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    <title>Vernacular Architecture Forum VAN Spring 2019</title>
    <link>https://vafweb.org/</link>
    <description>Vernacular Architecture Forum blog posts</description>
    <dc:creator>Vernacular Architecture Forum</dc:creator>
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    <language>en</language>
    <pubDate>Sun, 12 Apr 2026 23:33:32 GMT</pubDate>
    <lastBuildDate>Sun, 12 Apr 2026 23:33:32 GMT</lastBuildDate>
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      <pubDate>Tue, 07 May 2019 17:00:00 GMT</pubDate>
      <title>Letter from the Editor</title>
      <description>&lt;p&gt;&lt;font face="Arial, sans-serif"&gt;Welcome to the &lt;a href="https://www.vafweb.org/VAN-Spring-2019" target="_blank"&gt;Spring 2019 issue of VAN&lt;/a&gt;&lt;font color="#000000"&gt;&lt;span style="font-size: 19px;"&gt;.&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/font&gt;&lt;/font&gt;&lt;span style=""&gt;Feel free to use that link if you just want to scroll through all the stories directly on the website.&amp;nbsp; This is an exciting issue packed with great information you won’t want to miss!&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Arial, sans-serif"&gt;Featured in this issue is the upcoming &lt;a href="https://www.vafweb.org/Philadelphia-2019" target="_blank"&gt;annual meeting&lt;/a&gt; “Landscapes of Succession” &amp;nbsp;in Philadelphia May 29-June 1—registration closes this week.&amp;nbsp; Other opportunities include updates to the &lt;a href="https://www.vafweb.org/Field-School-Annoucments/" target="_blank"&gt;Field Schools&lt;/a&gt;&amp;nbsp;page on our website&lt;/font&gt;&amp;nbsp;&lt;font face="Arial, sans-serif"&gt;from the University of Oregon, as well as a workshop on wooden churches in Ukraine and a symposium at UVA.&amp;nbsp; &amp;nbsp;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Arial, sans-serif"&gt;Members have been very busy in the field in the past few months, with a report from a 2018 Ridout recipient&lt;/font&gt; &lt;span style="background-color: white;"&gt;&lt;font color="#333333" face="Arial, sans-serif"&gt;Alyssa Kreikemeier&lt;/font&gt;&lt;/span&gt;&lt;font face="Arial, sans-serif"&gt;&amp;nbsp;on work in Utah.&amp;nbsp;&amp;nbsp;&lt;/font&gt;&lt;font face="Arial, sans-serif"&gt;Members have also shared wonderful news of publications, photography exhibits, &amp;nbsp;and work on analyzing historic photos of vanished vernacular landscapes. &amp;nbsp;&amp;nbsp;To round out the issue is the &lt;a href="https://www.vafweb.org/VAN-Spring-2019/7327595" target="_blank"&gt;Spring Bibliography&lt;/a&gt;&amp;nbsp;is packed with useful resources that span the disciplines that contribute to vernacular architecture studies.&amp;nbsp; Thanks as always for the contributions to the newsletter, please keep them coming!&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Arial, sans-serif"&gt;Christine Henry, Newsletter Editor&lt;/font&gt;&lt;/p&gt;</description>
      <link>https://vafweb.org/VAN-Spring-2019/7332687</link>
      <guid>https://vafweb.org/VAN-Spring-2019/7332687</guid>
      <dc:creator>Christine R Henry</dc:creator>
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      <pubDate>Tue, 07 May 2019 16:01:00 GMT</pubDate>
      <title>VAF Conference--Landscapes of Succession Registration closes Friday, May 10</title>
      <description>&lt;p&gt;&lt;font face="Arial, sans-serif" style="font-size: 16px;"&gt;Thinking of &lt;span style="background-color: white;"&gt;&lt;font color="#333333"&gt;&lt;a href="https://www.vafweb.org/Philadelphia-2019" target="_blank"&gt;VAF’s 40th Annual Conference&lt;/a&gt;, Landscapes of Succession in Philadelphia, May 29-June 1?&amp;nbsp; Registration closes on &lt;strong&gt;Friday, May 10&lt;sup&gt;th&lt;/sup&gt;&lt;/strong&gt; and we would love to see you there! &amp;nbsp;This conference explores the successive and overlapping built peripheries of the city, from the early 18h century to the present. Through a study of the zones around the city core, we take conference goers on a journey along the arteries and into the formerly peripheral urban zones that are now incorporated into and transformed by surrounding urban fabric. The conference documents the blurred divisions between city and countryside, commercial and residential, rich and poor neighborhoods over a landscape shaped by the rivers, railways and trolley lines, and interstates.&lt;/font&gt;&lt;/span&gt; For more information, check out the &lt;a href="https://www.vafweb.org/page-1821693/7000580" title="Winter 2019 VAN" target="_blank"&gt;Winter 2019 issue of VAN&lt;/a&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font face="Arial, sans-serif" style="font-size: 16px;"&gt;For registration and details including &lt;a href="https://www.vafweb.org/2019-Full-Abstracts" target="_blank"&gt;full abstracts&lt;/a&gt;, go to the &lt;a href="https://www.vafweb.org/Philadelphia-2019" target="_blank"&gt;VAF Philadelphia webpage.&lt;/a&gt;&lt;/font&gt;&lt;/p&gt;</description>
      <link>https://vafweb.org/VAN-Spring-2019/7332628</link>
      <guid>https://vafweb.org/VAN-Spring-2019/7332628</guid>
      <dc:creator>Christine R Henry</dc:creator>
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      <pubDate>Tue, 07 May 2019 15:05:00 GMT</pubDate>
      <title>Joining Us in Philly? Be sure to say Hi to our Student Ambassadors!</title>
      <description>&lt;p&gt;&lt;img src="https://www.vafweb.org/resources/Pictures/VAFPhilly/WelcometoPhilly1.jpg" alt="" title="" border="0" style="margin: 10px;" width="510" height="337" align="left"&gt;Throughout the conference, Ambassadors from the University of Mary Washington will be talking to attendees about what VAF means to them and then posting short video and/or audio clips to our social media pages.&lt;/p&gt;

&lt;p&gt;If you’re approached by an Ambassador, please help them by participating! Thank you.&lt;/p&gt;

&lt;p&gt;And if you’re not joining us in Philly, be sure to follow along…&lt;/p&gt;

&lt;p&gt;&lt;img src="https://www.vafweb.org/resources/EmailTemplates/(copy)%20VAN%20Spring%202018/images/icon_facebook.png" alt="" title="" border="0"&gt;&amp;nbsp;&lt;a href="https://www.facebook.com/Vernacular.Architecture.Forum/" title="VAF Facebook Page" target="_blank"&gt;VAF Facebook&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;&lt;img src="https://www.vafweb.org/resources/EmailTemplates/(copy)%20VAN%20Spring%202018/images/icon_twitter.png" alt="" title="" border="0"&gt;&amp;nbsp;&lt;a href="https://twitter.com/vafweb" title="VAF Twitter Feed" target="_blank"&gt;VAF Twitter&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;&lt;img src="https://www.vafweb.org/resources/EmailTemplates/(copy)%20VAN%20Spring%202018/images/instagram%20icon.jpg" alt="" title="" border="0" width="20" height="20"&gt;&amp;nbsp;&lt;a href="https://www.instagram.com/vernaculararchitectureforum/" title="VAF Instagram Feed" target="_blank"&gt;VAF Instagram&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;&lt;br&gt;&lt;/p&gt;

&lt;p&gt;We update our social media pages throughout the year, not just at the conference, so follow along for exciting VAF news and please share with a friend or coworker!&lt;/p&gt;</description>
      <link>https://vafweb.org/VAN-Spring-2019/7327667</link>
      <guid>https://vafweb.org/VAN-Spring-2019/7327667</guid>
      <dc:creator>Christine R Henry</dc:creator>
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      <pubDate>Tue, 07 May 2019 14:01:00 GMT</pubDate>
      <title>Orlando Ridout V Fieldwork Fellowship Report: Learning from the Landscape</title>
      <description>&lt;p style="line-height: 13px;"&gt;by Alyssa Kreikemeier&lt;/p&gt;

