/em&gt; 25(1) January 2, 2020: 45–64. https://doi.org/10.1080/13602365.2020.1734049.&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 16px;"&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;Loeb, Carolyn S. &lt;em&gt;Entrepreneurial Vernacular: Developers’ Subdivisions in the 1920s&lt;/em&gt;. (Baltimore: Johns Hopkins University Press, 2020.)&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 16px;"&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;Love, Jeannine deNobel. &lt;em&gt;Cleveland Architecture 1890-1930: Building the City Beautiful&lt;/em&gt;. (East Lansing: Michigan State University Press, 2020.)&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 16px;"&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;Marchi, Leonardo Zuccaro. &lt;em&gt;Heart of the City: Legacy and Complexity of a Modern Design Idea&lt;/em&gt;. (New York: Routledge, 2020.)&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 16px;"&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;McCurdy, John Gilbert. &lt;em&gt;Quarters: The Accommodation of the British Army and the Coming of the American Revolution.&lt;/em&gt; (Ithaca: Cornell University Press, 2019.)&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 16px;"&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;Mohajeri, Shima. &lt;em&gt;Architectures of Transversality: Paul Klee, Louis Kahn and the Persian Imagination.&lt;/em&gt; (New York: Routledge, 2020.)&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 16px;"&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;Musselwhite, Paul, Peter C. Mancall, and James P. P. Horn, eds. &lt;em&gt;Virginia 1619: Slavery and Freedom in the Making of English America&lt;/em&gt;. (Chapel Hill: The University of North Carolina Press, 2019.)&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 16px;"&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;Mwale, Katlego Pleasure, and Jo Lintonbon. “Heritage, Identity and the Politics of Representation in Tribal Spaces: An Examination of Architectural Approaches in Mochudi, Botswana and Moruleng, South Africa.” &lt;em&gt;International Journal of Heritage Studies&lt;/em&gt; 26(3) March 3, 2020: 281–98. https://doi.org/10.1080/13527258.2019.1621923.&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 16px;"&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;Nordenson, Catherine Seavitt. “O Aleijadinho e a Arquitetura Tradicional / The Little Cripple and Everyday Architecture.” PLATFORM (blog). https://www.platformspace.net/home/o-aleijadinho-e-a-arquitetura-tradicional-the-little-cripple-and-everyday-architecture.&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 16px;"&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;North, MacLaren. “Keeping the Lights On: Challenges to the Conservation of Australia’s Electrical Heritage.” &lt;em&gt;APT Bulletin: The Journal of Preservation Technology&lt;/em&gt; 50(4) 2019: 5–12. https://doi.org/10.2307/26893533.&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 16px;"&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;Oman, Georgia. “Segregation, Regulation, and the Gendering of Space at the University of Wales, Bangor, 1884–1907.” &lt;em&gt;Women’s History Review&lt;/em&gt; 29(2) February 23, 2020: 308–30. https://doi.org/10.1080/09612025.2019.1660056.&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 16px;"&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;Revell, Keith D. “Luxury Hotels and Urban Hostels: Carl Fisher, Resort Architecture, and the Contrasting Worlds of Miami Beach’s Pre-Depression-Era Lodging.” &lt;em&gt;Journal of the Society of Architectural Historians&lt;/em&gt; 79(1) March 1, 2020: 39–60. https://doi.org/10.1525/jsah.2020.79.1.39.&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 16px;"&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;Rosner, Victoria. &lt;em&gt;Machines for Living: Modernism and Domestic Life&lt;/em&gt;. (New York: Oxford University Press, 2020.)&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 16px;"&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;Saxine, Ian. &lt;em&gt;Properties of Empire: Indians, Colonists, and Land Speculators on the New England Frontier&lt;/em&gt;. (New York: New York University Press, 2019.)&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 16px;"&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;Scribner, Vaughn. &lt;em&gt;Inn Civility: Urban Taverns and Early American Civil Society&lt;/em&gt;. (New York: New York University Press, 2019.)&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 16px;"&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;Shoked, Noam. “Design and Contestation in the Jewish Settlement of Hebron, 1967–87.” &lt;em&gt;Journal of the Society of Architectural Historians&lt;/em&gt; 79(1) March 1, 2020: 82–102. https://doi.org/10.1525/jsah.2020.79.1.82.