&lt;p style="line-height: 18px;"&gt;&lt;br&gt;&lt;/p&gt;

&lt;p style="line-height: 18px;"&gt;“If you want to understand people of the past, don’t trust what they said about what they did, look at what they did.” -Tom Carter&lt;/p&gt;

&lt;p style="line-height: 27px;"&gt;&lt;br&gt;&lt;/p&gt;

&lt;p style="line-height: 27px;"&gt;James Deetz’s &lt;em&gt;In Small Things Forgotten: An Archaeology of Early American Life&lt;/em&gt; closes with a line that repeats this sentiment, nearly verbatim when Deetz writes, “Don’t read what we have written, look at what we have done.”(1)&amp;nbsp;I read Deetz’s words this fall I geared up for my orals exam in material culture for the PhD in American Studies at Boston University. Despite the rich examples that filled the preceding 200+ pages — gravestones and foodways, pottery and porcelain — these words called to mind a landscape far from New England when I read them.&lt;/p&gt;

&lt;p style="line-height: 27px;"&gt;Before I’d taken a dive into the literature, I put Deetz’s advice to work under the tutelage of Tom Carter during a field school in Utah this past summer. The Orlando Ridout V Fieldwork Fellowship enabled me to spend one July week rolling up my sleeves to document historic properties with perhaps the most widely established authority on Western vernacular landscapes.&lt;/p&gt;

&lt;p style="line-height: 27px;"&gt;In the July heat, my BU colleague Maddie Webster and I headed West to learn how to do measured drawings on a diversity of buildings including: mid nineteenth-century Mormon homes, an intermountain barn, and the Silver King Mine located above Park City. Riding along with Tom we covered a diversity of landscapes. We visited agrarian valleys that house the earliest traces of Euro-American settlement, a suburban development encasing a large barn, and the hybrid landscape of Park City where nineteenth-century miner’s houses can still be seen along narrow streets covered with the glitzy veneer of a resort town.&lt;/p&gt;

&lt;p style="line-height: 27px;"&gt;After long days of dedicated documentation, measurement, and drawings, we continued the learning through rich conversation over dinner. We discussed what we’d seen, historical questions that had been raised, challenges and insights gained through drawing, and biographical tid-bits. In addition to the field work, Anne Oliver generously set up a visit to SWCA Environmental Consultants so we could see how field work is of use outside of academic scholarship. We met Kate Hovanes and learned about the kind of work historical consultants do in cultural resource management. The 5-day field school offered Maddie and me exposure to not only the technical skills of measured drawing and career pathways, but the conceptual world of material culture and the historical context of the intermountain West. The remainder of the report follows as a photo essay including examples of the drawings we produced.&lt;/p&gt;
&lt;hr&gt;

&lt;p&gt;&lt;font style="font-size: 13px;"&gt;1&lt;/font&gt;&amp;nbsp;&lt;font style="font-size: 13px;"&gt;Deetz,&amp;nbsp;&lt;em&gt;In Small Things Forgotten&lt;/em&gt;., 260&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;img src="https://www.vafweb.org/resources/Pictures/VAN/19-2/Ridout%20Report_Kreikemeier_Draft_Page_3.jpg" alt="" title="" border="0" style="margin: 10px auto; display: block; max-width: none;" width="750" height="745"&gt;&lt;/p&gt;

&lt;p&gt;&lt;img src="https://www.vafweb.org/resources/Pictures/VAN/19-2/Ridout%20Report_Kreikemeier_Draft_Page_4.jpg" alt="" title="" border="0" width="750" height="821" style="margin-left: auto; margin-right: auto; display: block; max-width: none;"&gt;&lt;/p&gt;

&lt;p&gt;&lt;img src="https://www.vafweb.org/resources/Pictures/VAN/19-2/Ridout%20Report_Kreikemeier_Draft_Page_5.jpg" alt="" title="" border="0" width="750" height="838" style="margin-left: auto; margin-right: auto; display: block; max-width: none;"&gt;&lt;br&gt;&lt;/p&gt;</description>
      <link>https://vafweb.org/VAN-Spring-2019/7332292</link>
      <guid>https://vafweb.org/VAN-Spring-2019/7332292</guid>
      <dc:creator>Christine R Henry</dc:creator>
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      <pubDate>Tue, 07 May 2019 12:01:00 GMT</pubDate>
      <title>VAF New England Chapter News</title>
      <description>&lt;p&gt;On 23 March 2019 the New England Chapter of the Vernacular Architecture Forum held its twenty-first Annual Meeting at Old Sturbridge Village in Sturbridge, Massachusetts.&amp;nbsp; This year’s program again had a thematic focus, entitled &lt;em&gt;Landscapes of Diversity: The Cultural Complexity of New England’s Built Environment&lt;/em&gt;.&amp;nbsp; Over seventy attendees heard not only an interesting and varied range of papers but also a report on past and upcoming field trips.&amp;nbsp; Ritchie Garrison provided a brief overview of the upcoming 2021 VAF meeting in Plymouth, Massachusetts, whetting our appetites while hoping to enlist assistance from Chapter members.&amp;nbsp; See full program &lt;a href="https://www.vafweb.org/event-3291088" target="_blank"&gt;here&lt;/a&gt;.&lt;/p&gt;

&lt;p&gt;The first field trip for this year is scheduled for Saturday 8 June 2019 to Harrisville, New Hampshire.&amp;nbsp; Historic Harrisville executive director and Architectural Historian Erin Hammerstedt will lead a tour of the National Historic Landmark mill village with a focus on the twenty-first century issues that challenge the preservation of this nineteenth-century industrial landscape. &amp;nbsp;In the afternoon, the group will visit Aldworth Manor, a stuccoed villa crafted from a Greek Revival home originally located in Worcester, Massachusetts. &amp;nbsp;Erin will be joined by Aldworth Manor owner Shane Long and architectural historian Peter Michaud for a tour of the manor which is being rehabilitated using the federal preservation tax credit program.&amp;nbsp; &lt;em&gt;Look for the announcement with full details later this month.&lt;/em&gt;&amp;nbsp; The chapter is also planning for two additional field trips in the fall.&lt;/p&gt;</description>
      <link>https://vafweb.org/VAN-Spring-2019/7327652</link>
      <guid>https://vafweb.org/VAN-Spring-2019/7327652</guid>
      <dc:creator>Christine R Henry</dc:creator>
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      <pubDate>Tue, 07 May 2019 11:01:00 GMT</pubDate>
      <title>Building Technology Heritage Library reaches 10,000 documents milestone</title>
      <description>&lt;p&gt;&lt;img src="https://www.vafweb.org/resources/Pictures/VAN/19-2/APT.png" alt="" title="" border="0" align="left" style="margin: 10px;"&gt;On March 1, 2019 the 10,000&lt;sup&gt;th&lt;/sup&gt; document was added to the APT &lt;a href="https://archive.org/details/buildingtechnologyheritagelibrary"&gt;Building Technology Heritage Library&lt;/a&gt;, a free on-line archive of period architectural trade catalogs, house plans books, and technical building literature. The Building Technology Heritage Library (BTHL) is a project of the Association for Preservation Technology (APT) and is hosted by the Internet Archive. The 10,000&lt;sup&gt;th&lt;/sup&gt; document was a &lt;a href="https://archive.org/details/EmileMullerCie1904"&gt;1904 tile, and terra cotta, and fireplace catalog&lt;/a&gt; from a French Company: -- Emile Muller &amp;amp; Cie.&amp;nbsp; This document is from the collection of Prof. Miles Lewis of Melbourne Australia, the latest of several private libraries that have been added to this increasingly international archive. &amp;nbsp;Mike Jackson, the co-chair of this project said “This product catalog is a perfect example of the wonderful resources APT is making available to the public.&amp;nbsp; It is a beautifully illustrated and comprehensive overview of ceramic tile and architectural terra cotta available in turn-of-the-century France.&amp;nbsp; This is also a rare document that could only be found in a couple of research libraries and is now available to everyone.”&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Why is this being done?&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;The Association for Preservation Technology recognized the value of period trade catalogs and other technical publications as a primary research tool for its members. There were only a few institutional collections of these materials, which made them difficult to access. APT saw great benefit to a comprehensive online digital archive to serve a broad audience of preservation practitioners, advocates, historians and students. &amp;nbsp;&lt;font color="#000000"&gt;These materials are in the pubic domain and made available to the public at no charge. The scope of the collection ends in 1963 as materials after this date are still under copyright protection.&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Where do these materials come from?&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;These documents come from various library, museum and private collections.&lt;font color="#000000"&gt;&lt;a href="https://www.cca.qc.ca/en/" target="_blank"&gt;The Canadian Centre for Architecture&lt;/a&gt; (CCA) was the first major contributor. As the first partner in the BTHL, the CCA has shown noteworthy leadership in architectural and preservation education. &amp;nbsp;Two other major institutional libraries that have partnered with APT are the Southeast Architectural Archive at Tulane University and the Avery Library at Columbia University. The BTHL has also digitized numerous documents from private collectors. Two examples include the paint catalogs from the collection of conservator Mary Jablonski Building Conservation and the house plan catalogs from the collection of Wisconsin State Historic Preservation Officer James Draeger.&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;How are these materials being used?&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;&lt;font color="#000000"&gt;“The Building Technology Heritage Library’s collection of scanned trade catalogs is an invaluable resource for researchers and practitioners alike.&amp;nbsp;&amp;nbsp;It is the go-to source for primary resource material related to building technology.&amp;nbsp;&amp;nbsp;APT was wise to invest the time into creating this valuable collection and we are grateful to our initial stakeholders: the Canadian Centre for Architecture, the Historic Preservation Education Foundation, the National Center for Preservation Technology and Training and the Richard H. Driehaus Foundation.”&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font color="#000000"&gt;Anne Sullivan, School of the Art Institute, Chicago&lt;/font&gt;&lt;/p&gt;
&lt;hr&gt;

&lt;p&gt;A few comments from our users:&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;&lt;font color="#333333"&gt;Subject:&lt;/font&gt;&lt;/strong&gt;&lt;span style="background-color: white;"&gt;&lt;font color="#333333"&gt;&amp;nbsp;Pyrobar rehab&lt;/font&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;span style="background-color: white;"&gt;&lt;font color="#333333"&gt;“This library is an invaluable resource. Working on a seven story 1923 building in West Virginia I was asked by the architect what this material was surrounding the elevator shaft. I told him it was Pyrobar and provided the US Gypsum Catalog scan showing that it had a two-hour rating. He used this as documentation for the fire marshal. It saved the project the cost of removal of the material and constructing a modern two-hour fire rated drywall wall. They were appreciative to say the least.”&lt;/font&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;&lt;span style="background-color: white;"&gt;Subject:&lt;/span&gt;&lt;/strong&gt; &lt;span style="background-color: white;"&gt;&lt;font color="#333333"&gt;Serendipity!&amp;nbsp;&lt;/font&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;font color="#333333"&gt;“I was reviewing a terra cotta question with someone in the office, so of course turned to the BTHL. In scrolling through quickly to find a good example to illustrate our conversation, I happened to see a photo of another terra cotta building that we were working on at the time! This serendipity was so lovely, and of course, so helpful!”&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;&lt;font color="#333333"&gt;Subject:&lt;/font&gt;&lt;/strong&gt;&lt;span style="background-color: white;"&gt;&lt;font color="#333333"&gt;&amp;nbsp;Great Source!&amp;nbsp;&lt;/font&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;font color="#333333"&gt;“I love the early examples of glass block found in this catalogue, it really paints the picture of the material originally being thought of as glass brick. Thanks for putting it online!”&lt;/font&gt;&lt;/p&gt;
&lt;hr&gt;

&lt;p&gt;About the &lt;a href="http://www.apti.org"&gt;Association for Preservation Technology&lt;/a&gt; (APT)&lt;/p&gt;

&lt;p&gt;APT is a professional membership organization with more than 1,500 members in 30 countries. This project was not begun by a library or archive, but by a professional association whose members are major users of historic architectural trade literature. &amp;nbsp;The work of practicing preservation professionals often starts with an investigation of historic records.&amp;nbsp; Records of existing buildings and places are maintained in many locations, but technical documents describing building products and assemblies that are the substance of architectural trade catalogs are not widely distributed. The Association for Preservation Technology was in the forefront of recognizing the value of these materials, and even reprinted a few catalogs of these in book form and in early issues of the APT’s journal, &lt;em&gt;The Bulletin of the Association for Preservation Technology&lt;/em&gt;.&amp;nbsp; Only a few major trade catalog collections exist in contemporary architectural libraries. This initiative by APT will has created an on-line archive of these historic technical documents, which will make has made them useful to the widest audience.&lt;/p&gt;</description>
      <link>https://vafweb.org/VAN-Spring-2019/7332248</link>
      <guid>https://vafweb.org/VAN-Spring-2019/7332248</guid>
      <dc:creator>Christine R Henry</dc:creator>
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      <pubDate>Tue, 07 May 2019 10:10:00 GMT</pubDate>
      <title>Wooden Churches in Ukraine: a Conservation Assessment Workshop June 24 - July 6, 2019</title>
      <description>&lt;p&gt;&lt;img src="https://www.vafweb.org/resources/Pictures/VAN/19-2/Church%20of%20the%20Descent%20of%20the%20Holy%20Spirit,%20Rohatyn,%20c1600,%20photo%202010.jpg" alt="Church of the Descent of the Holy Spirit, Rohatyn, c1600, photo 2010 photo courtesy of Myron Stachiw " title="Church of the Descent of the Holy Spirit, Rohatyn, c1600, photo 2010 photo courtesy of Myron Stachiw " border="0" width="350" height="262" style="margin: 10px;" align="left"&gt;The Department of Architecture and Conservation of the Lviv Polytechnic National University in Lviv, Ukraine, in conjunction with USA facilitators Myron Stachiw (architectural historian) and Yuri Yanchyshyn (furniture conservator), are hosting a two-week workshop from June&amp;nbsp;24 to July 6, 2019.&amp;nbsp;&amp;nbsp;The goal of the workshop will be to teach participants how to conduct a conservation assessment: to examine, assess, and document a wooden structure, in this case the Church of the Descent of the Holy Spirit, an early 17th century log church in Rohatyn, Ukraine.&amp;nbsp;&amp;nbsp;In 2013 this structure was listed on the UNESCO World Heritage List with 15 other wooden churches in the Carpathian Mountain region of Ukraine and Poland (&lt;a href="https://whc.unesco.org/en/list/1424/)"&gt;https://whc.unesco.org/en/list/1424/)&lt;/a&gt;.&amp;nbsp;&amp;nbsp;&lt;br&gt;&lt;/p&gt;

&lt;p&gt;The workshop is open to students and recent graduates of art and architectural conservation programs, programs in historic preservation, art and architectural history. It will encompass the assessment of wood as the primary material of this art and architectural form, as well as the paintings on timber walls, the iconostasis and icons. This assessment will take the form of a highly detailed condition report, to which all attendees will contribute.&amp;nbsp;&lt;br&gt;&lt;/p&gt;

&lt;p&gt;&lt;img src="https://www.vafweb.org/resources/Pictures/VAN/19-2/Iconostasis,%20Church%20of%20the%20Descent%20of%20the%20Holy%20Spirit,%20Rohatyn%20(1650).jpg" alt="Iconostasis, Church of the Descent of the Holy Spirit, Rohatyn. Photo courtesy of Myron Stachiw." title="Iconostasis, Church of the Descent of the Holy Spirit, Rohatyn. Photo courtesy of Myron Stachiw." border="0" width="350" height="373" align="right" style="margin: 10px;"&gt;In addition to the assessments, participants will visit a conservation studio conducting the conservation of a 17th century iconostasis; visit and tour other sites; and will attend lectures / seminars by U.S., Ukrainian, and international practitioners in the field on the history of the wooden churches and their interiors, wood and its properties, wood identification, construction methods, documentation procedures, preservation issues, and other topics.&amp;nbsp;&lt;br&gt;
&amp;nbsp;&lt;br&gt;
Additional details of the workshop can be found at&lt;br&gt;
&amp;nbsp;&lt;a href="https://www.periodfurnitureconservation.com/workshop"&gt;https://www.periodfurnitureconservation.com/workshop&lt;br&gt;&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;For an overview of wood conservation in Ukraine please visit&lt;br&gt;
&amp;nbsp;&lt;a href="https://www.periodfurnitureconservation.com/speaking-arrangements/fulbright"&gt;https://www.periodfurnitureconservation.com/speaking-arrangements/fulbright&lt;/a&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;br&gt;&lt;/p&gt;