&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 16px;"&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;Snyder, Robert W. “The Dystopian Experience of Skiing in New Jersey’s New American Dream Mall.” PLATFORM (blog). https://www.platformspace.net/home/the-dystopian-experience-of-skiing-in-new-jerseys-new-american-dream-mall.&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 16px;"&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;Stewart, John. &lt;em&gt;Nordic Classicism: Scandinavian Architecture 1910 -1930&lt;/em&gt;. (New York: Bloomsbury, 2020.)&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 16px;"&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;Strang, Cameron B. &lt;em&gt;Frontiers of Science: Imperialism and Natural Knowledge in the Gulf South Borderlands, 1500-1850.&lt;/em&gt; (Chapel Hill: University of North Carolina Press, 2018.)&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 16px;"&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;Sugarman, Joe. “New Heights: Restoring Philadelphia’s Historic Christ Church | National Trust for Historic Preservation.” https://savingplaces.org/stories/restoring-philadelphias-historic-christ-church.&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 16px;"&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;Sunseri, Charlotte K. “Archaeologies of Working-Class Culture and Collective Action.” &lt;em&gt;International Journal of Historical Archaeology&lt;/em&gt; 24(1) March 1, 2020: 183–202. https://doi.org/10.1007/s10761-019-00508-9.&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 16px;"&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;Tangires, Helen. &lt;em&gt;Public Markets and Civic Culture in the Nineteenth-Century America&lt;/em&gt;. (Baltimore: Johns Hopkins University, 2020.)&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 16px;"&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;Tavener, Christopher. “Clearing the Air: Ventilation at the Colt Patent Fire-Arms Factory in Hartford, Connecticut.” &lt;em&gt;APT Bulletin: The Journal of Preservation Technology&lt;/em&gt; 50(4) 2019: 42–50. https://doi.org/10.2307/26893537.&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 16px;"&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;Trelstad, Derek, Rebecca Buntrock, and Alex Vandenbergh. “Measured Performance: Assessing Limit States of Structural Hollow-Tile Arches.” &lt;em&gt;APT Bulletin: The Journal of Preservation Technology&lt;/em&gt; 50(4) 2019: 21–32. https://doi.org/10.2307/26893535.&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 16px;"&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;Unwin, Simon. &lt;em&gt;Shadow: The Architectural Power of Withholding Light.&lt;/em&gt; (New York: Routledge, 2020.)&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 16px;"&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;Vidal, Cécile. &lt;em&gt;Caribbean New Orleans: Empire, Race, and the Making of a Slave Society&lt;/em&gt;. (Chapel Hill: University of North Carolina Press, 2019.)&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 16px;"&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;Violette, Zachary J. “Looking at the Urban Landscape to Understand Its Makers: Reflections on Process and Examination of the Decorated Tenement.” PLATFORM (blog). https://www.platformspace.net/home/looking-at-the-urban-landscape-to-understand-its-makers-reflections-on-process-and-examination-of-the-decorated-tenement.&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 16px;"&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;Wang, Ning, Eunhwa Yang, and Li Li. “Time as Space: A Comparative Analysis of Zhejiang Traditional Houses in the 1960s and 2010s.” &lt;em&gt;The Journal of Architecture&lt;/em&gt; 25(1) January 2, 2020: 77–109. https://doi.org/10.1080/13602365.2020.1734047.&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 16px;"&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;Wolf-Powers, Laura. “Recovering Land Value to Advance Equity: Gowanus, Brooklyn as a Case in Point.” PLATFORM (blog). https://www.platformspace.net/home/recovering-land-value-to-advance-equity-gowanus-brooklyn-as-a-case-in-point.&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 16px;"&gt;&lt;font color="#000000" style="font-size: 16px;"&gt;Woods, Orlando. “The Digital Subversion of Urban Space: Power, Performance and Grime.” &lt;em&gt;Social &amp;amp; Cultural Geography&lt;/em&gt; 21(3) March 23, 2020: 293–313. https://doi.org/10.1080/14649365.2018.1491617.&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;br&gt;&lt;/p&gt;</description>
      <link>https://vafweb.wildapricot.org/VAN-Spring-2020/8880280</link>
      <guid>https://vafweb.wildapricot.org/VAN-Spring-2020/8880280</guid>
      <dc:creator>Christine R Henry</dc:creator>
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