&lt;p&gt;The cost of this workshop is $700.00, which will include accommodations, some meals, and all ground transportation. Airline travel to and from Ukraine is the responsibility of the individual participant.&lt;br&gt;&lt;/p&gt;

&lt;p&gt;For more information: please contact Myron Stachiw at&amp;nbsp;&lt;a href="mailto:mostachiw@gmail.com"&gt;mostachiw@gmail.com&lt;/a&gt;.&lt;br&gt;&lt;/p&gt;

&lt;p&gt;To apply: please send a short cover letter and CV to Myron Stachiw &lt;a href="mailto:mostachiw@gmail.com"&gt;mostachiw@gmail.com&lt;/a&gt;.&lt;br&gt;&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Application deadline: May 17, 2019&lt;/strong&gt;&lt;/p&gt;</description>
      <link>https://vafweb.org/VAN-Spring-2019/7332205</link>
      <guid>https://vafweb.org/VAN-Spring-2019/7332205</guid>
      <dc:creator>Christine R Henry</dc:creator>
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      <pubDate>Tue, 07 May 2019 10:05:00 GMT</pubDate>
      <title>Architectural History at the University of Virginia: Richard Guy Wilson and Our Community of Scholars A Symposium and Celebration: November 15-16, 2019</title>
      <description>&lt;p align="center"&gt;&lt;font color="#262626"&gt;&lt;img src="https://www.vafweb.org/resources/Pictures/VAN/19-2/UVA.jpg" alt="" title="" border="0" width="500" height="90" style="margin: 10px;" align="left"&gt;&lt;br&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p align="left"&gt;&lt;font color="#262626"&gt;&lt;img src="https://www.vafweb.org/resources/Pictures/VAN/19-2/rgw_webgraphic5_web.jpg" alt="" title="" border="0" style="margin: 10px;" width="500" height="458" align="left"&gt;&lt;br&gt;
Please join our alumni, students, and friends as we gather for a symposium featuring paper presentations in honor of Richard Guy Wilson’s scholarship, teaching, and mentorship, and as we celebrate the Department of Architectural History’s present and future.&lt;br&gt;
&lt;br&gt;
&lt;strong&gt;&lt;font style="font-size: 16px;"&gt;Fri. 11.15.19&lt;/font&gt;&lt;/strong&gt;&lt;br&gt;
Paper Sessions presented by Architectural History alumni and students, followed by remarks by Richard Guy Wilson, Commonwealth Professor of Architectural History. Join friends and classmates for architectural history conviviality on Friday evening.&lt;br&gt;
&lt;br&gt;
&lt;strong&gt;&lt;font style="font-size: 16px;"&gt;Sat. 11.16.19&lt;/font&gt;&lt;/strong&gt;&lt;br&gt;
Paper Sessions presented by Architectural History alumni and students, followed by a celebratory reception honoring Richard Guy Wilson at the newly restored Rotunda.&lt;/font&gt;&lt;/p&gt;

&lt;p align="left"&gt;&lt;font color="#262626"&gt;More information about the event and registration will be coming soon - For up to date information, visit&amp;nbsp;&lt;font color="#262626"&gt;&lt;a href="http://emclick.advancement.virginia.edu/wf/click?upn=w7zPTlzXfzfZFMmuVY1qgPFrP-2F2W4JChPyOpGUcfbwLYKzJ9zj5ZGDzz1taOJ0C08M-2BvvBUodgvZU12PilXpSSW9TCLwCLRB4zHclcQqnUE-3D_W77bTy6YRdHySgTK0Dy8Rdw0kKNCv4P2SI43bn22-2FCYdYcLHDQEK-2B6h8WVpkIpWpp14CJPStxuKokMOP4V090pR4xJN7HClepuOMsgKW7p2e3f0QhGOnpIP-2F54qsjwTusZzVsNb49E4cR0mSyg14JcQG1ynj4Z2c-2FP3BEG41-2BcvgEnqikcbqYjjLfMsCTuuciREXoWePKH31IfsPJNKJuypWTMMI1VkgySHy0Xxp-2FNPlnfIM9Bb4BJ2Yr3jsaRkZogCcubGO0BpFUZpYZHyCCxGHyes4V63mqEqW7m3sMA-2F9LaWTWsfviNRpmhK6uqX5bOgTa-2FGrh41Nn43TlSynuSZkKbbpF4DENNdHV3km3bVvQnPSFXF2w0X-2Fh3UThl2dIzSni63YIcYak7wGdgCmouPioyVTJyXtkdsiDffmi3Me4Db9W2LuULPjX6sZVxJjOItyE5MWfXv-2BpGDUizEgqAFIhQVXy62N5WLXw-2BAJfCxQ2QzkoJoppujUX60gA1wK" data-saferedirecturl="https://www.google.com/url?q=http://emclick.advancement.virginia.edu/wf/click?upn%3Dw7zPTlzXfzfZFMmuVY1qgPFrP-2F2W4JChPyOpGUcfbwLYKzJ9zj5ZGDzz1taOJ0C08M-2BvvBUodgvZU12PilXpSSW9TCLwCLRB4zHclcQqnUE-3D_W77bTy6YRdHySgTK0Dy8Rdw0kKNCv4P2SI43bn22-2FCYdYcLHDQEK-2B6h8WVpkIpWpp14CJPStxuKokMOP4V090pR4xJN7HClepuOMsgKW7p2e3f0QhGOnpIP-2F54qsjwTusZzVsNb49E4cR0mSyg14JcQG1ynj4Z2c-2FP3BEG41-2BcvgEnqikcbqYjjLfMsCTuuciREXoWePKH31IfsPJNKJuypWTMMI1VkgySHy0Xxp-2FNPlnfIM9Bb4BJ2Yr3jsaRkZogCcubGO0BpFUZpYZHyCCxGHyes4V63mqEqW7m3sMA-2F9LaWTWsfviNRpmhK6uqX5bOgTa-2FGrh41Nn43TlSynuSZkKbbpF4DENNdHV3km3bVvQnPSFXF2w0X-2Fh3UThl2dIzSni63YIcYak7wGdgCmouPioyVTJyXtkdsiDffmi3Me4Db9W2LuULPjX6sZVxJjOItyE5MWfXv-2BpGDUizEgqAFIhQVXy62N5WLXw-2BAJfCxQ2QzkoJoppujUX60gA1wK&amp;amp;source=gmail&amp;amp;ust=1557505792858000&amp;amp;usg=AFQjCNFatUGZMuCOV-3Xgaf44ZwiEiqfXQ" style=""&gt;www.arch.virginia.edu/events/rgw-symposium-fall-2019&lt;/a&gt;&amp;nbsp;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p align="left"&gt;&lt;font color="#222222"&gt;&lt;font color="#262626" style=""&gt;We look forward to seeing you all in Charlottesville in November!&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;</description>
      <link>https://vafweb.org/VAN-Spring-2019/7332217</link>
      <guid>https://vafweb.org/VAN-Spring-2019/7332217</guid>
      <dc:creator>Christine R Henry</dc:creator>
    </item>
    <item>
      <pubDate>Tue, 07 May 2019 09:01:00 GMT</pubDate>
      <title>VAF Orlando Ridout V Fieldwork Fellowship Awards due December 1, 2019</title>
      <description>&lt;p&gt;To honor founding member Orlando Ridout V, who died in 2013, the Vernacular Architecture Forum has established a fieldwork fellowship in his name. Orlando, a mentor to so many of us, asked that donations in his memory be made to the VAF to support students’ and VAF members’ &amp;nbsp;fieldwork training and activities. To fulfill his request, the Orlando Ridout V Fieldwork Fellowship was created, combining contributions to the Ridout memorial fund with the former Fund for Fieldwork, established by a generous gift from long-time VAF member Thomas Carter in 2012.&lt;/p&gt;

&lt;p&gt;The Orlando Ridout V Fieldwork Fellowship will support and encourage students and VAF members in their field-based research and documentation projects, and in their efforts to learn and conduct fieldwork through apprenticeships, field schools, and continuing education and training projects.&lt;/p&gt;

&lt;p&gt;The guidelines for the Orlando Ridout V Fieldwork Fellowship allow all VAF members, as well as students participating in field school programs, to apply to the VAF Ridout Fieldwork Fellowship Committee for monies to support their field-based projects and training opportunities.&lt;/p&gt;

&lt;p&gt;Support is available in five categories:&lt;/p&gt;

&lt;ol&gt;
  &lt;li&gt;Field school directors (VAF members) may apply for grants of up to $1000 to support their programs and/or provide financial aid to participants;&lt;/li&gt;

  &lt;li&gt;Students participating in field schools or other training opportunities may apply for stipends of up to $500 to attend such programs (prior VAF membership not required);&lt;/li&gt;

  &lt;li&gt;VAF members may apply for grants of up to $500 to support continuing education and professional training activities.&lt;/li&gt;

  &lt;li&gt;VAF members may apply for grants of up to $1000 for support of fieldwork activities related to the pursuit of academic degrees;&lt;/li&gt;

  &lt;li&gt;VAF members may apply for grants of up to $1000 to support fieldwork activities not related to fulfillment of academic degree requirements;&lt;/li&gt;
&lt;/ol&gt;

&lt;p&gt;Projects that explore and document cultural diversity are especially welcome.&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;&lt;font style="font-size: 19px;"&gt;Grants to Field School Directors&amp;nbsp; &amp;nbsp;&lt;/font&gt;&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;Grants of up to $1000 are available to field schools organized and directed by VAF members.&amp;nbsp; These awards may be applied to program costs and/or stipends to participants at the discretion of the field school director.&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;&lt;em&gt;Application Process&amp;nbsp;&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;Completed applications by field school directors should be submitted electronically to the Ridout Fieldwork Fellowship Committee between January1 and September 1, 2019, to support programs that will be run during 2019 or over the winter intersession period of 2019-2020; a decision will be rendered in a timely manner after receipt of the request.&amp;nbsp; The application should define the scope, methodology, objectives, and expected outcomes of the field school. A final report will be submitted to the Ridout Fieldwork Fellowship Committee within three months of the completion of the field school describing the outcomes and impacts of the field school; if the funds were used to provide scholarships to individual participants, a list of the students who received the scholarships and amounts awarded should be included.&amp;nbsp; In addition, individual field school participants who received scholarship awards from the Field School Director should submit a brief report (up to three written pages, images, video, etc.) directly to the Ridout Fieldwork Fellowship Committee within three months of the completion of the field school discussing how the VAF Ridout Fieldwork Fellowship enabled them to obtain an understanding of fieldwork and how it will contribute to their future work/career.&amp;nbsp;&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;&lt;font style="font-size: 19px;"&gt;Grants to students participating in field schools or other training opportunities&lt;/font&gt;&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;Grants of up to $500 are available to students currently enrolled in undergraduate or graduate programs who will be participating in field schools or other training opportunities.&amp;nbsp; Prior membership in the VAF is not required.&amp;nbsp; A one-year student membership to the VAF will be provided to grantees if they are not already members.&amp;nbsp;&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;&lt;em&gt;Application Process&amp;nbsp;&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;Applications should be submitted electronically to the VAF Ridout Fieldwork Fellowship Committee by the student applying to or accepted to a field school during 2019 or during the winter intersession of the 2019-2020 academic year.&amp;nbsp; Applications should be received by the Committee at least one month prior to the start of the field school.&amp;nbsp; The cut-off date for receiving applications is December 1, 2019.&amp;nbsp; The application must include a description of the field school/training program to which the applicant has applied (name and location of the program, director, dates); a description of what expenses the grant will cover; the applicant’s CV; a letter of recommendation from a faculty member, field school director, or employer; copy of the letter/email of admission to the field school; and a brief essay on what the applicant hopes to learn, why the particular training is important, and how it might influence the applicant’s later academic and professional career.&amp;nbsp; If the applicant applies to the VAF for support to attend a field school prior to receiving notification of admission, such notification must be submitted before the grant can be awarded.&lt;/p&gt;

&lt;p&gt;The grantee will provide a brief, but substantive, report (up to three written pages, photo essay, video, or other presentation) to the VAF Ridout Fieldwork Fellowship Committee within three months of the completion of the field school about the field school experience and how it has benefitted the grantee and increased his/her understanding of the importance of fieldwork as a research activity.&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;&lt;font style="font-size: 19px;"&gt;Grants to VAF members to support continuing education and professional training activities.&amp;nbsp;&amp;nbsp;&lt;/font&gt;&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;VAF members may apply for grants of up to $500 to support continuing education and professional training related to fieldwork.&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;&lt;em&gt;Application Process&amp;nbsp;&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;Applications should be submitted electronically to the VAF Ridout Fieldwork Fellowship Committee by the applicant at least one month prior to the start of the program.&amp;nbsp; Applications will be accepted between January 1 and December 1, 2019.&amp;nbsp; The application must include a description of the program to which the applicant has applied (name and location of the program, director, dates); a description of what expenses the grant will cover; the applicant’s CV; copy of the letter/email of admission to the program; and a brief essay on what the applicant hopes to learn, why the particular training is important, and how it might influence and/or further the applicant’s career.&amp;nbsp; If the applicant applies to the VAF for support to attend an educational/training program prior to receiving notification of admission, such notification must be submitted before the grant can be awarded.&lt;/p&gt;

&lt;p&gt;The grantee will provide a brief, but substantive, report (up to three written pages, photo essay, video, or other presentation) to the VAF Ridout Fieldwork Fellowship Committee within three months of the completion of the educational/training program describing how it has benefitted the grantee, &amp;nbsp;increased his/her understanding of the importance of fieldwork as a research activity or ability to conduct such work, and the future benefits that the acquired knowledge/experience will bring to their work.&amp;nbsp; If possible, be specific about how the new knowledge will be applied.&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;&lt;font style="font-size: 19px;"&gt;Grants to VAF members for support of fieldwork activities related to the pursuit of academic degrees&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/font&gt;&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;VAF members may apply for grants of up to $1000 for support of fieldwork activities that are related to the achievement of an academic degree.&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;&lt;em&gt;Application Process&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;Applications should be submitted electronically to the VAF Ridout Fieldwork Fellowship Committee by the applicant between January 1 and December 1, 2019, and at least one month prior to the start of the project.&amp;nbsp; The application must include a description of the fieldwork project to be undertaken (nature of the resource(s) to be studied, methodology, expected outcomes and impact, project timeline); a description of expenses the grant will cover; the applicant’s CV; and a letter of support from a faculty member or academic advisor.&lt;/p&gt;

&lt;p&gt;The grantee will provide a brief, but substantive, report (up to three written pages, photo essay, video, or other presentation) to the VAF Ridout Fieldwork Fellowship Committee within three months of the completion of the project.&amp;nbsp; The report should describe the contributions made by the project with regard to fieldwork methods, deeper investigation of specific resources, and professional development of the participants.&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;&lt;br&gt;&lt;/strong&gt;&lt;strong&gt;&lt;font style="font-size: 19px;"&gt;Grants to VAF members for support of fieldwork not related to pursuit of an academic degree&amp;nbsp;&amp;nbsp;&lt;/font&gt;&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;VAF members may apply for grants of up to $1000 for support of non-academic research projects involving fieldwork related to a publication, exhibition, etc., or for preservation-related fieldwork such as documentation of threatened resources.&amp;nbsp;&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;&lt;em&gt;Application Process&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;Applications should be submitted electronically to the VAF Ridout Fieldwork Fellowship Committee by the applicant between January 1 and December 1, 2019, at least one month prior to the start of the fieldwork project.&amp;nbsp; The application must include a brief essay describing the resource(s) to be studied, the reasons for undertaking the fieldwork, methodology to be employed, expected outcomes and impacts; the applicant’s CV; if partnering with an organization, please describe the organization and include a letter from the organization describing their involvement and any contributions they might make (financial or otherwise); at least one letter of support for the project.&lt;/p&gt;

&lt;p&gt;The grantee will provide a brief, but substantive, report (up to three written pages, photo essay, video, or other presentation) to the VAF Ridout Fieldwork Fellowship Committee within three months of the completion of the project describing the outcomes and impacts of the project on the resource, community, and/or their own understanding of and ability to conduct fieldwork.&amp;nbsp; The report should describe the contributions made by the project with regard to fieldwork methods, deeper investigation of specific resources, and professional development of the participants.&lt;/p&gt;

&lt;p&gt;Reports submitted by grantees to the VAF Ridout Fieldwork Fellowship Committee maybe submitted at the discretion of the Committee Members for posting on the VAF web page, blog, or newsletter (VAN).&lt;/p&gt;</description>
      <link>https://vafweb.org/VAN-Spring-2019/7327629</link>
      <guid>https://vafweb.org/VAN-Spring-2019/7327629</guid>
      <dc:creator>Christine R Henry</dc:creator>
    </item>
    <item>
      <pubDate>Tue, 07 May 2019 08:05:00 GMT</pubDate>
      <title>Catherine Bishir honored in Carolina Journal</title>
      <description>&lt;p&gt;&lt;font color="#222222" face="Arial, sans-serif"&gt;&lt;img src="https://www.vafweb.org/resources/Pictures/VAN/19-2/Bishir.jpg" alt="Photo courtesy of Elizabeth Matheson" title="Photo courtesy of Elizabeth Matheson" border="0" style="margin: 10px;" width="500" height="489" align="right"&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font color="#222222" face="Arial, sans-serif"&gt;Catherine Bishir was recently honored in an &lt;a href="http://www.saltmagazinenc.com/carolina-journal/?fbclid=IwAR3xFdtD9gKmqomQOUNuwIq9zDf4DEl9Qb5e0LYapScEdZwAn5546Ypsdtwe" title="" changing="" target="_blank"&gt;article&lt;/a&gt; titled &lt;font color="#222222" face="Arial, sans-serif"&gt;“Changing Courses,” in&lt;/font&gt; &lt;span&gt;&lt;font color="#222222" face="Arial, sans-serif"&gt;&lt;u&gt;Carolina Journal&lt;/u&gt;&lt;/font&gt;&lt;/span&gt;. Author J. Michael Welton delivers an accessible narrative of Catherine’s professional life and underscores how it has evolved from fairly modest beginnings. So it’s very encouraging for those of us who are still making our way toward one or even many professional goals. Welton’s conclusion is that Catherine Bishir has become far more than North Carolina’s most influential architectural historian. With “unstinting facts and impeccable prose," Catherine has actually “altered the arc of [the state’s] cultural heritage.” How’s that for a worthy life’s work?&amp;nbsp;&lt;/font&gt;&lt;/p&gt;</description>
      <link>https://vafweb.org/VAN-Spring-2019/7327896</link>
      <guid>https://vafweb.org/VAN-Spring-2019/7327896</guid>
      <dc:creator>Christine R Henry</dc:creator>
    </item>
    <item>
      <pubDate>Tue, 07 May 2019 08:02:00 GMT</pubDate>
      <title>William Keller studying the vernacular landscape in Maine</title>
      <description>&lt;p&gt;&lt;span style="background-color: white;"&gt;&lt;font color="#222222" face="Arial, sans-serif"&gt;&lt;img src="https://www.vafweb.org/resources/Pictures/VAN/19-2/IMG_3772.JPG" alt="Photo by Cecil Stoughton, White House Photographs. John F. Kennedy Presidential Library and Museum, Boston" title="Photo by Cecil Stoughton, White House Photographs. John F. Kennedy Presidential Library and Museum, Boston" border="0" width="300" height="213" align="right" style="margin: 10px;"&gt;In looking at the landscape of the wharf in Midcoast Maine in the 20th century, William Keller is reviewing photographs in order to retrieve the spatial relationships between buildings no longer extant. Here, in a public domain image, the White House photographer Cecil Stoughton has captured a segment of wharf environment in addition to President Kennedy’s arrival sequence in Boothbay Harbor, Maine, in August, 1962.&lt;/font&gt;&lt;/span&gt;&lt;/p&gt;</description>
      <link>https://vafweb.org/VAN-Spring-2019/7327973</link>
      <guid>https://vafweb.org/VAN-Spring-2019/7327973</guid>
      <dc:creator>Christine R Henry</dc:creator>
    </item>
    <item>
      <pubDate>Tue, 07 May 2019 08:01:00 GMT</pubDate>
      <title>Harley Cowan has two solo photography exhibits</title>
      <description>&lt;p&gt;&lt;font color="#222222"&gt;Harley Cowan, Access Awardee 2018, had his first solo exhibit of photography March 5-29 in his hometown of Richland, Washington (right next to the Hanford Nuclear Reservation) for the 75th anniversary of the Manhattan Project. To read more, see the article on the Washington Trust for Historic Preservation’s &lt;a href="http://www.preservewa.org/cathedral-of-science/" target="_blank"&gt;website&lt;/a&gt;.&amp;nbsp;&amp;nbsp;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font color="#222222"&gt;This will be followed up by a new exhibit of photography at the visitor center for the &lt;a href="https://www.nps.gov/mapr/hanford.htm" target="_blank"&gt;Manhattan Project National Historical Park at Hanford&lt;/a&gt;&amp;nbsp;&lt;/font&gt;&lt;span style=""&gt;which will include some new photography specifically for the exhibit to show some of the various stories about life for workers in the area at the time. The exhibit will run from April through October.&lt;/span&gt;&lt;/p&gt;</description>
      <link>https://vafweb.org/VAN-Spring-2019/7331682</link>
      <guid>https://vafweb.org/VAN-Spring-2019/7331682</guid>
      <dc:creator>Christine R Henry</dc:creator>
    </item>
    <item>
      <pubDate>Tue, 07 May 2019 07:05:00 GMT</pubDate>
      <title>Laura AW Phillips authors book on North Carolina interiors</title>
      <description>&lt;p&gt;&lt;font style="font-size: 19px;" color="#000000" face="Calibri, sans-serif"&gt;&lt;img src="https://www.vafweb.org/resources/Pictures/VAN/19-2/GI_Cover.jpg" alt="" title="" border="0" width="300" height="225" style="margin: 10px;" align="right"&gt;The North Carolina SHPO office is pleased to announce the publication in January of architectural historian Laura AW Phillip's&amp;nbsp;&lt;em&gt;Grand Illusions:&amp;nbsp; Historic Decorative Interior Painting in North Carolina.&amp;nbsp;&lt;/em&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;font style="font-size: 19px;" color="#000000" face="Calibri, sans-serif"&gt;&lt;span style="background-color: rgb(255, 255, 255);"&gt;&lt;font style="font-size: 17px;" color="#000000" face="Alegreya, sans-serif"&gt;"With&amp;nbsp;&lt;/font&gt;&lt;/span&gt;&lt;em&gt;&lt;font style="font-size: 17px;" color="#000000" face="Alegreya, sans-serif"&gt;&lt;a href="https://www.uncpress.org/book/9780865264915/grand-illusions/" target="_blank"&gt;Grand Illusions&lt;/a&gt;,&lt;/font&gt;&lt;/em&gt;&lt;span style="background-color: rgb(255, 255, 255);"&gt;&lt;font style="font-size: 17px;" color="#000000" face="Alegreya, sans-serif"&gt;&amp;nbsp;Laura Phillips brings to readers her findings after decades of study of decorative interior painting. The chief focus is on the walls of North Carolina residences in the nineteenth century with nods to examples in nonresidential and out-of-state structures. Types studied include wood-grained painting; marbled, stone-blocked, and smoked painting; stenciled painting; and trompe-l’oeil and scenic paintings. The volume includes an extended essay on the topic accompanied by a photographic catalog of the properties and examples."--UNC Press website&lt;/font&gt;&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;</description>
      <link>https://vafweb.org/VAN-Spring-2019/7332544</link>
      <guid>https://vafweb.org/VAN-Spring-2019/7332544</guid>
      <dc:creator>Christine R Henry</dc:creator>
    </item>
    <item>
      <pubDate>Tue, 07 May 2019 07:01:00 GMT</pubDate>
      <title>Carla Yanni authors book on architectural history of dormitories</title>
      <description>&lt;p&gt;&lt;span style="background-color: rgb(255, 255, 255);"&gt;&lt;font color="#222222"&gt;&lt;img src="https://www.vafweb.org/resources/Pictures/VAN/19-2/yanni.jpg" alt="" title="" border="0" width="300" height="428" align="left" style="margin: 10px;"&gt;&lt;/font&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;span style="background-color: rgb(255, 255, 255);"&gt;&lt;font color="#222222"&gt;Carla Yanni, Professor, Rutgers University, New Brunswick, NJ, is pleased to announce the publication of&amp;nbsp;&lt;/font&gt;&lt;/span&gt;&lt;em&gt;&lt;font color="#222222" face="georgia, serif"&gt;Living on Campus: An Architectural History of the American Dormitory&amp;nbsp;&lt;/font&gt;&lt;/em&gt;&lt;span style="background-color: rgb(255, 255, 255);"&gt;&lt;font color="#222222" face="georgia, serif"&gt;(University of Minnesota Press, 2019).&amp;nbsp;&lt;/font&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;br&gt;&lt;/p&gt;

&lt;p&gt;"This richly illustrated &lt;a href="https://www.upress.umn.edu/book-division/books/living-on-campus" target="_blank"&gt;book&lt;/a&gt; examines the architecture of dormitories in the United States from the eighteenth century to 1968, highlighting the opinions of architects, professors, deans, and students. Carla Yanni focuses on the dormitory as a place of exclusion as much as a site of fellowship, and considers the uncertain future of residence halls in the age of distance learning."--University of Minnesota Press website&lt;/p&gt;</description>
      <link>https://vafweb.org/VAN-Spring-2019/7327977</link>
      <guid>https://vafweb.org/VAN-Spring-2019/7327977</guid>
      <dc:creator>Christine R Henry</dc:creator>
    </item>
    <item>
      <pubDate>Tue, 07 May 2019 05:01:00 GMT</pubDate>
      <title>Spring 2019 Bibliography</title>
      <description>&lt;p&gt;&lt;font style="font-size: 16px;"&gt;Compiled by Travis Olson&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;Auchmutey, Jim. Smokelore: A Short History of Barbecue in America. Athens: University of Georgia Press, 2019.&lt;/p&gt;

&lt;p&gt;Barber, Daniel A. A House in the Sun: Modern Architecture and Solar Energy in the Cold War. New York, NY: Oxford University Press, 2016.&lt;/p&gt;

&lt;p&gt;Birk, Megan. Fostering on the Farm: Child Placement in the Rural Midwest, 2019.&lt;/p&gt;

&lt;p&gt;Blanchet, Elisabeth, and Sonia Zhuravlyova. Prefabs: A Social and Architectural History. Swindon: Historic England, 2018.&lt;/p&gt;

&lt;p&gt;Brenwall, Cynthia S, Martin Filler, New York (N.Y.), and Municipal Archives. The Central Park: Original Designs for New York’s Greatest Treasure, 2019. https://www.overdrive.com/search?q=74797CBC-1DBB-465B-A026-1612FF79D7D0.&lt;/p&gt;

&lt;p&gt;Brody, David. Housekeeping by Design: Hotels and Labor. Chicago: The University of Chicago Press, 2016.&lt;/p&gt;

&lt;p&gt;Bronner, Simon J. The Practice of Folklore: Essays toward a Theory of Tradition. Jackson: University Press of Mississippi, 2019.&lt;/p&gt;

&lt;p&gt;Bushman, Richard L. The American Farmer in the Eighteenth Century: A Social and Cultural History. New Haven: Yale University Press, 2018.&lt;/p&gt;

&lt;p&gt;Carr, Ethan. The Greatest Beach: A History of the Cape Cod National Seashore. Designing the American Park. Athens, GA: University of Georgia Press, 2019.&lt;/p&gt;

&lt;p&gt;CATER, CASEY P. REGENERATING DIXIE: Electric Energy and the Modern South. Place of publication not identified: UNIV OF PITTSBURGH Press, 2019.&lt;/p&gt;

&lt;p&gt;Causey, Virginia Estes. Red Clay, White Water and Blues: A History of Columbus, Georgia. Athens: The University of Georgia Press, 2019.&lt;/p&gt;

&lt;p&gt;CRINSON, MARK. Modern Architecture and the End of Empire. Place of publication not identified: ROUTLEDGE, 2018.&lt;/p&gt;

&lt;p&gt;Davey, Colin. The American Museum of Natural History and How It Got That Way. New York, NY: Fordham University Press, 2019.&lt;/p&gt;

&lt;p&gt;Devienne, Elsa. “Urban Renewal by the Sea: Reinventing the Beach for the Suburban Age in Postwar Los Angeles.” Journal of Urban History 45, no. 1 (January 2019): 99–125. https://doi.org/10.1177/0096144217753379.&lt;/p&gt;

&lt;p&gt;Duncan, John Donald, Sandra Lee Underwood, and Mercer University Press. “The Showy Town of Savannah”: The Story of the Architect William Jay, 2019.&lt;/p&gt;

&lt;p&gt;Esperdy, Gabrielle M. American Autopia: An Intellectual History of the American Roadside at Midcentury. Midcentury : Architecture, Landscape, Urbanism, and Design. Charlottesville: University of Virginia Press, 2019.&lt;/p&gt;

&lt;p&gt;Fabiani Giannetto, Raffaella, ed. Foreign Trends in American Gardens: A History of Exchange, Adaptation, and Reception. Charlottesville: University of Virginia Press, 2016.&lt;/p&gt;

&lt;p&gt;Geva, Anat, ed. Modernism and American Mid-20th Century Sacred Architecture. Abingdon, Oxon ; New York, NY: Routledge, 2019.&lt;/p&gt;

&lt;p&gt;Goff, Lisa. “‘Something Prety out of Very Little’: Graniteville Mill Village, 1848.” Journal of the Society of Architectural Historians 78, no. 1 (March 1, 2019): 49–67. https://doi.org/10.1525/jsah.2019.78.1.49.&lt;/p&gt;

&lt;p&gt;Harmon, Alexandra. Reclaiming the Reservation: Histories of Indian Sovereignty Suppressed and Renewed. Seattle: University of Washington Press, 2019.&lt;/p&gt;

&lt;p&gt;Hauk, Gary S. Emory as Place: Meaning in a University Landscape. Athens: The University of Georgia Press, 2019.&lt;/p&gt;

&lt;p&gt;Hostetter, Ellen. “The Landscapes of Early Automobile Registration and Licensing Laws: Creating New Jersey’s Department of Motor Vehicles, 1903 to 1957.” Journal of Urban History 45, no. 3 (May 2019): 452–82. https://doi.org/10.1177/0096144217746374.&lt;/p&gt;

&lt;p&gt;Hurt, Douglas, and Adam Payne. “Postcard Imagery and Geographical Imagination along the Lincoln Highway.” Material Culture 51, no. 1 (Spring 2019): 1–20.&lt;/p&gt;

&lt;p&gt;Hyde, Timothy. Ugliness and Judgment: On Architecture in the Public Eye. Princeton, NJ: Princeton University Press, 2019.&lt;/p&gt;

&lt;p&gt;Lasso, Marixa. Erased: The Untold Story of the Panama Canal. Cambridge, Massachusetts: Harvard University Press, 2019.&lt;/p&gt;

&lt;p&gt;Lee, Jacob F. Masters of the Middle Waters: Indian Nations and Colonial Ambitions along the Mississippi. Cambridge, Massachusetts: The Belknap Press of Harvard University Press, 2019.&lt;/p&gt;

&lt;p&gt;Legacey, Erin-Marie. Making Space for the Dead: Catacombs, Cemeteries, and the Reimagining of Paris, 1780-1830. Ithaca: Cornell University Press, 2019.&lt;/p&gt;

&lt;p&gt;Lozanovska, Mirjana. Migrant Housing: Architecture, Dwelling, Migration. Routledge Research in Architecture. New York: Routledge, 2019.&lt;/p&gt;

&lt;p&gt;Macneal, Christopher. The Shape of Time in Buffalo Valley: Farmsteads and Barns of Union County, Pennsylvania. Heritage, volume 26 (2018). Lewisburg, Pennsylvania: Union County Historical Society, 2017.&lt;/p&gt;

&lt;p&gt;Madley, Benjamin. “California’s First Mass Incarceration System: Franciscan Missions, California Indians, and Penal Servitude, 1769–1836.” Pacific Historical Review 88, no. 1 (February 2019): 14–47. https://doi.org/10.1525/phr.2019.88.1.14.&lt;/p&gt;

&lt;p&gt;Mandell, Nikki. “A Hotel of Her Own: Building by and for the New Woman, 1900-1930.” Journal of Urban History 45, no. 3 (May 2019): 517–41. https://doi.org/10.1177/0096144218762631.&lt;/p&gt;

&lt;p&gt;Morgan, Murray. The Last Wilderness. Second edition. Seattle: University of Washington Press, 2019.&lt;/p&gt;

&lt;p&gt;Mubi Brighenti, Andrea, and Andrea Pavoni. “City of Unpleasant Feelings. Stress, Comfort and Animosity in Urban Life.” Social &amp;amp; Cultural Geography 20, no. 2 (February 12, 2019): 137–56. https://doi.org/10.1080/14649365.2017.1355065.&lt;/p&gt;

&lt;p&gt;Nash, Steven E., Bruce E. Stewart, and John C. Inscoe, eds. Southern Communities: Identity, Conflict, and Memory in the American South. Athens, Georgia: The University of Georgia Press, 2019.&lt;/p&gt;

&lt;p&gt;Naylor. “Imagining and Imagined Sites, Sights, and Sounds of Slavery.” The William and Mary Quarterly 76, no. 1 (2019): 25. https://doi.org/10.5309/willmaryquar.76.1.0025.&lt;/p&gt;

&lt;p&gt;Oler, Andy, ed. Pieces of the Heartland: Representing Midwestern Places, 2018.&lt;/p&gt;

&lt;p&gt;O’Malley, Nancy. Boonesborough Unearthed: Frontier Archaeology at a Revolutionary Fort. Lexington, Kentucky: The University Press of Kentucky, 2019.&lt;/p&gt;

&lt;p&gt;Ott, Jennifer. Olmsted in Seattle: Creating a Park System for a Modern City. First edition. Seattle: HistoryLink and Documentary Media, 2019.&lt;/p&gt;

&lt;p&gt;Palm, Regina. “The Mother’s House of the San Francisco Zoo: The Art of Engendering Space in the Modern City.” Women’s History Review 28, no. 3 (April 16, 2019): 437–56. https://doi.org/10.1080/09612025.2018.1493152.&lt;/p&gt;

&lt;p&gt;Rendell, Jane. “May Mo(u)Rn: Transitional Spaces in Architecture and Psychoanalysis — a Site-Writing.” The Journal of Architecture 24, no. 2 (February 17, 2019): 223–86. https://doi.org/10.1080/13602365.2019.1578076.&lt;/p&gt;

&lt;p&gt;Richardson, Milda B. “The Nexus between Vernacular and American Modernism.” In Modernism and Mid-20th Century American Sacred Architecture, edited by Anat Geva, 214–32. London: Routledge, 2018.&lt;/p&gt;

&lt;p&gt;Ripatti, Anna. “Modernizing Architecture and Ornament on Mid-Nineteenth-Century Scandinavian Farms.” Journal of the Society of Architectural Historians 78, no. 1 (March 1, 2019): 68–89. https://doi.org/10.1525/jsah.2019.78.1.68.&lt;/p&gt;

&lt;p&gt;Rybczynski, Witold. Charleston Fancy: Little Houses and Big Dreams in the Holy City. New Haven, CT: Yale University Press, 2019.&lt;/p&gt;

&lt;p&gt;Sheridan, Janet. “Mapping Marshalltown: Documentary Archaeology of a Southern New Jersey Landscape of Emancipation.” In Archaeologies of African American Life in the Upper Mid-Atlantic., edited by Michael J. Gall and Richard F. Veit, 101–15. Tuscaloosa, AL: University of Alabama Press, 2017.&lt;/p&gt;

&lt;p&gt;Speer, Jessie. “Urban Makeovers, Homeless Encampments, and the Aesthetics of Displacement.” Social &amp;amp; Cultural Geography 20, no. 4 (May 4, 2019): 575–95. https://doi.org/10.1080/14649365.2018.1509115.&lt;/p&gt;

&lt;p&gt;Steinhardt, Nancy Shatzman. Chinese Architecture: A History. Princeton, NJ: Princeton University Press, 2019.&lt;/p&gt;

&lt;p&gt;Stewart, John. Twentieth Century Town Halls: Architecture of Democracy. London ; New York: Routledge, 2019.&lt;/p&gt;

&lt;p&gt;Tangires, Helen. Movable Markets: Food Wholesaling in the Twentieth-Century City. Hagley Library Studies in Business, Technology, and Politics. Baltimore: Johns Hopkins University Press, 2019.&lt;/p&gt;

&lt;p&gt;Touchton, Michael, and Amanda J. Ashley. Salvaging Community: How American Cities Rebuild Closed Military Bases. Ithaca [New York]: Cornell University Press, 2019.&lt;/p&gt;

&lt;p&gt;Upton, Dell. American Architecture: A Thematic History. New York: Oxford University Press, 2019.&lt;/p&gt;

&lt;p&gt;Vidal, Cécile. Caribbean New Orleans: Empire, Race, and the Making of a Slave Society. Williamsburg, Virginia : Chapel Hill: Omohundro Institute of Early American History and Culture ; University of North Carolina Press, 2019.&lt;/p&gt;

&lt;p&gt;Violette, Zachary J. The Decorated Tenement: How Immigrant Builders and Architects Transformed the Slum in the Gilded Age. Minneapolis: University of Minnesota Press, 2019.&lt;/p&gt;

&lt;p&gt;Waselkov, Gregory A., ed. Native American Log Cabins in the Southeast. Knoxville: University of Tennessee Press, 2019.&lt;/p&gt;

&lt;p&gt;Weathersby, Claude, and Yolanda Weathersby. “Branch School Buildings in the St. Louis Public Schools District: Tools to Support the Segregative Neighborhood School Policy of the St. Louis Board of Education.” Journal of Urban History 45, no. 3 (May 2019): 483–99. https://doi.org/10.1177/0096144217712929.&lt;/p&gt;

&lt;p&gt;Whitehand, J. W. R. “Green Space in Urban Morphology: A Historico-Geographical Approach.” Journal of Urban Morpology 23, no. 1 (2019).&lt;/p&gt;

&lt;p&gt;Wilkinson, A. B. “Slave Life at Thomas Jefferson’s Monticello.” American Quarterly 71, no. 1 (2019): 247–64. https://doi.org/10.1353/aq.2019.0017.&lt;/p&gt;

&lt;p&gt;Yanni, Carla. Living on Campus: An Architectural History of the American Dormitory. Minneapolis: University of Minnesota Press, 2019.&lt;/p&gt;

&lt;p&gt;Yarrow, Thomas. Architects: Portraits of a Practice. Expertise. Ithaca: Cornell University Press, 2019.&lt;/p&gt;

&lt;p&gt;Zizzamia, Daniel. “Restoring the Paleo-West: Fossils, Coal, and Climate in Late Nineteenth-Century America.” Environmental History 24, no. 1 (January 1, 2019): 130–56. https://doi.org/10.1093/envhis/emy092.&lt;/p&gt;</description>
      <link>https://vafweb.org/VAN-Spring-2019/7327595</link>
      <guid>https://vafweb.org/VAN-Spring-2019/7327595</guid>
      <dc:creator>Christine R Henry</dc:creator>
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